In recent years, museums have increasingly turned to “open storage” techniques to display parts of their collection which would otherwise not be on public view. The foundations for this decades-long trend are found in the impulse to democratize museums with “visible” storage being touted as one...
Visual souvenirs from the nineteenth cohort of the Museum Studies graduate certificate program.
Isabelle Gillet, PhD candidate in the History of Art Muting the Museum’s Omniscient NarratorWhy do we trust museum labels even when they sound like they were written by a disengaged but knowledgeable AI? Instead, can we rely on an “I” to guide our eye...
In the wake of postcolonial African independence, African intellectuals and politicians spearheaded a movement to pursue repatriation of artworks stolen during the colonial era and placed in Western museums. Art Historian and curator Bénédicte Savoy brings to light this largely unknown but deeply important...
Worker cooperatives to build a solidarity economy, contemporary art that grapples with history and unleashes radical imaginations about our collective futures, everyday objects and labels written by public housing residents, cultural work that contributes to more just public policies and reparations, collective joy and civic love. Learn...
L’Internationale’s Democracy Pavilion for Europe aims to reenergize democracy as a desire and practice. It takes the arts’ potential as a starting point for imagining new epistemologies and ethics of living together within the limits of the planet. The pavilion responds to the current political moment...
