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DTSTART;TZID=America/Detroit:20160923T120000
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SUMMARY:Negotiating Slavery? The Politics of Memory and the Transformations of a State Museum in Colombia
DESCRIPTION:In a context of controversy surrounding the peace talks between the Colombian government and the FARC guerrilla movement\, the country’s museums are currently experiencing deep transformations. State museums in particular face the challenge of becoming more democratic and inclusive institutions even as they remain subject to the policies and programs of the government in power. This presentation discusses the challenges of curating an exhibition about slavery in New Granada at the Museo Colonial\, a state museum in Bogotá\, Colombia. It explores ongoing questions about the role of the curator in negotiating different approaches to the question of how a state museum should interpret the history of slavery in a context of institutional transformation and debates about memory and national reconciliation. The presentation also addresses the challenges and opportunities for incorporating Afro-Colombian communities into the process of representing their own history given the structures of the museum and the Colombian state. \n  \nPresented by Ana Silva – PhD candidate\, History \nSeptember 23 at 12:00 in UM Museum of Art Multi-Purpose Room (125)
URL:https://ummsp.rackham.umich.edu/tribe-event/negotiating-slavery-the-politics-of-memory-and-the-transformations-of-a-state-museum-in-colombia/
LOCATION:University of Michigan Museum of Art\, First Floor\, Multi-Purpose Room\, 525 South State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Museums at Noon
ORGANIZER;CN="UMMSP":MAILTO:ummsp@umich.edu
GEO:42.276802;-83.738289
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20151204T120000
DTEND;TZID=America/Detroit:20151204T120000
DTSTAMP:20160815T040343Z
CREATED:20150910T024842Z
LAST-MODIFIED:20160815T040343Z
UID:10000006-1449230400-1449230400@ummsp.rackham.umich.edu
SUMMARY:The God behind the Marble: Transcending the Object in the German Museum of Art
DESCRIPTION:Alice Goff (PhD post-doc\, Michigan Society of Fellows) \nThis presentation explores the relationship between aesthetic philosophy and art objects in public museums of art in German states in the first half of the nineteenth century. It argues that during this revolutionary period a conflict emerged between the ideal and the material registers of the museum’s public mission. As German museums sought to create spaces where visitors could leave behind the constraints of the material world and experience an ideal realm of beauty\, they also confronted works of art that resisted transcendence: objects whose material condition\, provenance\, and art historical interpretation defied attempts to enlist them into a realm of pure ideas and meanings. By looking at the conflicts that emerged in early public museums’ efforts to create physical environments that conformed to theoretical principles\, this presentation also reflects on the resonance of this history within contemporary museum practice.
URL:https://ummsp.rackham.umich.edu/tribe-event/title-tbd-2/
LOCATION:University of Michigan Museum of Art\, First Floor\, Multi-Purpose Room\, 525 South State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Museums at Noon
ORGANIZER;CN="UMMSP":MAILTO:ummsp@umich.edu
GEO:42.276802;-83.738289
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20151120T120000
DTEND;TZID=America/Detroit:20151120T120000
DTSTAMP:20160815T040343Z
CREATED:20150910T024842Z
LAST-MODIFIED:20160815T040343Z
UID:10000067-1448020800-1448020800@ummsp.rackham.umich.edu
SUMMARY:Translating the Museum: Multicultural Accessibility at the National Museum of Japanese History
DESCRIPTION:Esther Ladkau (PhD\, History) \nThe National Museum of Japanese History (known as Rekihaku)\, founded in 1983\, is the only national history museum in Japan with government sponsorship.  Its purpose is to represent the whole of the Japanese archipelago’s history and folk cultures.  Since its reconception in 2002\, Rekihaku has aimed to improve accessibility for minority and international visitors through a variety of means.  This presentation discusses some of the methods in use by Rekihaku that open the galleries up to minority and non-Japanese language speakers along with some of the barriers that remain.  Ultimately\, translating museum exhibits for multicultural audiences requires much more than translating words on paper.
URL:https://ummsp.rackham.umich.edu/tribe-event/translating-the-museum-multicultural-accessibility-at-the-national-museum-of-japanese-history/
LOCATION:University of Michigan Museum of Art\, First Floor\, Multi-Purpose Room\, 525 South State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Museums at Noon
ORGANIZER;CN="UMMSP":MAILTO:ummsp@umich.edu
GEO:42.276802;-83.738289
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20151023T120000
DTEND;TZID=America/Detroit:20151023T120000
DTSTAMP:20160815T040403Z
CREATED:20150910T024842Z
LAST-MODIFIED:20160815T040403Z
UID:10000066-1445601600-1445601600@ummsp.rackham.umich.edu
SUMMARY:Spending Some Time on the Inside: Jackson's Cell Block Seven Prison Museum
DESCRIPTION:Amy Reimann (Executive Director\, Ella Sharp Museum) \nIn 2013\, the Ella Sharp Museum of Jackson\, Michigan\, was approached about developing a plan for a museum at an operating penitentiary dedicated to telling the story of the Michigan Department of Corrections.  The Cell Block Seven Prison Museum opened for operation in June 2014 and continues to develop with support and direction from the MDOC.  We will discuss the initial goals for the museum\, what’s been learned over the past year\, and where it is headed over the next four.
URL:https://ummsp.rackham.umich.edu/tribe-event/title-tbd/
LOCATION:University of Michigan Museum of Art\, First Floor\, Multi-Purpose Room\, 525 South State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Museums at Noon
ORGANIZER;CN="UMMSP":MAILTO:ummsp@umich.edu
GEO:42.276802;-83.738289
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20151009T120000
DTEND;TZID=America/Detroit:20151009T120000
DTSTAMP:20160815T040403Z
CREATED:20150910T024842Z
LAST-MODIFIED:20160815T040403Z
UID:10000058-1444392000-1444392000@ummsp.rackham.umich.edu
SUMMARY:Gentrifiers or community anchors: are art museums good for urban neighborhood residents?
DESCRIPTION:Justin Meyer (PhD candidate\, Urban Planning) \nMy dissertation research examines how urban art museums impact their adjacent neighborhoods to understand when they contribute to gentrification (and the subsequent isolation or displacement of ethnic minorities and poorer households) and when they might help ‘anchor’ or even build diverse communities. Methodologically\, I use qualitative methods (interviews and participant observation) in a critical case study of the Portland Art Museum in Oregon to identify how and why the museum has benefitted its diverse surrounding neighborhood\, as well as how and why the museum has been complicit in gentrifying the neighborhood and creating exclusive space. I also employ a broader\, longitudinal analysis of socio-economic change between 1970 and 2010 in 158 neighborhoods adjacent to 60 art museums located across the country. This analysis gives me a more generalized view on whether art museums have anchored neighborhood diversity and population over the past several decades or whether their presence has corresponded with neighborhoods becoming more expensive and less diverse. \n  \nThe results of my qualitative research suggest that the health of the regional economy\, thephilosophical dispositions of a museum’s staff linked with an autonomy to pursue their own projects\, and the availability of funding dedicated to specific museum operations are the most important factors in whether or not an art museum benefits its diverse surrounding neighborhood. Results from my longitudinal\, socio-economic analysis of selected art museum neighborhoods suggest that art museum neighborhoods have been less likely than similarly located neighborhoods to experience the displacement of nonwhite populations\, more likely to experience a large increase in wealth\, and recently\, more likely to experience an increase in population\, especially in regions where population is in general decline. These results together suggest that art museums are valuable components to stabilizing neighborhood diversity and population\, attracting human capital\, and under the right conditions\, providing accessible\, valuable amenities for diverse neighborhood residents.
URL:https://ummsp.rackham.umich.edu/tribe-event/gentrifiers-or-community-anchors-are-art-museums-good-for-urban-neighborhood-residents/
LOCATION:University of Michigan Museum of Art\, First Floor\, Multi-Purpose Room\, 525 South State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Museums at Noon
ORGANIZER;CN="UMMSP":MAILTO:ummsp@umich.edu
GEO:42.276802;-83.738289
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20150925T120000
DTEND;TZID=America/Detroit:20150925T130000
DTSTAMP:20160815T040403Z
CREATED:20150910T025352Z
LAST-MODIFIED:20160815T040403Z
UID:10000049-1443182400-1443186000@ummsp.rackham.umich.edu
SUMMARY:The Emperor’s New Ethnography:  Debates at the Musée africain de Lyon
DESCRIPTION:Abigail Celis (PhD candidate\, French Language and Literature) \nHow do you do new ethnography with old tools? \nEthnographic museums\, in the past two decades\, have been dancing a funny limbo. The academic fields that shaped them have abandoned many of the methods and primary assumptions that were once the raison d’être for these museums. The regimes of imperial power that founded them have been\, perhaps not fully dismantled\, but heavily deconstructed. And the communities they once spoke for are increasingly able to make demands on the institutions that purport to represent them. \nThough many museums recognize these changes\, unless they are able to immediately undertake massive renovation and acquisition projects\, they are nonetheless saddled with collections and displays that served previous regimes of knowledge and power. In my MSP internship at the Musée africain de Lyon\, I was able to observe first-hand a museum that was grappling with how to convert its collections and displays into something that could meet contemporary demands and interests in an ethically and academically sound manner. This talk outlines how these debates took shape in this particular museum context\, and traces how they are tied to larger questions about why and if museums need objects.
URL:https://ummsp.rackham.umich.edu/tribe-event/the-emperors-new-ethnography-debates-at-the-musee-africain-de-lyon/
LOCATION:University of Michigan Museum of Art\, First Floor\, Multi-Purpose Room\, 525 South State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Museums at Noon
ORGANIZER;CN="UMMSP":MAILTO:ummsp@umich.edu
GEO:42.276802;-83.738289
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