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X-WR-CALNAME:Museum Studies Program, U-M Rackham Graduate School
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X-WR-CALDESC:Events for Museum Studies Program, U-M Rackham Graduate School
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DTSTART;TZID=America/Detroit:20260206T120000
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DTSTAMP:20260105T221107Z
CREATED:20251120T183506Z
LAST-MODIFIED:20260105T221107Z
UID:10000233-1770379200-1770382800@ummsp.rackham.umich.edu
SUMMARY:Virtual Open House for prospective students
DESCRIPTION:The Museum Studies Program invites students enrolled in any graduate program at the University of Michigan to apply for the Fall 2026 cohort. This multidisciplinary graduate certificate program draws on ideas from the arts\, humanities\, natural and social sciences\, and technology and provides countless opportunities to apply theories in a vast array of museums and cultural institutions on campus\, in the region\, nationally and around the world. \nThe MSP curriculum examines the role of museums in society as sites of memory\, learning\, research\, cultural production\, public scholarship\, civic engagement\, and entertainment. The 12-credit certificate program consists of the Museum Studies Seminar (Fall and Winter terms\, 6 credits)\, approved electives (6 credits)\, and a funded internship. It prepares students for academic and professional careers in museums\, heritage sites\, arboretums\, botanical gardens\, zoos and other living collections\, and universities. \nApplication Deadline: February 27\, 2026 \nApplication information can be found here. \nLearn more at our upcoming virtual open house! \nZoom meeting ID 986 4283 3159
URL:https://ummsp.rackham.umich.edu/tribe-event/virtual-open-house-for-prospective-students-3/
LOCATION:Online via Zoom
CATEGORIES:Other
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DTSTART;TZID=America/Detroit:20260217T173000
DTEND;TZID=America/Detroit:20260217T184500
DTSTAMP:20260216T023417Z
CREATED:20260123T225329Z
LAST-MODIFIED:20260216T023417Z
UID:10000237-1771349400-1771353900@ummsp.rackham.umich.edu
SUMMARY:Museo Moderno: A Values-driven Model that Positions Art and Artists as Central to Human\, Economic and Democratic Development
DESCRIPTION:Presentation by Victoria Noorthoorn\, Director\, Museo de Arte Moderno de Buenos Aires and the Museum Studies Program’s 2026 Visiting Scholar \nUM Museum of Art – Helmut Stern Auditorium \nHow does art lead the way in creating our possible futures? How do the human imagination and the agency and actions of art free the potential for wonder\, for hope\, optimism and joy\, to confront times of agony\, trauma and fear? In what ways do artists of all disciplines from around the world dare still to dream of different\, alternative futures for humanity\, to envision previously unimagined paths forward? How does art furnish humanity with the means to mourn\, mitigate\, overcome and bring solace and healing to the world’s deep antagonisms and conflicts? \nIn this lecture\, Museo Moderno´s Director Victoria Noorthoorn will describe the values-driven transformation of this vibrant museum of modern and contemporary art in Buenos Aires throughout her leadership over the past 12 years. Noorthoorn has persistently worked towards creating a new model for a public museum in Argentina – and in doing so\, she has created a new museum model – that positions art and artists as drivers of educational\, social\, economic and civic development. \nCo-sponsored by the UM Museum of Art\, Arts Initiative\, and History of Art \n \nVictoria Noorthoorn is the Director of the Museo de Arte Moderno de Buenos Aires since 2013. She holds a Licentiate in Art History from the University of Buenos Aires (UBA\, 1996) and an MA in Curatorial Studies from the Center for Curatorial Studies\, Bard College\, New York (1998). She has acted as Projects Coordinator for the International Program at MoMA\, New York; Assistant Curator of Contemporary Exhibitions at The Drawing Center\, New York; and Curator at Malba in Buenos Aires. Between 2004 and 2013\, she worked independently and curated the 29th Bienal de Arte de Pontevedra\, in Pontevedra\, Spain (2006); the 41 Salón Nacional de Artistas\, in Cali\, Colombia (2008); the 7a Bienal do Mercosul\, in Porto Alegre\, Brazil (2009); the 11ème Biennale de Lyon: A Terrible Beauty Is Born\, in Lyon\, France (2011); and The Circle Walked Casually\, Deutsche Bank KunstHalle\, in Berlin\, Germany (2013)\, among many other exhibitions. In 2012\, she was honoured with the Chevalier de l’Ordre des Arts et des Lettres by the French Ministry of Culture. In 2014\, she was selected to attend the Global Museum Leaders Colloquium organized by The Metropolitan Museum of Art\, New York. During her tenure leading the Moderno\, the museum has undergone a deep process of development that has involved doubling its exhibition spaces\, presenting +120 exhibitions\, publishing +70 bilingual publications\, escalating its various education programs to involve +20.000 teachers a year and achieving recognition for its mental health and accessibility programs. At the Moderno\, Noorthoorn has curated exhibitions of León Ferrari\, Marta Minujín\, Marina De Caro\, Ana Gallardo\, Tracey Rose\, Zanele Muholi\, Bernardo Ortiz\, Delcy Morelos\, and Sergio De Loof\, among many others\, and group exhibitions such as A Tale of Two Worlds (2017-2018) presented first at the MMK in Frankfurt and later at Museo Moderno. During the last few years\, the Moderno has presented the yearly programs One Day on Earth (2022-2023)\, Art Is Education (2024) and Art Is Theater (2025)\, each of which has articulated a narrative of +10 exhibitions. During 2020-2025\, Noorthoorn was an active Board member of CIMAM (International Committee of Museums and Collections of Modern Art)\, and in this capacity Museo Moderno hosted the 55th CIMAM Annual Conference (2023) which focused on the educational and social dimensions of museums of modern and contemporary art and was attended by +240 museum professionals from +80 countries. Today\, Museo Moderno prepares for its 70th Anniversary Program Our Home\, The Future to be launched on April 26\, 2026.
URL:https://ummsp.rackham.umich.edu/tribe-event/museo-moderno-a-values-driven-model-that-positions-art-and-artists-as-central-to-human-economic-and-democratic-development/
LOCATION:University of Michigan Museum of Art
CATEGORIES:Lectures
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DTSTART;TZID=America/Detroit:20260223T120000
DTEND;TZID=America/Detroit:20260223T130000
DTSTAMP:20260213T213050Z
CREATED:20260207T042006Z
LAST-MODIFIED:20260213T213050Z
UID:10000239-1771848000-1771851600@ummsp.rackham.umich.edu
SUMMARY:Museums@Noon - Internship experiences at Museum of Natural History of Bern\, Switzerland and the Museum of West African Art
DESCRIPTION:Internship experiences at Museum of Natural History of Bern\, Switzerland and the Museum of West African Art\nFebruary 23 from 12:00 – 1:00\nOnline via Zoom.\n\n  \nPatricia Torres-Pineda – MSP24; PhD student\, Ecology & Evolutionary Biology\nFrom the Field to the Museum: Experiences at the Museum of Natural History of Bern\nMore than 60 million natural history specimens are housed in Swiss museums\, universities\, botanical gardens\, and other heritage institutions. Nationwide investment in storage\, databasing\, and policy development actively advances museomics\, digitization\, anti-racism initiatives\, and provenance research. As a result\, these collections are increasingly recognized as dynamic archives for phylogenetic and global change research\, rather than as static displays. Join me to reflect on my experiences in one of the most important natural history museums and collections of Switzerland. \n  \nTimilehin Ayelagbe – MS24; PhD student\, Anthropology\nArt\, Labor\, and Landscape at MOWAA: Centering Production\, Environmental Knowledge\, & Community in Museum Interpretation \nThis presentation reflects on my internship at the Museum of West African Art Edo (MOWAA)\, where I contributed to research\, interpretation\, and the curation of an exhibition. Drawing on both my MOWAA experience and my UM Museum Studies training\, I discuss exhibition-making by centering production processes\, environmental knowledge\, and community context rather than focusing only on finished objects. The talk highlights how archaeological and ecological perspectives shaped my curatorial decisions and how this experience deepened my understanding of emerging museum practice in West Africa. \n  \n \n  \nMuseums@Noon flyer \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/museumsnoon-internship-experiences-at-the-museum-of-west-african-art-and-the-museum-of-natural-history-of-bern-switzerland/
LOCATION:Online via Zoom
CATEGORIES:Museums at Noon
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