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SUMMARY:From the Ballroom to the Museum: Celebrating Black Resistance in the Graystone Collection
DESCRIPTION:Location: The Jam Handy (2900 E Grand Blvd\, Detroit\, MI 48202) \nDate/time: November 9th from 5pm to 9pm \nFor nearly fifty years\, the Graystone Ballroom was the beating heart of Detroit’s vibrant music scene. In 1974\, the Graystone International Jazz Museum opened its doors – its collection including records\, posters\, and materials from the former Graystone Ballroom. Though the Graystone Ballroom and Museum are both closed today\, the collection – stewarded by DSC – remains a testament to the power of Detroit sound. \nPlease join Detroit Sound Conservancy at the historic Jam Handy for an evening of celebration and reflection on the legacy of the Graystone Collection. Renowned musician and composer Ali Jackson will give a lecture on Black sonic resistance in the Graystone Collection. After some light refreshments\, Jackson and his band will perform a curated rearrangement of tunes celebrating the Graystone legacy. \nThis program was facilitated by Ekaterina Olson-Shipyatsky (MSP23) for the Arts & Resistance Theme Semester. \nEvent flyer
URL:https://ummsp.rackham.umich.edu/tribe-event/from-the-ballroom-to-the-museum-celebrating-black-resistance-in-the-graystone-collection/
LOCATION:The Jam Handy\, 2900 E. Grand Blvd\, Detroit\, MI\, 48202\, United States
CATEGORIES:Other
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DTSTART;TZID=America/Detroit:20231115T120000
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SUMMARY:Museums in Practice series - Access and Museums: Making Meaning through Online and Digital Connections
DESCRIPTION:Join us via Zoom for the Museum Studies Program’s third annual Virtual Panel Discussion considering access and accessibility concerns in museum practice. With museum\, library\, and cultural heritage panelists from the Canadian Heritage Information Network (CHIN)\, Delft University of Technology\, and the Smithsonian Institution\, this session will explore the challenges and opportunities of “Open Access” initiatives and “Access to Heritage” programs. Topics to be presented and discussed include the task of upgrading Nomenclature for Museum Cataloguing to provide access to terminology from multiple languages and regions; the creation of new\, community-engaged research and educational opportunities using online collections; and the championing of digitized public domain heritage as a key tool for museums aiming to fulfill their societal missions. \nPanelists: \n\nLiz Harmon\, PhD\, Virtual Museum Program Manager\, American Women’s History Museum\, Smithsonian Institution\, USA\nDouglas McCarthy\, Head of Library Learning Centre\, Delft University of Technology\, Netherlands\nHeather Dunn\, Heritage Information Analyst\, Canadian Heritage Information Network\, Government of Canada\n\nThis panel discussion will be presented online via Zoom and will feature real time captioning. \nPlease register in advance for this online Zoom webinar. \nFlyer
URL:https://ummsp.rackham.umich.edu/tribe-event/museums-in-practice-series-access-and-museums-making-meaning-through-online-and-digital-connections/
LOCATION:Online via Zoom
CATEGORIES:Lectures
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DTSTART;TZID=America/Detroit:20231130T120000
DTEND;TZID=America/Detroit:20231130T130000
DTSTAMP:20231013T030444Z
CREATED:20231013T030348Z
LAST-MODIFIED:20231013T030444Z
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SUMMARY:Competing Interests: Examining Identity Politics in the Display of Ancient Egypt
DESCRIPTION:Competing Interests: Examining Identity Politics in the Display of Ancient Egypt \nHeidi Hilliker\, PhD student in Middle Eastern Studies \nNovember 30 from 12:00 – 1:00 pm \nEldersveld Room\, 5670 Haven Hall \nIn recent years\, there has been a movement to decolonize Western museums\, calling for a practice of self-reflection and transparency paired with a recognition of their Western-centric and criminal foundations. This has led institutions with collections of ancient Egyptian art and artifacts to revisit the ways in which they classify\, interpret\, and display their collections. These shifts in museum practice have revealed many competing interests\, exposing the complex ways in which inclusion\, identity\, and ownership are deeply intertwined. I witnessed these competing interests first-hand this summer during my MSP internship when a new exhibition highlighting the influence of ancient Egypt and Nubia in contemporary black music debuted at the Dutch National Museum of Antiquity in Leiden\, the Netherlands. \nIn this talk\, I will discuss this and other curatorial and institutional case studies that reflect current trends and the complicated discourses developing from them. Additionally\, I will consider the future of these movements and how they may affect museum practices. \nFlyer
URL:https://ummsp.rackham.umich.edu/tribe-event/competing-interests-examining-identity-politics-in-the-display-of-ancient-egypt/
LOCATION:Haven Hall\, Eldersveld Room\, 505 S. State Street\, Ann Arbor\, 48109
CATEGORIES:Museums at Noon
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