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DTSTART;TZID=America/Detroit:20200310T183000
DTEND;TZID=America/Detroit:20200310T193000
DTSTAMP:20200226T172615Z
CREATED:20200217T234509Z
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SUMMARY:Listening to Object Witnesses: Decolonizing Research in Museum Collections
DESCRIPTION:Presentation by Dr. Margaret M. Bruchac \nHow do Indigenous objects in museum collections speak to those who collect\, curate\, observe\, and claim them? The observable materials and patterns of construction obviously reflect particular ecosystems\, cultures\, and technologies\, but do these objects also retain memories of the artisans who created them? Do they wield more than just imagined meaning or distributed agency? In this talk\, Dr. Bruchac discusses strategies for recovering object histories through material analyses\, consultation\, and critical re-assessments of imposed museological categories (e.g.\, art\, artifact\, utilitarian\, etc.) that may have distanced objects from their origins and isolated them from others like themselves. Case histories will feature new research into iconic creations – such as a 17th century wooden war club embedded with re-purposed wampum beads\, and a shell bead wampum belt with a single glass bead – that function as “object witnesses” to entangled colonial settler/Indigenous encounters. Through her practice of “reverse ethnography\,” Bruchac will reveal how\, in many cases\, memories can be reawakened when otherwise mysterious objects are reconnected with the stories\, ecosystems\, knowledges\, and communities that created them. Object histories can also be recovered by tracking the desires and actions of non-Indigenous curators and collectors who transported these objects and stories to physically and conceptually distant locales. \n  \nDr. Margaret M. Bruchac is an Associate Professor of Anthropology\, Coordinator of Native American and Indigenous Studies\, and Associate Faculty in the Penn Cultural Heritage Center at the University of Pennsylvania. She is also a consultant to the Center for Native American and Indigenous Research at the American Philosophical Society\, and Director of “The Wampum Trail\,” a restorative research project designed to reconnect wampum belts in museum collections with their related Indigenous communities. Bruchac is co-editor\, with Siobhan Hart and H. Martin Wobst\, of “Indigenous Archaeologies: A Reader in Decolonization” (Left Coast Press 2010). Her new book – “Savage Kin: Indigenous Informants and American Anthropologists” (University of Arizona Press 2018) – was the winner of the 2018 Council for Museum Anthropology Book Award. \n  \nMarch 10 at 6:30 pm \nUM Museum of Art\, Helmut Stern Auditorium \n  \nCo-sponsored by the Department of American Culture; Eisenberg Institute for Historical Studies; LSA/Great Lakes Theme Semester; Native American and Indigenous Student Interest Group; Native American Studies Program; Office of Diversity\, Equity & Inclusion; Program in Science\, Technology and Society (STS); UM Museum of Anthropological Archaeology; UM Office of Research \n \nBruchac lecture announcement_final
URL:https://ummsp.rackham.umich.edu/tribe-event/listening-to-object-witnesses-decolonizing-research-in-museum-collections/
LOCATION:U-M Museum of Art\, Helmut Stern Auditorium\, 525 S. State St.\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Lectures
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20200313T090000
DTEND;TZID=America/Detroit:20200313T170000
DTSTAMP:20200505T191911Z
CREATED:20200311T131005Z
LAST-MODIFIED:20200505T191911Z
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SUMMARY:CLIFF 2020: (Counter) Narratives of Migration
DESCRIPTION:This event needed to be cancelled to to COVID-19 precautions. \nThe Museum Studies Program is proud to co-sponsor the 2020 CLIFF conference.  CLIFF is an annual conference organized by graduate students in Comparative Literature. This year’s conference theme\, “(Counter) Narratives of Migration\,” stems from the current migration crises around the globe\, but is not restricted to the present moment. The conference seeks to interrogate the narrativization\, visibility\, and media surrounding the movement of bodies\, ideas and material objects across concrete and abstract boundaries. We will explore circulation in all its forms\, through its various manifestations in the arts\, critical theory\, and new media. \nThis year’s keynote speaker will be Ariella Azoulay\, Professor of Comparative Literature and filmmaker and art curator\, currently teaching at Brown University. Azoulay’s work explores visual culture\, offering an in-depth critique of contemporary forms of violence\, imperialism and body politics. Her films\, exhibitions and scholarship address gendered and racial violence\, the Israel-Palestine conflict\, civil engagement\, and human rights. \nAdditional information about the conference can be found here.
URL:https://ummsp.rackham.umich.edu/tribe-event/cliff-2020-counter-narratives-of-migration/2020-03-13/
LOCATION:Michigan League\, Ann Arbor\, MI
CATEGORIES:Other
GEO:42.2808256;-83.7430378
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20200313T120000
DTEND;TZID=America/Detroit:20200313T130000
DTSTAMP:20200505T192624Z
CREATED:20200128T223524Z
LAST-MODIFIED:20200505T192624Z
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SUMMARY:Collecting Oceania
DESCRIPTION:This event needed to be cancelled to to COVID-19 precautions. \n \nTitle:  Collecting Oceania \nDate:  Friday\, March 13 \nTime:  12:00 pm \nLocation:  UM Museum of Art\, Multi-Purpose Room (125) \nPresenter:  Emily Cornish (PhD candidate\, History of Art) \nTraveling along numerous intellectual\, social\, political and cultural currents\, objects from the Pacific Islands have been circulating in United States’ museum collections since the nineteenth century\, especially in universal art museums.  Using a mid-Atlantic U.S. institution as a case study\, this talk explores Pacific Islands holdings and collection histories. Close engagement with museum object files\, digital catalogue\, and the objects themselves reveals a complex collecting history that encompasses the twentieth century obsession with the so-called “primitive arts\,” U.S. involvement in WWII\, and contemporary ethical dilemmas regarding the repatriation of human remains and sacred objects. By tracking aspects like objects’ display histories\, language of classification\, and more\, the bounded nature and value of this collection in relation to the museum’s current priorities\, initiative\, and constraints comes to the fore\, ultimately prompting consideration of the museum’s responsibility today to such objects and their source communities. \nBrownBag_Cornish
URL:https://ummsp.rackham.umich.edu/tribe-event/collecting-oceania/
LOCATION:University of Michigan Museum of Art\, First Floor\, Multi-Purpose Room\, 525 South State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Museums at Noon
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20200314T090000
DTEND;TZID=America/Detroit:20200314T170000
DTSTAMP:20200505T191911Z
CREATED:20200311T131005Z
LAST-MODIFIED:20200505T191911Z
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SUMMARY:CLIFF 2020: (Counter) Narratives of Migration
DESCRIPTION:This event needed to be cancelled to to COVID-19 precautions. \nThe Museum Studies Program is proud to co-sponsor the 2020 CLIFF conference.  CLIFF is an annual conference organized by graduate students in Comparative Literature. This year’s conference theme\, “(Counter) Narratives of Migration\,” stems from the current migration crises around the globe\, but is not restricted to the present moment. The conference seeks to interrogate the narrativization\, visibility\, and media surrounding the movement of bodies\, ideas and material objects across concrete and abstract boundaries. We will explore circulation in all its forms\, through its various manifestations in the arts\, critical theory\, and new media. \nThis year’s keynote speaker will be Ariella Azoulay\, Professor of Comparative Literature and filmmaker and art curator\, currently teaching at Brown University. Azoulay’s work explores visual culture\, offering an in-depth critique of contemporary forms of violence\, imperialism and body politics. Her films\, exhibitions and scholarship address gendered and racial violence\, the Israel-Palestine conflict\, civil engagement\, and human rights. \nAdditional information about the conference can be found here.
URL:https://ummsp.rackham.umich.edu/tribe-event/cliff-2020-counter-narratives-of-migration/2020-03-14/
LOCATION:Michigan League\, Ann Arbor\, MI
CATEGORIES:Other
GEO:42.2808256;-83.7430378
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20200319T120000
DTEND;TZID=America/Detroit:20200319T130000
DTSTAMP:20200505T192546Z
CREATED:20200210T235807Z
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SUMMARY:Preserving Context for Museum Collections: Implications\, Challenges\, Strategies
DESCRIPTION:This event needed to be cancelled to to COVID-19 precautions. \n \nTitle:  Preserving Context for Museum Collections: Implications\, Challenges\, Strategies \nDate:  Thursday\, March 19 \nTime:  12:00 pm \nLocation:  UM Museum of Art\, Multi-Purpose Room (125) \nPresenter:  Jeremy York (PhD candidate\, Information) \nIn this talk\, Jeremy will discuss the importance of preserving contextual information about museum objects and the challenges he experienced in doing so during his Museum Studies internship in the Research Library and Archives at the Detroit Institute of Arts (DIA). Jeremy’s talk will draw on two projects he worked on: assessing the feasibility of using a more robust system to track works that reference items owned by the DIA\, and making digitized photographs from historical exhibitions at the DIA available on the Web. Jeremy will describe some of the strategies he used to address challenges surrounding the capture\, enhancement\, and migration of metadata in these projects\, and reflect on his experience within the broader context of museum theory and practice. \nBrownBag_York
URL:https://ummsp.rackham.umich.edu/tribe-event/preserving-context-for-museum-collections-implications-challenges-strategies/
LOCATION:University of Michigan Museum of Art\, First Floor\, Multi-Purpose Room\, 525 South State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Museums at Noon
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20200320T120000
DTEND;TZID=America/Detroit:20200320T130000
DTSTAMP:20200505T192458Z
CREATED:20200128T223948Z
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SUMMARY:Reconstructing History/Reimagining Originality: The Case of Henry Ford’s English Preservations
DESCRIPTION:This event needed to be cancelled to to COVID-19 precautions. \n \nTitle:  Reconstructing History/Reimagining Originality: The Case of Henry Ford’s English Preservations \nDate:  Friday\, March 20 \nTime:  12:00 pm \nLocation:  UM Museum of Art\, Multi-Purpose Room (125) \nPresenter:  Bradley L. Taylor (Associate Director\, Museum Studies Program) \nAs the Stock Market Crash of 1929 was about to plunge the world into the Great Depression\, Henry Ford was putting finishing touches on an outdoor museum of historic structures known today as Greenfield Village.  Ford’s interest in preserving old buildings on site had existed for years but this assemblage of structures moved from other parts of the country was something few had seen before.  Ford and his team thus led an effort to preserve in a way that offered little precedent upon which to draw. \nThis talk showcases Ford’s efforts to rescue three English structures—a retail store\, a home\, and a forge—and finds that the stories of these three preservations lead us to new ways of considering deeply held assumptions about the nature of “originality” and “authenticity.” \nBrownBag_Taylor \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/reconstructing-history-reimagining-originality-the-case-of-henry-fords-english-preservations/
LOCATION:University of Michigan Museum of Art\, First Floor\, Multi-Purpose Room\, 525 South State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Museums at Noon
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20200326T120000
DTEND;TZID=America/Detroit:20200326T130000
DTSTAMP:20200505T192406Z
CREATED:20200224T230832Z
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SUMMARY:Interdisciplinary College and Professional Learning at the Art Institute of Chicago
DESCRIPTION:This event needed to be cancelled to to COVID-19 precautions. \nExterior of Art Institute of Chicago. \nTitle:  Interdisciplinary College and Professional Learning at the Art Institute of Chicago \nDate:  Thursday\, March 26 \nTime:  12:00 pm \nLocation:  UM Museum of Art\, Multi-Purpose Room (125) \nPresenter:  Christina DiFabio (PhD candidate\, Interdepartmental Program in Classical Art & Archaeology) \nThis presentation will discuss how a major art museum in the U.S. engages college and professional groups within various disciplines. During the winter of 2019\, I worked in the Adult Learning Division in the Department of Learning and Public Engagement at the Art Institute of Chicago. In my practicum\, I saw how the division initiates and maintains partnerships with art students at the School of the Art Institute and medical students at University of Illinois Chicago and Rush University. I will discuss how the division approaches art education with these different audiences as well as my own research which proposed how to broaden the medical school partnership to other professions\, such as social work. My work was an initial step in a larger project that is being undertaken by the division to create a wellness program for interdisciplinary students and professionals. \nBrownBag_DiFabio
URL:https://ummsp.rackham.umich.edu/tribe-event/interdisciplinary-college-and-professional-learning-at-the-art-institute-of-chicago/
LOCATION:University of Michigan Museum of Art\, First Floor\, Multi-Purpose Room\, 525 South State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Museums at Noon
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