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SUMMARY:Beyond Borders: Global Africa
DESCRIPTION:More than ever in the era of globalization\, ideas traverse geographic\, generational\, and cultural boundaries\, even as national borders seem to be closing. Beyond Borders: Global Africa reflects on this moment by considering how Africa and its artists have been at the center of complex histories of encounter and exchange for centuries. Bringing together a dazzling array of works made in Africa\, Europe\, and the United States from the nineteenth to twenty-first century\, the exhibition demonstrates the international scope and reach of art from Africa and the African diaspora. It also explores issues such as slavery\, colonization\, migration\, racism\, and identity at play in the objects and their histories. Highlights include paintings\, photographs\, sculpture\, and installations by Kudzanai Chiurai\, Omar Victor Diop\, Wangechi Mutu\, and Serge Alain Nitegeka. The exhibition is accompanied by a fully-illustrated publication\, the tenth in the UMMA Books series. \nLead support for Beyond Borders: Global Africa is provided by the University of Michigan Office of the Provost\, Michigan Medicine\, the National Endowment for the Arts\, and the University of Michigan Office of Research\, African Studies Center\, and Department of Afroamerican and African Studies\, and the Museum Studies Program.  Additional generous support is provided by the University of Michigan CEW+ Frances and Sydney Lewis Visiting Leaders Fund and Susan Ullrich.  \nExhibit runs August 11 – November 25 at the UM Museum of Art \nThe full schedule can be found here. \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/beyond-borders-global-africa/
LOCATION:MI
CATEGORIES:Other
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DTSTART;TZID=America/Detroit:20180914T120000
DTEND;TZID=America/Detroit:20180914T140000
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SUMMARY:EIHS Symposium: Museum Stories: The Ethics of Collecting
DESCRIPTION:What constitutes rightful ownership of cultural objects? The unprecedented looting of modern wars as well as various protest movements have spawned international regulations\, declarations\, and efforts that offer guidance in this regard. The extant framework\, however\, falls short of exhausting the ethical problems raised by artifacts\, their histories\, and their displays. For museum and university collections these questions have gained the greatest urgency. Our panel offers reflections on this vast terrain; three case studies will follow an opening contribution by one of the foremost experts on restitution\, repatriation\, and cultural heritage law. \nPanelists:\nPatty Gerstenblith\, Distinguished Research Professor of Law\, DePaul University\nRaymond Silverman\, Professor\, History of Art\, Afroamerican and African Studies\, University of Michigan\nTerry G. Wilfong\, Director / Curator of Graeco-Roman Egyptian Collections\, Kelsey Museum of Archaeology\, University of Michigan\nYao-Fen You\, Associate Curator\, European Sculpture and Decorative ArtsDetroit Institute of Arts\nHelmut Puff (chair)\, Elizabeth L. Eisenstein Collegiate Professor of History and Germanic Languages\, University of Michigan \n1014 Tisch Hall \nAdditional details here.
URL:https://ummsp.rackham.umich.edu/tribe-event/eihs-symposium-museum-stories-the-ethics-of-collecting/
LOCATION:Tisch Hall\, 435 State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Other
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DTSTART;TZID=America/Detroit:20180929T090000
DTEND;TZID=America/Detroit:20180929T170000
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SUMMARY:Expansive Realities: A Longer History of the “Virtual” in Art\, Architecture\, and Visual Culture
DESCRIPTION:Keynote speaker: Kristina Kleutghen\, David. W. Mesker Associate Professor of Art History and Archaeology\, Chinese Art and Architecture\, Washington University in St. Louis \nThe History of Art Department at the University of Michigan presents graduate student presentations for its biannual Graduate Symposium\, Expansive Realities: A Longer History of the “Virtual” in Art\, Architecture\, and Visual Culture. \nAs artistic practice increasingly engages with digital media and the virtual\, our symposium aims to foster discussions of the theoretical\, social\, and cultural nature of this phenomenon. While often linked to the digital age\, the virtual implies imagined and immersive spaces that defy material and physical boundaries.  Presentations will examine intersections between art and the virtual in a variety of historical and cultural contexts\, investigating the virtual not only in relation to contemporary visual culture\, but also as a phenomenon extending to the pre-modern periods of the history of art. \nCo-sponsored by UM Museum Studies Program\, UM Museum of Art\, Department of Classical Studies\, Medieval and Early Modern Studies\, Department of American Culture\, Comparative Literature\, Confucius Institute\, Lieberthal-Rogel Center for Chinese Studies\, Slavic Languages & Literatures\, Interdepartmental Program in Classical Art and Archaeology
URL:https://ummsp.rackham.umich.edu/tribe-event/expansive-realities-a-longer-history-of-the-virtual-in-art-architecture-and-visual-culture/
LOCATION:U-M Museum of Art\, Helmut Stern Auditorium\, 525 S. State St.\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Other
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