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SUMMARY:Object Lessons: Recollecting Museum Histories at Michigan
DESCRIPTION:Curated by Kerstin Barndt in collaboration with Richard Barnes and Amanda Krugliak\, with original commissioned artwork by Richard Barnes \nThe history of the modern research university is unthinkable without collecting. At the University Michigan\, the first objects brought to campus in the late 1830s included a piece of copper from the Upper Peninsula\, bird skins\, an Anishinaabe canoe and pressed plants. Today’s collections encompass over 25 million specimens and artifacts. As the last exhibition before the closing of the Natural History Museum in the Ruthven Museums Building\, Object Lessons activates the memory of the museums building and richly illustrates the University of Michigan’s lasting effort to build collections in support of its academic mission and for the public. \nShowcasing original objects dating from 1837 to the present\, Object Lessons affords visitors a synthetic look at 200 years of collecting for science. Museum specimens\, artifacts and documents from the archives bring into focus the University Museum’s importance to early state history\, its first global collecting expeditions\, the changing relationship between culture and nature\, science and religion; and the transformation of research and collecting practices from the nineteenth to the twenty-first centuries. Not all of U-M’s historical collections survive; the exhibition reflects this fact by focusing also on the life cycle of collections\, on points of origin and decline\, and on the shifting valorization of objects over time. \nObject Lessons draws on collections housed in the University’s research museums (Paleontology\, Zoology\, and Anthropological Archeology)\, as well as the University Herbarium\, the Museum of Natural History\, the Stephen S. Clark Map Library\, the Stearns Collection of Musical Instruments\, the Bentley Historical Library\, and the University of Michigan Library. \nMore information can be found here. \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/object-lessons-recollecting-museum-histories-at-michigan/
LOCATION:MI
CATEGORIES:Other
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20171018T090000
DTEND;TZID=America/Detroit:20180527T160000
DTSTAMP:20170929T191952Z
CREATED:20170920T135048Z
LAST-MODIFIED:20170929T191952Z
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SUMMARY:Exhibition - Excavating Archaeology at U-M: 1817‐2017
DESCRIPTION:This exhibition explores the history of archaeology and museums at the University of Michigan for the past 200 years and looks forward to the future of archaeology and museums at Michigan in the coming century. The exhibition relies on carefully chosen objects\, archival documents and images\, and other illustrative materials to examine moments in the history of the University of Michigan’s involvements in archaeology and the location of archaeology in the museum environment. \nOpening lecture on October 18 in the Pendleton Room at the Michigan Union from 6:00 pm – 7:15 pm.  Reception to follow at the Kelsey Museum from 7:30 pm – 8:30 pm. \n\nCurators: Carla M. Sinopoli and Terry G. Wilfong \nKelsey Museum location and hours of operation can be found here. \n \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/exhibition-excavating-archaeology-at-u-m-1817%e2%80%902017/
LOCATION:Kelsey Museum of Archaeology\, 434  South State Street\, Ann Arbor\, MI\, 48109
CATEGORIES:Other
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20171019T190000
DTEND;TZID=America/Detroit:20171019T203000
DTSTAMP:20170920T130220Z
CREATED:20170920T125420Z
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SUMMARY:Curatorial Dilemmas: Representing Africa at UMMA with Mary (Polly) Nooter-Roberts
DESCRIPTION:A series of talks by leading curators and thinkers in African art will launch a reimagining process for the forthcoming reinstallation of the University of Michigan Museum of Art’s Robert and Lillian Montalto Bohlen Gallery of African Art. Mary (Polly) Nooter-Roberts\, Professor of World Arts and Cultures at UCLA\, will be the first speaker in this series to contribute reflections on her own groundbreaking work in the display of African art. \nMary (Polly) Nooter Roberts is a Full Professor in UCLA’s Department of World Arts and Cultures/Dance\, and Consulting Curator for African Art at the Los Angeles County Museum of Art (LACMA). She holds a PhD in Art History from Columbia University\, and has served as Senior Curator at The Museum for African Art in New York\, and as Deputy Director and Chief Curator of the Fowler Museum at UCLA. \nRoberts studies the philosophical underpinnings of particular African visual and performance-based arts; museum and curatorial studies; the body and female representation; arts of divination and healing; and cross-cultural approaches to memory\, writing\, and inscription. With Allen F. Roberts\, she produced the award-winning works Memory: Luba Art and the Making of History (1996) and A Saint in the City: Sufi Arts of Urban Senegal (2003). She is also the author/curator of Secrecy: African Art that Conceals and Reveals (1993); and co-author of Exhibition-ism: Museums and African Art (1994); Inscribing Meaning: Writing and Graphic Systems in African Art (2007); and Luba in the “Visions of Africa” series (2007). Her most recent exhibition at LACMA is entitled The Inner Eye: Vision and Transcendence in African Arts. \nRoberts has been a Getty Postdoctoral Fellow and held other grants and awards; served as President of the Arts Council of the African Studies Association; and is an editor of African Artsjournal. In 2007\, she was decorated by the Republic of France as a Knight of the Order of Arts and Letters for her promotion of African art and artists of francophone countries. \nAdditional featured speakers include: \nThursday\, November 2\, 7 p.m.: Pamela McClusky\, Curator of African and Oceanic Art\, Seattle Art Museum \nThursday\, November 30\, 7 p.m.: Christa Clarke\, Senior Curator Arts of Global Africa\, Newark Museum \n  \n\n\nLead support for Power Contained: The Art of Authority in Central and West Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. \nThis lecture series is presented in partnership with the University of Michigan African Studies Center\, Department of Afroamerican and African Studies\, Department of History of Art\, Institute for the Humanities\, and Museum Studies Program. \nThe series is presented in conjunction with the UMMA exhibition Power Contained: The Art of Authority in Central and West Africa (on view from August 19-December 31\, 2017).
URL:https://ummsp.rackham.umich.edu/tribe-event/curatorial-dilemmas-representing-africa-at-umma-with-mary-polly-nooter-roberts/
LOCATION:U-M Museum of Art\, Helmut Stern Auditorium\, 525 S. State St.\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Other
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20171020T120000
DTEND;TZID=America/Detroit:20171020T130000
DTSTAMP:20170919T201908Z
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SUMMARY:The Museum Further Afield: Conservation\, Art\, and Archaeology
DESCRIPTION:Presentation by Suzanne Davis\, Associate Curator\, Kelsey Museum of Archaeology. \nFriday\, October 20 from 12:00 pm – 1:00 pm\, UM Museum of Art auditorium \n  \nThe Museum Further Afield: Conservation\, Art\, and Archaeology \nWhen we think and talk about museums\, we are often focused on what is happening within the gallery. But certain museums support projects around the world. In this talk\, Kelsey Museum of Archaeology conservator Suzanne Davis will provide a brief introduction to the field of conservation: what conservators do and where they work\, how to become a conservator\, and some of the big-picture issues conservators are concerned about today. As a specialist in archaeological conservation\, she will then describe how her work supports the mission of the Kelsey Museum\, both in Ann Arbor but also further afield\, specifically at the Kelsey Museum/University of Michigan archaeological excavations at El Kurru\, Sudan. Conservators working at archaeological sites like El Kurru conduct the same kinds of activities as conservators in museums — condition surveys and documentation\, conservation treatment\, and collections management — but in a different setting\, with different resources\, and a different kind of collection. \n  \nMuseums at Noon_Davis
URL:https://ummsp.rackham.umich.edu/tribe-event/museums-at-noon-october-20/
LOCATION:U-M Museum of Art\, Helmut Stern Auditorium\, 525 S. State St.\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Museums at Noon
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20171024T183000
DTEND;TZID=America/Detroit:20171024T193000
DTSTAMP:20171020T120429Z
CREATED:20170926T200816Z
LAST-MODIFIED:20171020T120429Z
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SUMMARY:University Natural History Museums: Portals of Discovery in the Anthropocene
DESCRIPTION:A conversation between: \nJames Hanken – Director\, Museum of Comparative Zoology\, Harvard University \nDiarmaid O Foighil – Chair\, Department of Ecology and Evolutionary Biology\, U-M \n  \nMany of the world’s great universities have natural history museums founded in the late 19th and early 20th centuries. Faculty curators are often called upon to justify the considerable expense associated with the maintenance of enormous collections under their care. The research and educational value of these collections resides in their wealth of identified biological specimens\, collected from natural populations at known times and locations. That value compounds with time because they increasingly represent populations\, species\, biological communities and ecosystems that no longer exist. Using museum collections\, modern scientists can in effect time travel by accessing otherwise unavailable genomic and ecological information from collection specimens that allow us to track change through time. \n  \nThis ability has never been more needed: our impact on the planet’s biota\, climate and ecosystems is such that profound ecological change\, AKA the Anthropocene\, is upon us. University natural history museums can play a key role in documenting that change\, determining its scope and\, via online outreach\, communicating results to a global audience. The value and potency of university-based natural history museums may be greater now than ever before. \n  \nJames Hanken is Director of the Harvard Museum of Comparative Zoology and Alexander Agassiz Professor of Zoology at Harvard University. After earning A.B. and Ph.D. degrees in zoology from the University of California\, Berkeley\, he did postdoctoral work in developmental biology at Dalhousie University\, Nova Scotia\, and then assumed a faculty position at the University of Colorado\, Boulder. Professor Hanken moved to Harvard in 1999\, where he is also a professor in the Department of Organismic and Evolutionary Biology and a member of the Biological Sciences in Dental Medicine Program. A member of the Executive Committee of the Encyclopedia of Life and a recognized teacher\, he has authored more than 130 scientific publications and edited four books\, and is also an accomplished nature and scientific photographer. \n  \nDiarmaid O’Foighil is Director of the Museum of Zoology and Professor of Ecology and Evolutionary Biology at the University of Michigan. Professor O’Foighil obtained a B.Sc. in zoology from NUI Galway\, Ireland\, in 1981 and a Ph.D. in Biology from the University of Victoria\, Canada\, in 1987. Prior to joining the faculty at the University of Michigan in 1995\, he was a postdoctoral fellow at the Friday Harbor Laboratories\, University of Washington\, and Simon Fraser University\, Vancouver\, and a research scientist at the University of South Carolina. He has served as the president of the American Malacological Society and on the editorial boards of Evolution and Malacologia. \n  \n*Note\, this event will be held at the Rackham Graduate School building (on the 4th floor\, West Conference Room) \n  \nCo-sponsored by the University of Michigan Bicentennial \n  \nHanken and O’Foighil announcement
URL:https://ummsp.rackham.umich.edu/tribe-event/title-tbd-3/
LOCATION:Rackham Graduate School\, 915 E. Washington Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Lectures
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