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SUMMARY:Afterthought - Remembering a Pandemic
DESCRIPTION:Five events comprise a special program spotlighting COVID commemoration as a form of political resistance. This program offers interactions with commemorative art\, invites students and visitors to think about art as a form of political and social action\, and includes multiple opportunities to interact with artists on campus. Additionally\, art is proposed as a pathway for resisting the dominance of text in academic expression. \nSept 28: 1:00 – 3:00 pm\, GalleryDAAS – Exhibition reception:  “Half Built House” a COVID memorial by Laura Taylor (exhibition runs from Sept 28 – Oct 27) \nSept 29:  6:00 pm\, UM Museum of Art auditorium – Screening: A work-in-progress screening of “Afterthought” \nSept 30:  11:00 am\, Rackham East Conference Room – Workshop: A graduate student workshop on film & academic expression \nSept 30:  1:00 pm\, Rackham East Conference Room – Career Talk: Featuring the Editor & Producer for “Afterthought” \nSept 30:  3:00 pm\, Rackham East Conference Room – Panel Talk: A discussion of the role of art in COVID commemoration \n  \nAfterthought flyer \nFor additional details\, click here. \n  \nSponsored by Arts Initiative\, UMMA\, American Culture\, Latina/o Studies\, and the Museum Studies Program
URL:https://ummsp.rackham.umich.edu/tribe-event/afterthought-remembering-a-pandemic/
LOCATION:Rackham Graduate School\, 915 E. Washington Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Other
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DTSTART;TZID=America/Detroit:20230929T120000
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SUMMARY:Global Interns: museum practice in Israel & Uganda
DESCRIPTION:Global Interns: museum practice in Israel & Uganda \nSeptember 29 from 12:00 – 1:00 pm \nEldersveld Room\, 5670 Haven Hall \n  \nAlexandra Norwood\,  PhD candidate\, Anthropology \nThe Apes of Uganda: An Exhibit and Outreach Program at the Uganda Museum \nUganda is often called the Pearl of Africa\, a phrase invoked by Winston Churchill describing the country: “for magnificence\, for variety of form and color\, for profusion of brilliant life – bird\, insect\, reptile\, beast” (W. S. Churchill\, 1909). Uganda’s remarkable biodiversity includes the presence of two species of living apes and a rich hominoid fossil record. Uganda’s importance to the evolution and conservation of great apes makes it essential to promote awareness and generate interest in protecting both fossil sites and the living apes. \nThe “Apes of Uganda” Exhibition and Outreach Project is the result of a collaboration between staff at the Uganda National Museum and biological anthropologists at the University of Michigan. The goal of this project was to share information about ape evolution in Uganda\, the lives of chimpanzees and gorillas in Uganda’s National Park\, and the importance of conserving both fossil sites and the National Parks where living apes are found. The exhibition at the Uganda National Museum opened in February 2023 and has been visited by ~ 100\,000 visitors. A complementary schools outreach program carried out in July reached 18 Ugandan public primary and secondary schools in western Uganda\, near National Parks where great apes live. The measured impact of these efforts teaches us valuable lessons about how to make this type of educational programming as effective as possible and demonstrates the importance of meaningful\, outward-facing partnerships between researchers and museums. \nDenisa Glacova\,  PhD student\, Middle East Studies \nIs ANU – Museum of the Jewish People Telling the Whole Story? \nWhen asked about the ten-year-long renovation of ANU – Museum of the Jewish People in Tel Aviv\, Dan Tadmor\, the museum’s CEO explained that the conceptual\, technological\, artistic\, and architectural overhaul was necessary to turn the institution into “the most comprehensive Jewish museum in the world.” Even its name was changed then – the former Beit Hatfutsot\, or the Diaspora Museum\, became ANU\, i.e. we in Hebrew\, reflecting its ambitious attempt to represent “all parts of the Jewish people.” Or\, as Tadmor puts it\, to “tell the whole story.” \nIn my short talk\, I will reflect on my three-month internship at The Koret International School for Jewish Peoplehood in ANU. I will focus on ANU’s “vision of radical [Jewish] togetherness” and address its methodology and tools used to create an overarching exhibition narrative connecting Jewish histories and cultures throughout more than 4\,000 years. Additionally\, I will present a few possibilities to include stories pushed to the margins in the new three-store exhibition and to diversify the narrative of the current exhibition through educational programming in order to get closer to the – in my opinion – unattainable ideal of “telling the whole story.” \nMuseums@Noon flyer
URL:https://ummsp.rackham.umich.edu/tribe-event/museumsnoon-presentations/
LOCATION:Haven Hall\, Eldersveld Room\, 505 S. State Street\, Ann Arbor\, 48109
CATEGORIES:Museums at Noon
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230922T120000
DTEND;TZID=America/Detroit:20230922T130000
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SUMMARY:Tour of “Secrets of State: The Declassified History of the Chilean Dictatorship” exhibition at Weiser Hall gallery
DESCRIPTION:Weiser Hall – II Gallery\, Room 555 (5th Floor) (500 Church St.) \nJoin Eimeel Castillo (MSP18 alumna\, curatorial assistant\, and PhD candidate in History and Women’s & Gender Studies) for a tour of “Secrets of State:  The Declassified History of the Chilean Dictatorship” exhibition. The documents in this exhibit were declassified and made public as a result of years of research and FOIA advocacy by those promoting openness\, particularly members of the National Security Archive. In the wake of the historic arrest in London of General Pinochet in October 1998\, their efforts\, among others\, led President Bill Clinton to launch a special Chile Declassification Project in 1999 and the eventual release of over 24\,000 formerly top secret documents. \nCurated by Peter Kornbluh (Director of the Chile Documentation Project at the National Security Archive\, an NGO dedicated to freedom of information and transparency)\, this exhibit was co-designed by Eimeel Castillo (Ph.D. Candidate in History and Women’s and Gender Studies) and Victoria Langland (Associate Professor of History). \nRegister in advance for the tour (space is limited). \nCosponsors: University of Michigan [Center for Latin American and Caribbean Studies; International Institute; College of Literature\, Science\, and the Arts; Office of Research; Department of History; Eisenberg Institute for Historical Studies; Museum Studies Program; Institute for the Humanities] and Interfaith Council for Peace & Justice \n“Secrets of State” related events flyer
URL:https://ummsp.rackham.umich.edu/tribe-event/tour-of-the-secrets-of-state-the-declassified-history-of-the-chilean-dictatorship-exhibition-at-weiser-hall-gallery/
LOCATION:Weiser Hall\, 500 Church Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Other
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230920T120000
DTEND;TZID=America/Detroit:20230920T133000
DTSTAMP:20230908T143004Z
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SUMMARY:Lecture - Secrets of State: The Declassified History of the Chilean Dictatorship
DESCRIPTION:The Museum Studies Program is proud to co-sponsor this lecture associated with the “Reflections on the 50th Anniversary of the 1973 Coup in Chile” series of events: \n“Secrets of State: The Declassified History of the Chilean Dictatorship” \nSpeaker:  Peter Kornbluh\, Director of the Chile Declassification Project\, National Security Archive \nDate/time:  September 20 from 12:00 – 1:30 pm \nLocation:  1010 Weiser Hall \nPeter Kornbluh will present a lecture on the “Secrets of State: The Declassified History of the Chilean Dictatorship” exhibit.  The documents in this exhibit were declassified and made public as a result of years of research and FOIA advocacy by those promoting openness\, particularly members of the National Security Archive. In the wake of the historic arrest in London of General Pinochet in October 1998\, their efforts\, among others\, led President Bill Clinton to launch a special Chile Declassification Project in 1999 and the eventual release of over 24\,000 formerly top secret documents. \nCurated by Peter Kornbluh (Director of the Chile Documentation Project at the National Security Archive\, an NGO dedicated to freedom of information and transparency). \nCosponsors: University of Michigan [Center for Latin American and Caribbean Studies; International Institute; College of Literature\, Science\, and the Arts; Office of Research; Department of History; Eisenberg Institute for Historical Studies; Museum Studies Program; Institute for the Humanities] and Interfaith Council for Peace & Justice \n“Secrets of State” related events flyer
URL:https://ummsp.rackham.umich.edu/tribe-event/secrets-of-state-the-declassified-history-of-the-chilean-dictatorship/
LOCATION:Weiser Hall\, 500 Church Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Other
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230624T080000
DTEND;TZID=America/Detroit:20230624T103000
DTSTAMP:20230609T191433Z
CREATED:20230609T191128Z
LAST-MODIFIED:20230609T191433Z
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SUMMARY:I See What You're Saying: A WICAD Symposium at UMMA
DESCRIPTION:University of Michigan Museum of Art A Symposium on WICAD (the Workshop on Inclusive Co-Creation of Audio Descriptions) With Museum Visitors Who Are Blind\, Partially-blind\, And Sighted at UMMA\n8 – 10:30 AM – Public Panel Discussion\, Moderated by Audrey Bennett \nLocation:  University of Michigan Museum of Art \nFor generations\, large swaths of the population have been excluded from experiencing exhibitions at art museums. Those who are sighted have the privilege of visiting museums and engaging with the art within its spaces\, including reading contextual information about each piece on the placards positioned nearby. Museums have assumed that it is acceptable to make sight compulsory to engage with art and that sight alone is sufficient. However\, those who are blind and partially blind\, for instance\, are marginalized from these cultural experiences though they have a legal right to access and experience them. While the conversation around the uses of audio description started decades ago (Synder 2005)\, in recent years\, it has emerged as a viable way to facilitate blind and partially blind museum visitors experiencing museum artwork through oral descriptions of them facilitated via virtual and in-person experiences (Eardley et al. 2017; Anagnostakis et al. 2016)\, particularly during the Covid age of social distancing. However\, in those conversations\, audio descriptions are typically created solely by museum professionals\, without input from visitors who are blind and partially blind. Join us for a symposium at the University of Michigan Museum of Art to launch a generative co-creation of audio description educational program that brings together museum professionals with community members to co-create audio descriptions of select artwork from UMMA’s collection. \nClick here to register.
URL:https://ummsp.rackham.umich.edu/tribe-event/i-see-what-youre-saying-a-wicad-symposium-at-umma/
LOCATION:University of Michigan Museum of Art
CATEGORIES:Other
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230412T180000
DTEND;TZID=America/Detroit:20230412T200000
DTSTAMP:20230405T210506Z
CREATED:20230329T231213Z
LAST-MODIFIED:20230405T210506Z
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SUMMARY:MSP22 Capstone Presentations
DESCRIPTION:Presentations for this evening are as follows: \n6:00 pm “Marking the Marshall M. Fredericks Sculpture Museum’s 25th Anniversary” \nPresented by Hannah Edwards\, Charlotte Juergens\, Shiyuan Wang \nChallenge statement: To identify and propose programming to boost both local engagement with the museum and international recognition of the museum and Marshall Fredericks’ legacy. \nHost institution: Marshall M. Fredericks Sculpture Museum \n  \n7:00 pm “A Small Place with a Deep History: Exhibition Strategies for the Rehabilitated Blue Bird Inn” \nPresented by Denisa Glacova\, Mia Glionna\, Ekaterina Shipyatsky \nChallenge statement: \nTo develop an exhibition strategy for the Blue Bird Inn – a small place with a deep history – that meets its needs as Detroit’s only music archive\, event venue\, and reclaimed public hearth. \nHost institution: Detroit Sound Conservancy \n  \nJoin via Zoom:  https://umich.zoom.us/j/97795227624 \nMeeting ID: 977 9522 7624 \n  \nA full schedule of all Capstone presentations can be found here.
URL:https://ummsp.rackham.umich.edu/tribe-event/msp22-capstone-presentations/
LOCATION:Online via Zoom
CATEGORIES:Student Presentation
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230410T180000
DTEND;TZID=America/Detroit:20230410T200000
DTSTAMP:20230405T210536Z
CREATED:20230329T230749Z
LAST-MODIFIED:20230405T210536Z
UID:10000183-1681149600-1681156800@ummsp.rackham.umich.edu
SUMMARY:MSP 22 Capstone Presentations
DESCRIPTION:Presentations for this evening are as follows: \n6:00 pm “Expanding Narrating Nubia’s Network:”  Best Practices for Online Exhibition and Access” \nPresented by Tori Herzig-Deribin\, Tessa Oliveira\, Abigail Staub \nChallenge statement:  To develop robust resources and best practice recommendations for the development of an online component of the Narrating Nubia exhibition\, to be held in UM’s Duderstadt Center in Fall 2023. \nHost institution: Narrating Nubia Humanities Collaboratory \n  \n7:00 pm “Managing the Marionettes: The Bixby Trust Collection” \nPresented by Basmah Arshad\, Hayley Crowell\, Katie Kasperian \nChallenge statement:  To develop a long-term collections management plan for the Bixby Trust Collection and to refine the museum’s narrative and overall mission for future grant acquisition. \nHost institution: Saline Arts & Culture Committee \n  \nJoin via Zoom:  https://umich.zoom.us/j/97795227624 \nMeeting ID: 977 9522 7624 \n  \nA full schedule of all Capstone presentations can be found here.
URL:https://ummsp.rackham.umich.edu/tribe-event/msp-22-capstone-presentations/
LOCATION:Online via Zoom
CATEGORIES:Student Presentation
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230407T120000
DTEND;TZID=America/Detroit:20230407T130000
DTSTAMP:20230329T230312Z
CREATED:20230329T205952Z
LAST-MODIFIED:20230329T230312Z
UID:10000182-1680868800-1680872400@ummsp.rackham.umich.edu
SUMMARY:Exploring the past and shaping the future in archives and collections (Museums@Noon)
DESCRIPTION:Kimberly Ransom\, PhD\, MSP18\, Illinois Distinguished Postdoctoral Research Fellow University of Illinois Urbana-Champaign College of Education \nChicago’s Rebuild Foundation’s Stony Island Arts Bank \nWhile interning at Rebuild Foundation’s Stony Island Arts Bank (SAB) in Chicago\, Kimberly Ransom has reviewed the objects and documents in the Ed Williams Black Memorabilia Collection to help Rebuild Artist-Fellows learn how to engage and use the archive as data to inspire and create new art. As an interdisciplinary historian\, Kimberly has also leveraged the collection to further her research and public-facing scholarship. Specifically\, she has examined a collection of early 20 th century postcards with malicious depictions of Black children. Kimberly aims to use the collection to create a counter-narrative of historical photographs that benevolently depict Black children in and around schools on Chicago’s Southside\, visually positioning them as possessors of childhood in the public imagination. In her presentation\, Kimberly will discuss her experience and how community museums and archives can expand historical scholarship toward community art and action. \n  \nPelle Tracey\, MSP21\, PhD candidate at the UM School of Information \nThe Philadelphia Institute of Contemporary Art \nIn the summer of 2022\, Pelle Tracey interned at the Philadelphia Institute of Contemporary Art under the supervision of Assistant Curator Alex Klein. In this presentation\, Pelle will describe two of the main projects he pursued: archiving a recent long-term collaboration between the ICA and the Dakar\, Senegal-based art institution RAW Material Company\, and conducting oral history interviews with Los Angeles artist Carl Cheng. Through these projects Pelle learned a great deal about how a contemporary art museum functions\, and how a museum focused on the future of art engages with the past. \n  \nJoin Zoom Meeting: \nhttps://umich.zoom.us/j/99128919196 \nMeeting ID: 991 2891 9196 \n  \nApril 7 Museums@Noon flyer
URL:https://ummsp.rackham.umich.edu/tribe-event/exploring-the-past-and-shaping-the-future-in-archives-and-collections/
LOCATION:Online via Zoom
CATEGORIES:Museums at Noon
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230316T170000
DTEND;TZID=America/Detroit:20230316T190000
DTSTAMP:20230314T174537Z
CREATED:20230228T130040Z
LAST-MODIFIED:20230314T174537Z
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SUMMARY:The Seduction\, Refusal\, and Retention of Universality in Collections Care
DESCRIPTION:Rackham Graduate School Assembly Hall (4th floor)\nPlease join the Museum Studies Program for its 20th anniversary keynote address by Cara Krmpotich\, Director of Museum Studies at the University of Toronto. \nUniversality as an intellectual and ethical imperative has substantially shaped museum work\, including the management and care of collections. Critiques of the universal—including universal museums—contribute to current and necessary conversations encouraging the decolonization of cultural institutions. At the same time\, the ethical impetus of universal design offers a new set of values with which to imagine the universal in museums. In this talk\, I consider moves from universalism to relativism\, and from singularity to plurality. In seeking to understand why universalism\, its refusal\, and its retention within museum spaces matters\, I propose that museums’ evolving interpretations of universality directly shape how they care—for their collections\, their publics\, and their environments. \nCara Krmpotich is Associate Professor and Director of the Museum Studies Program at the University of Toronto’s Faculty of Information. She is Past-President of the Council for Museum Anthropology\, an Ontario Museums Association Councillor\, and Co-Director of the Great Lakes Research Alliance (GRASAC)\, an Indigenous-Settler network committed to reuniting Great Lakes cultural belongings with Great Lakes places\, knowledge systems and peoples. \nPlease join us online via Zoom if you are unable to attend in person:   https://umich.zoom.us/j/92878966443 \nKrmpotich flyer
URL:https://ummsp.rackham.umich.edu/tribe-event/the-seduction-refusal-and-retention-of-universality-in-collections-care/
LOCATION:Rackham Graduate School\, 915 E. Washington Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Lectures
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230314T130000
DTEND;TZID=America/Detroit:20230314T150000
DTSTAMP:20230304T013805Z
CREATED:20230304T013258Z
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SUMMARY:A Storm was Coming:  Workshop
DESCRIPTION:A Storm was Coming:  Workshop \nThe Museum Studies Program is proud to co-sponsor a film screening and workshop with Director Javier Fernández Vázquez. \nA Storm was Coming:\nFilm Screening and Q&A with Director Javier Fernández Vázquez\nMonday\, March 13\, 2023 | 4:00 pm – 7:00 pm\nat Palmer Commons Forum Hall \nWorkshop with Director Javier Fernández Vázquez\nTuesday\, March 14\, 2023 | 1:00 pm – 3:00 pm\nMLB Commons\, 4th Floor \nLearn more about the film here. \nA Storm Was Coming flyer
URL:https://ummsp.rackham.umich.edu/tribe-event/a-storm-was-coming-workshop/
LOCATION:Modern Languages Building\, 812 Washington St.\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Other
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230313T160000
DTEND;TZID=America/Detroit:20230313T190000
DTSTAMP:20230304T013831Z
CREATED:20230304T012400Z
LAST-MODIFIED:20230304T013831Z
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SUMMARY:A Storm Was Coming: film screening
DESCRIPTION:A Storm Was Coming \nThe Museum Studies Program is proud to co-sponsor a film screening and workshop with Director Javier Fernández Vázquez. \nA Storm was Coming:\nFilm Screening and Q&A with Director Javier Fernández Vázquez\nMonday\, March 13\, 2023 | 4:00 pm – 7:00 pm\nat Palmer Commons Forum Hall \nWorkshop with Director Javier Fernández Vázquez\nTuesday\, March 14\, 2023 | 1:00 pm – 3:00 pm\nMLB Commons\, 4th Floor \nLearn more about the film here. \nA Storm Was Coming flyer
URL:https://ummsp.rackham.umich.edu/tribe-event/a-storm-was-coming-film-screening/
LOCATION:Palmer Commons\, 100 Washtenaw Ave\, Ann Arbor\, MI\, 48109
CATEGORIES:Other
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230310T140000
DTEND;TZID=America/Detroit:20230310T153000
DTSTAMP:20230303T235158Z
CREATED:20230303T234910Z
LAST-MODIFIED:20230303T235158Z
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SUMMARY:Building the Gacaca Digital Archive
DESCRIPTION:UMSI welcomes guest speaker Jean-Damascène Gasanabo\, PhD\, former Director General of the Research and Documentation Center on Genocide at the Rwanda National Commission for the Fight against Genocide (CNLG). \nThe presentation will take place at the School of Information in North Quad Space 2435 and online. \nWatch online via Zoom \nAbstract\nAfter the 1994 Genocide against the Tutsi in Rwanda\, more than 130\,000 inmates were imprisoned and accused of genocide crimes. The country was operating through fire and blood! The judicial system was destroyed – judges and lawyers had been killed or exiled in neighboring countries. To judge the genocidaires\, the government decided to reintroduce the Traditional Jurisdictions Courts called Gacaca. This talk will emphasize what Gacaca did as a court and how it worked during the trials; the digitization process of the 45 million pages of Gacaca files; and the impact of the Gacaca files on society after the digitization. \nSponsored by the University of Michigan School of Information Data\, Archives\, and Information Seminar; African Studies Center; Museum Studies Program; Ethics\, Society and Computing; and Franklin Innovator Residency Fund. \nSpeaker bio \nWith a PhD in education from the University of Geneva\, I have substantial experience working with the United Nations\, international non-governmental organizations\, non-profit organizations\, and governments on projects related to equitable and sustainable education curricula. As the Director General of the Research and Documentation Center on Genocide at the Rwanda National Commission for the Fight against Genocide (CNLG)\, I managed and led research projects as well as designed\, implemented\, monitored\, and assessed projects related to the Genocide against the Tutsi. Key projects included the digitization of forty-five million pages and four thousand audio-visual materials from Rwanda’s Gacaca Courts\, the preservation of textiles at the Nyamata genocide memorial site\, the preservation of bodies at the Murambi genocide memorial site\, and the preservation of artifacts in six other national genocide memorial sites in Rwanda. Between 2013 and 2015\, I also participated in a team responsible for designing Rwanda’s new national education curriculum for history and civic education. I am currently a Consultant with the International Labour Organization (ILO) for their Accelerator Lab 8.7 Program\, which provides funding and support to international organizations with innovative solutions to tackle child labor\, forced labor\, and human trafficking.
URL:https://ummsp.rackham.umich.edu/tribe-event/building-the-gacaca-digital-archive/
LOCATION:School of Information\, 105 S. State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Other
ATTACH;FMTTYPE=image/png:https://ummsp.rackham.umich.edu/wp-content/uploads/2023/03/SI_1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230309T113000
DTEND;TZID=America/Detroit:20230309T130000
DTSTAMP:20230303T233204Z
CREATED:20230303T233040Z
LAST-MODIFIED:20230303T233204Z
UID:10000178-1678361400-1678366800@ummsp.rackham.umich.edu
SUMMARY:Genocide Ideology and Denial in Rwanda
DESCRIPTION:UMSI welcomes guest speaker Jean-Damascène Gasanabo\, PhD\, former Director General of the Research and Documentation Center on Genocide at the Rwanda National Commission for the Fight against Genocide (CNLG). \nThe presentation will take place at the School of Information in North Quad Space 2435 and online. \nPlease RSVP for lunch \nWatch online via Zoom \nAbstract\nDespite the unequivocal evidence that the 1994 Genocide against the Tutsi occurred in Rwanda\, some still endeavour to expunge that atrocity from historical records. All genocide starts with a destructive ideology and followed afterwards by denial. This talk will re-examine the concepts of genocide ideology and denial\, how they are linked and how they contributed to the killings of Tutsi from 1959 up to 1994. Available literature as well as recent cases will be thoroughly analyzed\, both at local and international level\, to understand different forms and trends of genocide ideology and denial\, with specific emphasis on the Rwandan case. \nSponsored by the University of Michigan School of Information Data\, Archives\, and Information Seminar; African Studies Center; Museum Studies Program; Ethics\, Society and Computing; and Franklin Innovator Residency Fund. \nSpeaker bio \nWith a PhD in education from the University of Geneva\, I have substantial experience working with the United Nations\, international non-governmental organizations\, non-profit organizations\, and governments on projects related to equitable and sustainable education curricula. As the Director General of the Research and Documentation Center on Genocide at the Rwanda National Commission for the Fight against Genocide (CNLG)\, I managed and led research projects as well as designed\, implemented\, monitored\, and assessed projects related to the Genocide against the Tutsi. Key projects included the digitization of forty-five million pages and four thousand audio-visual materials from Rwanda’s Gacaca Courts\, the preservation of textiles at the Nyamata genocide memorial site\, the preservation of bodies at the Murambi genocide memorial site\, and the preservation of artifacts in six other national genocide memorial sites in Rwanda. Between 2013 and 2015\, I also participated in a team responsible for designing Rwanda’s new national education curriculum for history and civic education. I am currently a Consultant with the International Labour Organization (ILO) for their Accelerator Lab 8.7 Program\, which provides funding and support to international organizations with innovative solutions to tackle child labor\, forced labor\, and human trafficking.
URL:https://ummsp.rackham.umich.edu/tribe-event/genocide-ideology-and-denial-in-rwanda/
LOCATION:School of Information\, 105 S. State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Other
ATTACH;FMTTYPE=image/png:https://ummsp.rackham.umich.edu/wp-content/uploads/2023/03/SI_1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230209T173000
DTEND;TZID=America/Detroit:20230209T190000
DTSTAMP:20230208T202407Z
CREATED:20230116T195405Z
LAST-MODIFIED:20230208T202407Z
UID:10000176-1675963800-1675969200@ummsp.rackham.umich.edu
SUMMARY:CANCELLED - Experiment|Experience: Campus Art Museums in the 21st Century
DESCRIPTION:Please join us for a Museums Studies panel discussion! \nExperiment|Experience: Campus Art Museums in the 21st Century  \nPanelists: \n\nChristina Olsen – Director\, Museum of Art\, University of Michigan\nMaurita Poole – Director\, Newcomb Art Museum\, Tulane University\nAnne Goodyear – Director\, Museum of Art\, Bowdoin College\n\nModerator: \n\nFerran Barenblit – Visiting Professor\, STAMPS\, University of Michigan\n\nIntroduction: \n\nKerstin Barndt – Director\, Museum Studies Program\, University of Michigan\n\n  \nDate:  Thursday\, February 9 \nTime:  5:30 pm \nLocation:  UM Museum of Art (Helmut Stern Auditorium) \nWhat sets university and college art museums apart from other art institutions? What is the responsibility of art in shaping our institutional and political futures in higher ed and beyond?  With their engaged audiences and potential for dialogue across diverse fields of knowledge\, university museums can play a distinct societal role. In this panel discussion\, three museum directors will consider these questions by presenting initiatives and exhibition projects that have challenged the status quo of art museums – on and off campus. \nExperiment Experience panel_flyer \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/experimentexperience-campus-art-museums-in-the-21st-century/
LOCATION:U-M Museum of Art\, Helmut Stern Auditorium\, 525 S. State St.\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Lectures
GEO:42.276802;-83.738289
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=U-M Museum of Art Helmut Stern Auditorium 525 S. State St. Ann Arbor MI 48109 United States;X-APPLE-RADIUS=500;X-TITLE=525 S. State St.:geo:-83.738289,42.276802
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230203T120000
DTEND;TZID=America/Detroit:20230203T130000
DTSTAMP:20230113T204249Z
CREATED:20230113T204031Z
LAST-MODIFIED:20230113T204249Z
UID:10000175-1675425600-1675429200@ummsp.rackham.umich.edu
SUMMARY:Virtual Open House for prospective students
DESCRIPTION:The Museum Studies Program invites students enrolled in any graduate program at the University of Michigan to apply for the Fall 2023 cohort.  This multidisciplinary graduate certificate program draws on ideas from the arts\, humanities\, natural and social sciences\, and technology and provides countless opportunities to apply theories in a vast array of museums and cultural institutions on campus\, in the region\, nationally and around the world. \nThe MSP curriculum examines the role of museums in society as sites of memory\, learning\, research\, cultural production\, public scholarship\, civic engagement\, and entertainment. The 12-credit certificate program consists of the Museum Studies Seminar (Fall and Winter terms\, 6 credits)\, approved electives (6 credits)\, and a funded internship.  It prepares students for academic and professional careers in museums\, heritage sites\, arboretums\, botanical gardens\, zoos and other living collections\, and universities. \nApplication Deadline: February 24\, 2023 \nApplication information can be found here. \nLearn more at our upcoming virtual open house! \nZoom meeting ID 970 1405 2330
URL:https://ummsp.rackham.umich.edu/tribe-event/virtual-open-house-2/
CATEGORIES:Other
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230126T173000
DTEND;TZID=America/Detroit:20230126T183000
DTSTAMP:20230109T193227Z
CREATED:20221209T201132Z
LAST-MODIFIED:20230109T193227Z
UID:10000174-1674754200-1674757800@ummsp.rackham.umich.edu
SUMMARY:The Arab American National Museum – Past\, Present\, and Future
DESCRIPTION:Presentation by Diana Abouali\, Director\, Arab American National Museum. \nJanuary 26 at 5:30 pm\, UM Museum of Art \nThe Arab American National Museum\, located in Dearborn\, Michigan\, remains the only museum in the country that interprets and presents the history and culture of Arab Americans. Diana Abouali will chart the origins\, development\, and future prospects of AANM\, situating it within its broader social\, cultural and political contexts. \nDiana Abouali is director of the Arab American National Museum (AANM). In the last twenty years\, she held leadership positions at museums\, cultural heritage\, and refugee institutions in Palestine and Jordan and worked as Assistant Professor at Dartmouth College for History and Middle East Studies. She serves on several boards and committees including the Arab Community Center for Economic and Social Services (ACCESS)\, ArteEast (NYC)\, CultureSource (Detroit)\, the Citizens Advisory Committee at the University of Michigan-Dearborn\, and the general assembly of Taawon-Welfare Association (Palestine). Diana Abouali received her PhD in History and Middle Eastern Studies from Harvard University in 2004. \nPresentation flyer \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/the-arab-american-national-museum-past-present-and-future/
LOCATION:University of Michigan Museum of Art
CATEGORIES:Lectures
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20221211T120000
DTEND;TZID=America/Detroit:20221211T200000
DTSTAMP:20221201T232846Z
CREATED:20221201T232846Z
LAST-MODIFIED:20221201T232846Z
UID:10000173-1670760000-1670788800@ummsp.rackham.umich.edu
SUMMARY:Study days at UMMA
DESCRIPTION:Study Days at UMMA will take place across four days\, beginning on Thursday\, December 8th and will end on Sunday\, December 11th. It is meant to surround the upcoming finals period\, in order to facilitate students’ wellness along with their studies. During these four days\, UMMA will be converted into a study center\, which includes: \n\nVarious comfortable spaces to study\, alone or collaboratively\nAccessible food and drink\nDe-stressing resources and activities including music and art-making
URL:https://ummsp.rackham.umich.edu/tribe-event/study-days-at-umma-9/
LOCATION:University of Michigan Museum of Art
CATEGORIES:Other
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20221210T120000
DTEND;TZID=America/Detroit:20221210T200000
DTSTAMP:20221201T232757Z
CREATED:20221201T232757Z
LAST-MODIFIED:20221201T232757Z
UID:10000172-1670673600-1670702400@ummsp.rackham.umich.edu
SUMMARY:Study days at UMMA
DESCRIPTION:Study Days at UMMA will take place across four days\, beginning on Thursday\, December 8th and will end on Sunday\, December 11th. It is meant to surround the upcoming finals period\, in order to facilitate students’ wellness along with their studies. During these four days\, UMMA will be converted into a study center\, which includes: \n\nVarious comfortable spaces to study\, alone or collaboratively\nAccessible food and drink\nDe-stressing resources and activities including music and art-making
URL:https://ummsp.rackham.umich.edu/tribe-event/study-days-at-umma-8/
LOCATION:University of Michigan Museum of Art
CATEGORIES:Other
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20221209T120000
DTEND;TZID=America/Detroit:20221209T200000
DTSTAMP:20221201T232700Z
CREATED:20221201T232700Z
LAST-MODIFIED:20221201T232700Z
UID:10000171-1670587200-1670616000@ummsp.rackham.umich.edu
SUMMARY:Study days at UMMA
DESCRIPTION:Study Days at UMMA will take place across four days\, beginning on Thursday\, December 8th and will end on Sunday\, December 11th. It is meant to surround the upcoming finals period\, in order to facilitate students’ wellness along with their studies. During these four days\, UMMA will be converted into a study center\, which includes: \n\nVarious comfortable spaces to study\, alone or collaboratively\nAccessible food and drink\nDe-stressing resources and activities including music and art-making
URL:https://ummsp.rackham.umich.edu/tribe-event/study-days-at-umma-7/
LOCATION:University of Michigan Museum of Art
CATEGORIES:Other
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20221208T120000
DTEND;TZID=America/Detroit:20221208T200000
DTSTAMP:20221201T232532Z
CREATED:20221201T232457Z
LAST-MODIFIED:20221201T232532Z
UID:10000170-1670500800-1670529600@ummsp.rackham.umich.edu
SUMMARY:Study days at UMMA
DESCRIPTION:Study Days at UMMA will take place across four days\, beginning on Thursday\, December 8th and will end on Sunday\, December 11th. It is meant to surround the upcoming finals period\, in order to facilitate students’ wellness along with their studies. During these four days\, UMMA will be converted into a study center\, which includes: \n\nVarious comfortable spaces to study\, alone or collaboratively\nAccessible food and drink\nDe-stressing resources and activities including music and art-making
URL:https://ummsp.rackham.umich.edu/tribe-event/study-days-at-umma-6/
LOCATION:University of Michigan Museum of Art
CATEGORIES:Other
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20221202T120000
DTEND;TZID=America/Detroit:20221202T130000
DTSTAMP:20221024T205859Z
CREATED:20221024T205740Z
LAST-MODIFIED:20221024T205859Z
UID:10000169-1669982400-1669986000@ummsp.rackham.umich.edu
SUMMARY:Digitizing the Dodo: Three-Dimensional Digitization for Research and Public Outreach at the Oxford University Museum of Natural History
DESCRIPTION:Please join us for a Museums at Noon conversation! \nDigitizing the Dodo: Three-Dimensional Digitization for Research and Public Outreach at the Oxford University Museum of Natural History  \nPresenter:  Taylor West (PhD candidate\, Ecology & Evolutionary Biology) \nDate:  Friday\, December 2 \nTime:  12:00 pm \nLocation:  Online via Zoom (Meeting ID: 967 1734 9337 / Passcode 598980) \nThe Oxford University Museum of Natural History began a large redisplay project in April of this year\, with the goal of developing and installing 20 new permanent exhibits in the main court of the Museum. I traveled to Oxford University for my UM Museum Studies practicum to digitize these new displays using structured light scanning technology to create interactive\, 3-D models of the objects located within the new exhibits. This project aims to improve both public access to the OUMNH museum space and also begin a digital collection for researchers at Oxford University and beyond. \nMuseums@Noon_West
URL:https://ummsp.rackham.umich.edu/tribe-event/digitizing-the-dodo-three-dimensional-digitization-for-research-and-public-outreach-at-the-oxford-university-museum-of-natural-history/
LOCATION:Online via Zoom
CATEGORIES:Museums at Noon
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20221109T120000
DTEND;TZID=America/Detroit:20221109T133000
DTSTAMP:20221017T210254Z
CREATED:20221017T202811Z
LAST-MODIFIED:20221017T210254Z
UID:10000168-1667995200-1668000600@ummsp.rackham.umich.edu
SUMMARY:Museum Collections: Considering Access & Transparency through Visible Storage
DESCRIPTION:In recent years\, museums have increasingly turned to open storage techniques to display parts of their collection which would otherwise not be on public view.  Though this approach still feels somewhat radical\, the concept of visible storage in museum practice started at the University of British Columbia’s Museum of Anthropology in the 1970’s and\, in the intervening decades\, has expanded and evolved with examples seen around the world.  Recently\, significant new “open storage” projects have appeared regularly\, notably the Depot Boijmans van Beuningen which opened in Rotterdam in 2021 and the Victoria & Albert’s new East Storehouse in Stratford\, east London\, slated to open in 2024.  The foundations for this decades-long trend are found in the impulse to democratize museums and to make available the depth and breadth of collections typically hidden away in museum vaults.  The increased transparency that visible storage brings to museums has been touted as one way to make collections more accessible to their communities. \nFor this conversation on open and visible storage in museums\, the University of Michigan’s Museum Studies Program is delighted to welcome Susan Rowley\, Director\, Museum of Anthropology\, University of British Columbia\, and Bridget Callahan\, Luce Foundation Center Program Coordinator\, Smithsonian Institution. Guided by these two museum professionals\, we will explore the history of “visible” collections storage and how technology and new considerations of democratized access have changed the design and use of museum holdings.  Questions of ethics\, equity\, standards of care\, and programming will also be addressed. \n  \nPanelists: \nBridget Callahan – Coordinator\, Luce Foundation Center Program\, Smithsonian Institution (Washington\, D.C.) \nSusan Rowley – Director\, Museum of Anthropology\, University of British Columbia (Vancouver\, Canada) \nModerator: \nDeirdre Hennebury\, Associate Director\, UM Museum Studies Program \n\nRegistration for this webinar is required. \n\nThis panel discussion will be presented online via Zoom and will feature real time captioning.  If you would like to request an ASL interpreter\, please email ummsp@umich.edu by November 1. \n\nVisible Storage and Museum Access_flyer
URL:https://ummsp.rackham.umich.edu/tribe-event/museum-collections-considering-access-transparency-through-visible-storage/
LOCATION:Online via Zoom
CATEGORIES:Other
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20221103T160000
DTEND;TZID=America/Detroit:20221103T180000
DTSTAMP:20221007T191657Z
CREATED:20221005T200442Z
LAST-MODIFIED:20221007T191657Z
UID:10000166-1667491200-1667498400@ummsp.rackham.umich.edu
SUMMARY:Working with Contemporary Artists: A Workshop with Ferran Barenblit
DESCRIPTION:“Art is what makes life more interesting than art\,” said French artist Robert Filliou. He was right: working with contemporary artists is one of the most enriching activities that a professional or an organization can undertake. Whether in a museum\, other cultural institution\, or any public or private position\, working with artists will unleash interpretations and emotions. In a globally interconnected\, culturally diverse\, and increasingly complex world\, contemporary artists give voice to the varied and changing cultural landscape of identities\, values\, and beliefs. Their work is always at the crossroad of theory\, subjects\, concepts\, methods\, and materials. The increasing role of audiences can generate unexpected results that can benefit both individuals and communities. \nIn this workshop\, we will study the conceptual\, practical\, ethical\, legal\, and financial elements to consider when working with contemporary artists. We will also examine many successful (and a few unfortunate) examples that will help us to understand how art\, according to Yoko Ono\, makes us “walk a half an inch above ground.” \nThe workshop is open to students\, faculty\, and museum professionals. Please sign up here if you are planning to attend the workshop. Ferran Barenblit is an internationally recognized museum director and curator who has led three art museums in the last twenty years\, including MACBA Museum of Contemporary Art Barcelona (2015-2021). He is an expert with a deep understanding of the political and social complexities of art museums and the need to consider them as an essential catalyst for engaged citizenship. Ferran has worked with artists Christian Marclay\, Raqs Media Collective\, Forensic Architecture\, Akram Zaatari\, Andrea Fraser\, Jeremy Deller\, Teresa Margolles\, Rabih Mroué\, Halil Altindere\, Cristina Lucas\, Maria Eichhorn\, and Jiri Kowanda\, among many others. Since 2021\, Ferran has held the position of visiting professor at the University of Michigan. His current curatorial projects include the 16th Cuenca Biennial\, Ecuador (2023) and a major retrospective of the work of Ben Vautier (MUAC\, Mexico City\, 2022-2023).
URL:https://ummsp.rackham.umich.edu/tribe-event/working-with-contemporary-artists-a-workshop-with-ferran-barenblit/
LOCATION:Haven Hall\, Eldersveld Room\, 505 S. State Street\, Ann Arbor\, 48109
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/png:https://ummsp.rackham.umich.edu/wp-content/uploads/2022/10/Google-sign-up-image.png
GEO:42.2746165;-83.7406863
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Haven Hall Eldersveld Room 505 S. State Street Ann Arbor 48109;X-APPLE-RADIUS=500;X-TITLE=505 S. State Street:geo:-83.7406863,42.2746165
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20221024T130000
DTEND;TZID=America/Detroit:20221024T140000
DTSTAMP:20221003T123109Z
CREATED:20220916T214259Z
LAST-MODIFIED:20221003T123109Z
UID:10000165-1666616400-1666620000@ummsp.rackham.umich.edu
SUMMARY:Exhibition tour - “I have a crisis for you”: Women Artists of Ukraine Respond to War
DESCRIPTION:Monday\, Oct 3\, 2022 @ 1 pm \nLane Hall Gallery (204 S. State Street\, Ann Arbor\, MI) \n  \nJoin your MSP colleagues for a tour of the “I have a crisis for you”: Women Artists of Ukraine Respond to War exhibit currently on display in the Lane Hall Gallery.  We are restricted to 15 attendees so please sign up here as soon as possible. \n  \nThe tour will be led by curator and MSP16 alumna\, Grace Mahoney.  Thank you\, Grace!
URL:https://ummsp.rackham.umich.edu/tribe-event/exhibition-tour-i-have-a-crisis-for-you-women-artists-of-ukraine-respond-to-war/
LOCATION:Land Hall Gallery
CATEGORIES:Museums at Noon
ATTACH;FMTTYPE=image/png:https://ummsp.rackham.umich.edu/wp-content/uploads/2022/09/Pic-for-email.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20221019T190000
DTEND;TZID=America/Detroit:20221019T200000
DTSTAMP:20220928T193053Z
CREATED:20220921T204545Z
LAST-MODIFIED:20220928T193053Z
UID:10000167-1666206000-1666209600@ummsp.rackham.umich.edu
SUMMARY:10 Questions for Henry Ford
DESCRIPTION:10 Questions for Henry Ford is a documentary art film that examines the controversial life and legacy of the world’s most famous industrialist. A carefully researched combination of historical fact and poetic imagining\, the film draws on newspaper interviews\, archival film\, oral histories\, and Henry Ford’s personal notebooks to contrast the popular Ford myth with a far more complicated reality. \nStarring acclaimed actor John Lepard as the lingering ghost of Henry Ford\, 10 Questions investigates Ford’s often sanitized place in American History\, and reveals disturbing parallels between the Age of Ford\, and our world today. \nPlease join us for a discussion of the film\, and of the issues it raises\, with filmmaker Andy Kirshner and a distinguished panel of scholars from the University of Michigan. \nThe panel event will be moderated by Professor Angela Dillard (History\, Afroamerican and African Studies)\, and will include Professors Kerstin Barndt (German\, Museum Studies)\, William Calvo-Quíros (American Culture\, Art & Design)\, and Deborah Dash Moore (History\, Judaic Studies.) There will also be an opportunity for questions from the audience. \nThe “10 Questions for Henry Ford” film can be viewed here. \n \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/10-questions-for-henry-ford/
LOCATION:U-M Museum of Art\, Helmut Stern Auditorium\, 525 S. State St.\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Other
GEO:42.276802;-83.738289
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=U-M Museum of Art Helmut Stern Auditorium 525 S. State St. Ann Arbor MI 48109 United States;X-APPLE-RADIUS=500;X-TITLE=525 S. State St.:geo:-83.738289,42.276802
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20221001T090000
DTEND;TZID=America/Detroit:20221001T150000
DTSTAMP:20220912T200344Z
CREATED:20220912T200344Z
LAST-MODIFIED:20220912T200344Z
UID:10000164-1664614800-1664636400@ummsp.rackham.umich.edu
SUMMARY:In Process: A Symposium in Honor of Ray Silverman
DESCRIPTION:Colleagues\, students\, and members of the community are invited to join in celebrating Ray Silverman’s retirement from his position as Professor of History of Art\, African Studies\, and Museum Studies with a two-day symposium at the University of Michigan in Ann Arbor. Inspired by Dr. Silverman’s seminal volume\, Museums as Process: Translating Local and Global Knowledges (Routledge 2014)\, the symposium invites discussion about methodologies\, challenges\, and benefits of undertaking scholarship\, museum work\, and creative production through collaboration and community engagement. We ask\, what does it mean for the process of collaboration to be an end in itself\, and how might this perspective shift values in the academy and beyond? \nThe program will begin on the afternoon of Friday\, September 30 and end late-afternoon on Saturday\, October 1\, 2022. It will be an in-person event taking place in the Helmut Stern Auditorium at the U-M Museum of Art (UMMA). \nSpeakers: \nKelly Askew\, University of Michigan\nDaniel Berhanemeskel\, artist\nDonald Buaku\, City of Houston\nGeoff Emberling\, University of Michigan\nRobert Glew\, Michigan State University\nErica Lehrer\, Concordia University\, Montreal\nAllison Martino\, Indiana University\nPrita Meier\, New York University\nDerek Peterson\, University of Michigan\nFranc Nunoo-Quarcoo\, University of Michigan\nHeran Sereke-Brhan\, DC Commission on the Arts & Humanities\nCarla Sinopoli\, University of New Mexico\nNeal Sobania\, Pacific Lutheran University \nThe complete symposium schedule can be viewed here. \nCo-sponsorship provided by the University of Michigan African Studies Center\, Museum of Art\, Museum of Natural History\, Museum Studies Program and the Departments of History of Art and Afroamerican and African Studies
URL:https://ummsp.rackham.umich.edu/tribe-event/in-process-a-symposium-in-honor-of-ray-silverman-2/
LOCATION:University of Michigan Museum of Art
CATEGORIES:Other
ATTACH;FMTTYPE=image/jpeg:https://ummsp.rackham.umich.edu/wp-content/uploads/2022/09/Silverman-pic.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20220930T130000
DTEND;TZID=America/Detroit:20220930T173000
DTSTAMP:20220912T200058Z
CREATED:20220912T195840Z
LAST-MODIFIED:20220912T200058Z
UID:10000163-1664542800-1664559000@ummsp.rackham.umich.edu
SUMMARY:In Process: A Symposium in Honor of Ray Silverman
DESCRIPTION:Colleagues\, students\, and members of the community are invited to join in celebrating Ray Silverman’s retirement from his position as Professor of History of Art\, African Studies\, and Museum Studies with a two-day symposium at the University of Michigan in Ann Arbor. Inspired by Dr. Silverman’s seminal volume\, Museums as Process: Translating Local and Global Knowledges (Routledge 2014)\, the symposium invites discussion about methodologies\, challenges\, and benefits of undertaking scholarship\, museum work\, and creative production through collaboration and community engagement. We ask\, what does it mean for the process of collaboration to be an end in itself\, and how might this perspective shift values in the academy and beyond? \nThe program will begin on the afternoon of Friday\, September 30 and end late-afternoon on Saturday\, October 1\, 2022. It will be an in-person event taking place in the Helmut Stern Auditorium at the U-M Museum of Art (UMMA). \nSpeakers:\nKelly Askew\, University of Michigan\nDaniel Berhanemeskel\, artist\nDonald Buaku\, City of Houston\nGeoff Emberling\, University of Michigan\nRobert Glew\, Michigan State University\nErica Lehrer\, Concordia University\, Montreal\nAllison Martino\, Indiana University\nPrita Meier\, New York University\nDerek Peterson\, University of Michigan\nFranc Nunoo-Quarcoo\, University of Michigan\nHeran Sereke-Brhan\, DC Commission on the Arts & Humanities\nCarla Sinopoli\, University of New Mexico\nNeal Sobania\, Pacific Lutheran University \nThe complete symposium schedule can be viewed here. \nCo-sponsorship provided by the University of Michigan African Studies Center\, Museum of Art\, Museum of Natural History\, Museum Studies Program and the Departments of History of Art and Afroamerican and African Studies
URL:https://ummsp.rackham.umich.edu/tribe-event/in-process-a-symposium-in-honor-of-ray-silverman/
LOCATION:University of Michigan Museum of Art
CATEGORIES:Other
ATTACH;FMTTYPE=image/jpeg:https://ummsp.rackham.umich.edu/wp-content/uploads/2022/09/Silverman-pic.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20220916T153000
DTEND;TZID=America/Detroit:20220916T170000
DTSTAMP:20220823T214423Z
CREATED:20220823T214035Z
LAST-MODIFIED:20220823T214423Z
UID:10000162-1663342200-1663347600@ummsp.rackham.umich.edu
SUMMARY:Roundtable conversation - "I have a crisis for you": Women Artists of Ukraine Respond to War
DESCRIPTION:In February 2022\, the world witnessed the invasion of Ukraine and all-out war of aggression by the Russian Federation. Since this time\, massive casualties\, human rights violations\, and an unprecedented refugee crisis have ensued. Women artists of Ukraine have responded. They know their message is powerful\, and the amplification of their voices is critical for victory in a very real battle for survival. Curated by Grace Mahoney (U-M Slavic Languages and Literatures) and Jessica Zychowicz\, Ph.D. (Fulbright Ukraine and U-M Alumna)\, “I have a crisis for you”: Women Artists of Ukraine Respond to War showcases work created by women artists in response to Russia’s war in Ukraine. The featured artists have also been selected because of their prominent interest and exploration of issues relating to gender in their works. The artworks and documents engage a range of subjects from women volunteering as combatants to the processes of grieving and reflect ongoing discourses in Ukrainian feminist scholarship. The exhibit is accompanied by a companion website which includes an expanded set of informational and aid-related resources. \n\nOpening reception on Thursday\, September 15 from 4:00 – 6:00 p.m. in the Lane Hall Gallery.\nA roundtable conversation with artists featured in the exhibition “I have a crisis for you”: Women Artists of Ukraine Respond to War on Friday\, September 16 from 3:30 – 5:00. The conversation will be moderated by curators Grace Mahoney and Jessica Zychowicz.\n\n  \nThis exhibit is hosted by the Institute for Research on Women & Gender and the Department of Women’s and Gender Studies and is cosponsored by the Center for Russian\, East European & Eurasian Studies\, the Department of Slavic Languages and Literatures\, the Museum Studies Program\, the Weiser Center for Eastern Europe and Eurasia\, and the Weiser Center for Emerging Democracies at the University of Michigan. \nEvent flyer
URL:https://ummsp.rackham.umich.edu/tribe-event/roundtable-conversation-i-have-a-crisis-for-you-women-artists-of-ukraine-respond-to-war/
LOCATION:Weiser Hall\, 500 Church Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Other
ATTACH;FMTTYPE=image/png:https://ummsp.rackham.umich.edu/wp-content/uploads/2022/08/Both-postcard.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20220915T160000
DTEND;TZID=America/Detroit:20220915T180000
DTSTAMP:20220823T214211Z
CREATED:20220823T213628Z
LAST-MODIFIED:20220823T214211Z
UID:10000161-1663257600-1663264800@ummsp.rackham.umich.edu
SUMMARY:Opening exhibition reception - "I have a crisis for you": Women Artists of Ukraine Respond to War
DESCRIPTION:In February 2022\, the world witnessed the invasion of Ukraine and all-out war of aggression by the Russian Federation. Since this time\, massive casualties\, human rights violations\, and an unprecedented refugee crisis have ensued. Women artists of Ukraine have responded. They know their message is powerful\, and the amplification of their voices is critical for victory in a very real battle for survival. Curated by Grace Mahoney (U-M Slavic Languages and Literatures) and Jessica Zychowicz\, Ph.D. (Fulbright Ukraine and U-M Alumna)\, “I have a crisis for you”: Women Artists of Ukraine Respond to War showcases work created by women artists in response to Russia’s war in Ukraine. The featured artists have also been selected because of their prominent interest and exploration of issues relating to gender in their works. The artworks and documents engage a range of subjects from women volunteering as combatants to the processes of grieving and reflect ongoing discourses in Ukrainian feminist scholarship. The exhibit is accompanied by a companion website which includes an expanded set of informational and aid-related resources. \n\nOpening reception on Thursday\, September 15 from 4:00 – 6:00 p.m. in the Lane Hall Gallery.\nA roundtable conversation with artists featured in the exhibition “I have a crisis for you”: Women Artists of Ukraine Respond to War on Friday\, September 16 from 3:30 – 5:00 in Weiser Hall. The conversation will be moderated by curators Grace Mahoney and Jessica Zychowicz.\n\n  \nThis exhibit is hosted by the Institute for Research on Women & Gender and the Department of Women’s and Gender Studies and is cosponsored by the Center for Russian\, East European & Eurasian Studies\, the Department of Slavic Languages and Literatures\, the Museum Studies Program\, the Weiser Center for Eastern Europe and Eurasia\, and the Weiser Center for Emerging Democracies at the University of Michigan. \nEvent flyer
URL:https://ummsp.rackham.umich.edu/tribe-event/opening-exhibition-reception-i-have-a-crisis-for-you-women-artists-of-ukraine-respond-to-war/
LOCATION:Lane Hall gallery\, 204 South State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Other
ATTACH;FMTTYPE=image/png:https://ummsp.rackham.umich.edu/wp-content/uploads/2022/08/Both-postcard.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20220603T120000
DTEND;TZID=America/Detroit:20220603T123000
DTSTAMP:20220523T180808Z
CREATED:20220509T211550Z
LAST-MODIFIED:20220523T180808Z
UID:10000159-1654257600-1654259400@ummsp.rackham.umich.edu
SUMMARY:Kelsey Museum Flash Talk - In Search of Hamzeh Carr
DESCRIPTION:In 1925\, the University of Michigan’s archaeological expedition to Egypt commissioned artist Hamzeh Carr to make facsimiles of the colorful murals they were discovering\, and these images have been widely reproduced ever since. But who was Hamzeh Carr? In preparation for a future exhibition and publication of the Kelsey Museum’s Hamzeh Carr paintings\, curator Terry Wilfong has been tracing the amazing career of this mysterious artist and will share some of his surprising findings. \nKelsey Museum Flash Talks are 15-minute Zoom lectures by Kelsey curators\, staff members\, researchers\, and graduate students talking about their recent research or current projects. Each presentation is followed by 15 minutes of Q&A. Flash Talks are free and open to all visitors. They take place at noon on the first Friday of every month. \nJoin us via Zoom at:\nhttps://umich.zoom.us/j/94557516348\nMeeting ID: 945 5751 6348\nPasscode: Kelsey \nCo-sponsored by the Museum Studies Program \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/kelsey-museum-flash-talk-in-search-of-hamzeh-carr/
LOCATION:Online via Zoom
CATEGORIES:Other
ATTACH;FMTTYPE=image/png:https://ummsp.rackham.umich.edu/wp-content/uploads/2022/05/Wilfong_Kelsey.png
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END:VCALENDAR