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DTSTART;TZID=America/Detroit:20190315T120000
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DTSTAMP:20190220T172744Z
CREATED:20181221T160255Z
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SUMMARY:Locating and Relocating Lugdunum: Collection Management at Lugdunum — Musée et théâtres romains\, Lyon
DESCRIPTION:Date:  Friday\, March 15 \nTime:  12:00 pm \nLocation:  UM Museum of Art\, Multi-Purpose Room (125) \nPresenter:  Craig Harvey (PhD candidate\, Interdepartmental Program in Classical Art & Archaeology) \nLocating and Relocating Lugdunum: Collection Management at Lugdunum — Musée et théâtres romains\, Lyon \nThe archaeology museum of Lyon\, recently renamed to Lugdunum – Musée et théâtres romains\, is located on the hill of Fourvière\, overlooking the ancient theatres of the Roman city of Lugdunum. This museum is home to an impressive collection of artefacts from the city of Lyon and the surrounding region. The museum’s collection can be divided into two parts. The first\, known as the fonds ancien\, comprises thousands of inscriptions\, statues\, and other ancient works of art collected over the centuries by Lyon’s Musée des Beaux-Arts and gifted to the archaeology museum at its opening in 1975. The second part is the ever-increasing collection of archaeological artefacts uncovered by excavation and deposited in the museum repository\, as is required by French law. The fact that many of the museum’s objects have been in collections for centuries coupled with the growing number of artefacts from new excavations makes for a difficult collection to manage. \nThis past fall\, I had the opportunity to work with the museum’s collection\, both assisting with an inventory of all artefacts on display and helping with the move of the museum’s storage to an off-site facility. During my time at the museum\, I encountered issues concerning the accessibility and documentation of this very large and old collection. In addition to discussing these issues\, this talk will provide a brief introduction to Lugdunum – Musée et théâtres romains and give an overview of my internship there. It will also present examples of how the museum is making its collection more accessible to scholars despite recently moving the majority of its storage to a decentralized location. These initiatives include the creation of an online database and the use of new gallery spaces outside the museum. \nBrownBag_Harvey \n  \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/museums-at-noon-presentation-3/
LOCATION:University of Michigan Museum of Art\, First Floor\, Multi-Purpose Room\, 525 South State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Museums at Noon
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20190312T183000
DTEND;TZID=America/Detroit:20190312T193000
DTSTAMP:20190308T141230Z
CREATED:20181127T180344Z
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SUMMARY:A Swift Death and Steady Resurrection: Salvage Anthropology and U.S. Museums
DESCRIPTION:Presentation by Samuel J. Redman \nWhat should museums do with stolen artifacts? Should the response be similar with stolen knowledge? This talk explores the history and legacy of salvage anthropology as it relates to museums in the United States. Salvage anthropology was a movement responding to the perceived threat of extinction faced by indigenous societies around the world. The movement brought millions of material culture objects to museums\, inspired the creation of audio recordings by the thousands\, and pushed artists to depict Native Americans in new ways. Museums in the United States even began collecting human remains\, with over 500\,000 individual sets of human remains ultimately ending up in museum storerooms. This talk examines the complex history and legacy of salvage anthropology\, especially for indigenous communities in the United States today. \n  \nSamuel J. Redman teaches public history\, oral history\, and modern U.S. history at the University of Massachusetts\, Amherst. Redman is the author of Bone Rooms: From Scientific Racism to Human Prehistory in Museums (Harvard\, 2016). He earned a B.A. from the University of Minnesota\, Morris and an M.A. and Ph.D. from the University of California\, Berkeley. Before graduate school he worked in the Science Museum of Minnesota\, Field Museum of Natural History\, and Colorado History Museum. His recent articles include\, “The Smithsonian at War: Museums in U.S. Society during World War II\,” “Impossible Appraisals: Art\, Anthropology\, and the Limits of Evaluating Museum Collections in the Mid-Twentieth Century United States\,” “Have Anthropology Museums Become History Museums?: A Visit to Museum für Völkerkunde in Hamburg\, Germany\,” and “The Hearst Museum of Anthropology\, the New Deal\, and a Reassessment of the ‘Dark Age’ of the Museum in the United States.” \n  \nMarch 12 at 6:30 pm \nUM Museum of Art\, Helmut Stern Auditorium \n  \nCo-sponsored by the Program in Science\, Technology and Society (STS); Program in Science\, Technology and Public Policy (STPP); Eisenberg Institute for Historical Studies; UM Kelsey Museum of Archaeology; UM Museum of Anthropological Archaeology; UM Museum of Natural History \n \n  \nRedman lecture announcement
URL:https://ummsp.rackham.umich.edu/tribe-event/a-swift-death-and-steady-resurrection-salvage-anthropology-and-u-s-museums/
LOCATION:U-M Museum of Art\, Helmut Stern Auditorium\, 525 S. State St.\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Lectures
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20190301T120000
DTEND;TZID=America/Detroit:20190301T130000
DTSTAMP:20190213T153857Z
CREATED:20190118T172110Z
LAST-MODIFIED:20190213T153857Z
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SUMMARY:Interpreting Objects and Exhibitions at the National Museum of Eritrea
DESCRIPTION:Date:  Friday\, March 1 \nTime:  12:00 pm \nLocation:  UM Museum of Art\, Multi-Purpose Room (125) \nPresenter:  Timnet Gedar (PhD candidate\, History) \nInterpreting Objects and Exhibitions at the National Museum of Eritrea \nThe National Museum of Eritrea was established in 1992\, a year after the Eritrean People’s Liberation Front earned victory in a thirty-year war for independence. This history has shaped the nature of exhibits and interpretation at the museum in ways that both limit outcomes and allow for creativity. In this presentation\, I weave together this history with my practical work of writing object labels and exhibit introductions in order to understand the meaning and challenges of interpretive content at museums — especially museums in a postcolonial African setting. \nBrownBag_Gedar \n \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/interpreting-objects-and-exhibitions-at-the-national-museum-of-eritrea/
LOCATION:MI
CATEGORIES:Museums at Noon
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20190215T120000
DTEND;TZID=America/Detroit:20190215T130000
DTSTAMP:20190208T173419Z
CREATED:20181221T155744Z
LAST-MODIFIED:20190208T173419Z
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SUMMARY:Dealing with Africa and African Things at the Ethnografiska Museet\, Stockholm
DESCRIPTION:Date:  Friday\, February 15 \nTime:  12:00 pm \nLocation:  UM Museum of Art\, Multi-Purpose Room (125) \nPresenter:  James Munene (PhD\, Anthropology) \nDealing with Africa and African Things at the Ethnografiska Museet\, Stockholm \nThe Ethnografiska Museet (Museum of Ethnography)\, Stockholm became part of the Swedish Museums of World Culture in 1999. The museum has a collection of about 220\,000 items from different parts of the continent.  The first collection from Africa came to Sweden in the 18th century from South Africa. Today\, the museum has over 900 collections from 47 out of 54 countries in Africa. In the early 20th century\, Swedish missionaries brought back a large number of objects from the Congo\, Ethiopia\, and South Africa. \nRepresentation of Africa and collections from Africa is an issue the museum has struggled with over the last many years. During my internship at the museum\, I was engaged in several activities surrounding this issue. My talk will mirror some on my experiences focusing on the subject areas relating to learning from objects\, the museum in the changing world and museum identity and representation. \nBrownBag_Munene
URL:https://ummsp.rackham.umich.edu/tribe-event/museums-at-noon-presentation/
LOCATION:University of Michigan Museum of Art\, First Floor\, Multi-Purpose Room\, 525 South State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Museums at Noon
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20190211T120000
DTEND;TZID=America/Detroit:20190211T130000
DTSTAMP:20190206T143823Z
CREATED:20190206T143751Z
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SUMMARY:Career discussion luncheon
DESCRIPTION:Current students might be interested in attending the upcoming “How Did You Get Here?” Career Discussion Luncheon on Monday\, February 11 from 12-1pm in Elderveld (5th Floor Heaven). This session will feature Dr. Heather Ann Thompson (History\, DAAS\, & Residential College) and Dr. Joseph Cialdella (Rackham Program for Public Scholarship and MSP Steering Committee member). Both Dr. Thompson and Dr. Cialdella work outside the academy in a variety of capacities (including museums/ cultural institutions).  This is an informal event that might be of interest to MSP students and allows grad students to connect with faculty and staff about their careers\, ask questions\, and get to know folks outside of their immediate circle. \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/career-discussion-luncheon/
LOCATION:Haven Hall\, Eldersveld Room\, 505 S. State Street\, Ann Arbor\, 48109
CATEGORIES:Other
GEO:42.2746165;-83.7406863
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20190206T170000
DTEND;TZID=America/Detroit:20190206T190000
DTSTAMP:20190125T160822Z
CREATED:20190125T160755Z
LAST-MODIFIED:20190125T160822Z
UID:10000120-1549472400-1549479600@ummsp.rackham.umich.edu
SUMMARY:Reception for prospective students - Feb 6
DESCRIPTION:The Museum Studies Program invites students enrolled in any graduate program at the University of Michigan to apply for admission starting in Fall 2019. This multidisciplinary graduate certificate program draws on ideas from the arts\, humanities\, natural and social sciences\, and technology and provides countless opportunities to apply theories in a vast array of museums and cultural institutions on campus\, in the region\, nationally and around the world. \nThe MSP curriculum examines the role of museums in society as sites of memory\, learning\, research\, cultural production\, public scholarship\, civic engagement\, and entertainment. The 12-credit certificate program consists of the Museum Studies Seminar (Fall and Winter terms\, 6 credits)\, approved electives (6 credits)\, and a funded internship. It prepares students for academic and professional careers in museums\, heritage sites\, arboretums\, botanical gardens\, zoos and other living collections\, and universities. \nApplications are currently being accepted for Fall 2019\nApplication Deadline: March 1\, 2019 \nA reception will be held for interested students to talk with current students and faculty to learn more about the program.  The reception will be held February 6 from 5:00 – 7:00 pm in the UM Museum of Art Multi-Purpose Room (125). \n  \n2019 recruiting poster 8.5 x 11 reception
URL:https://ummsp.rackham.umich.edu/tribe-event/reception-for-prospective-applicants-feb-6/
LOCATION:MI
CATEGORIES:Other
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20190124T190000
DTEND;TZID=America/Detroit:20190124T220000
DTSTAMP:20190121T195229Z
CREATED:20181221T153819Z
LAST-MODIFIED:20190121T195229Z
UID:10000110-1548356400-1548367200@ummsp.rackham.umich.edu
SUMMARY:Student Late Night: Art in the Age of the Internet
DESCRIPTION:Thursday\, January 24 \n7:00 pm – 10:00 pm \nUM Museum of Art \n  \nOrganized by U-M students for U-M students\, and inspired by the exhibition Art in the Age of the Internet\, the 10th annual Student Late Night event at UMMA will be a fun-filled creative explosion! \nThe internet has changed every aspect of contemporary life—from how we interact with each other to how we work and play.  Art in the Age of the Internet\, 1989 to Today examines the radical impact of internet culture on visual art since the invention of the web in 1989.  This exhibition presents more than forty works across a variety of media—painting\, performance\, photography\, sculpture\, video\, and web-based projects. \nCome to the party and enjoy some of the best fun that the digital age has to offer! Participate in live collaborative art making\, motion graphics\, and sound mixing. Have fun at the Silent Disco\, snag some free food\, and have a blast! \nArt in the Age of the Internet\, 1989 to Today is organized by the Institute of Contemporary Art/Boston and curated by Eva Respini\, Barbara Lee Chief Curator\, with Jeffrey De Blois\, Assistant Curator. \n  \nStudent Late Night: Art in the Age of the Internet is brought to you by the Student Collective at UMMA in partnership with Maize Collective\, and co-sponsored by Arts at Michigan\, ArtsEngine\, the Penny W. Stamps School of Art & Design\, the Institute for the Humanities\, the History of Art Department\, American Culture\, and the Museum Studies Program\, with additional support from the African Student Association. \n  \nAIAI Student Late Night Final
URL:https://ummsp.rackham.umich.edu/tribe-event/student-late-night-art-in-the-age-of-the-internet/
LOCATION:University of Michigan Museum of Art
CATEGORIES:Other
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20190123T173000
DTEND;TZID=America/Detroit:20190124T190000
DTSTAMP:20190123T172907Z
CREATED:20190122T200441Z
LAST-MODIFIED:20190123T172907Z
UID:10000119-1548264600-1548356400@ummsp.rackham.umich.edu
SUMMARY:Penny Stamps Distinguished Speaker Series: Consolation\, JuYeon Kim
DESCRIPTION:Born in Seoul\, South Korea\, JuYeon Kim works and lives in New York. She has shown in both solo and group exhibitions nationally and internationally including New York\, Washington\, DC\, Shanghai\, and Seoul. Additionally\, Kim has been awarded several residencies such as MacDowell Colony\, Kohler Arts Center\, Triangle\, and the Roswell Artist in Residence Fellowship. Kim has also held several positions as a visiting artist and professor. A 2018–2019 Roman Witt Resident\, Kim is creating a multimedia installation work in collaboration with the Stamps School community and composer George Tsontakis that seeks to explore themes around Korean “comfort women”— the female prisoners of the Japanese army during World War II.  Kim states: “Although my installation project was conceived and initiated before my awareness of the #MeToo movement developing in the States and around the world\, it seems to me to be so poignantly connected to the historical plight of women everywhere. While the travails of the Korean ‘comfort women’ are an extreme example of women’s integrity being compromised\, the assault sadly continues on various levels and by different degrees.” \nPresented with support from the University of Michigan Museum of Art (UMMA) and the Institute for the Humanities. \nAdditional details can be found here.
URL:https://ummsp.rackham.umich.edu/tribe-event/penny-stamps-distinguished-speaker-series-consolation-junyeon-kim/
LOCATION:MI
CATEGORIES:Other
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20181207T120000
DTEND;TZID=America/Detroit:20181207T130000
DTSTAMP:20181113T231400Z
CREATED:20181017T151157Z
LAST-MODIFIED:20181113T231400Z
UID:10000107-1544184000-1544187600@ummsp.rackham.umich.edu
SUMMARY:Museums as Sites of Healing: Empathy\, Repair\, and Critical Reflection
DESCRIPTION:What are the ethical responsibilities of university museums when our local communities face profound crises and occasions of injustice? How might we foster compassion and promote conversations that can build enduring community bonds\, while honoring our academic commitments to promoting critical analysis and stewardship of our scientific and cultural collections? \nMichigan State University Museum Director Mark Auslander explores several instances\, in which museums have grappled with moral challenges close to home\, including facing up to legacies of slavery on a college campuses and the threatened mass eviction of a low-income neighborhood. His primary case study is the MSU Museum’s current partnership with the survivors of the horrific sexual abuse crisis at MSU\, in which the museum has committed to collecting material culture and narratives associated with the crisis and co-curating with survivors and parents an exhibition on the scandal\, its ramifications\, and struggles for institutional transformation. What lessons have been learned and how might we\, together\, chart productive pathways forward? \nPresented by Mark Auslander – Director\, MSU Museum and Associate Professor of Anthropology and History\, Michigan State University \nDecember 7 at 12:00 pm\, UM Museum of Art Multi-Purpose Room \n  \nco-sponsored by the Department of Afroamerican and African Studies \n  \nBrownBag_Auslander \n  \n \nphotography credit Pearl Yee Wong
URL:https://ummsp.rackham.umich.edu/tribe-event/museums-as-sites-of-healing-empathy-repair-and-critical-reflection/
LOCATION:University of Michigan Museum of Art\, First Floor\, Multi-Purpose Room\, 525 South State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Museums at Noon
GEO:42.276802;-83.738289
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20181026T180000
DTEND;TZID=America/Detroit:20181026T200000
DTSTAMP:20181002T213649Z
CREATED:20181002T213434Z
LAST-MODIFIED:20181002T213649Z
UID:10000106-1540576800-1540584000@ummsp.rackham.umich.edu
SUMMARY:African Art in Museums: Ethical Quandaries
DESCRIPTION:“Where do you think your ancestors got these?” asks Eric Killmonger in the recent Black Panther film. Join us for a discussion facilitated by African Art Historian Ray Silverman with curators\, activists and scholars Nii Quarcoopome (Detroit Institute of Arts)\, Sylvester Ogbechie (UC Santa Barbara)\, and Monica Udvardy (University of Kentucky) about what we can learn from the display of African art objects in Western art museums\, diving deep into fraught questions of collecting\, display\, and repatriation. \nThis program is co-sponsored by the U-M Institute for the Humanities and the Museum Studies Program. \nLead support for Beyond Borders: Global Africa is provided by the University of Michigan Office of the Provost\, Michigan Medicine\, the National Endowment for the Arts\, and the University of Michigan Office of Research\, African Studies Center\, and Department of Afroamerican and African Studies.  Additional generous support is provided by the University of Michigan CEW+ Frances and Sydney Lewis Visiting Leaders Fund and Susan Ullrich. \nFriday\, October 26\, 6:00 pm – 8:00 pm \nHelmut Stern Auditorium\, UM Museum of Art \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/african-art-in-museums-ethical-quandaries/
LOCATION:MI
CATEGORIES:Other
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20181023T183000
DTEND;TZID=America/Detroit:20181023T193000
DTSTAMP:20181009T203831Z
CREATED:20180918T221219Z
LAST-MODIFIED:20181009T203831Z
UID:10000105-1540319400-1540323000@ummsp.rackham.umich.edu
SUMMARY:Using Racist Memorabilia to Teach Tolerance and Promote Social Justice: the Case of the Jim Crow Museum
DESCRIPTION:The Jim Crow Museum is the nation’s largest publicly accessible collection of racist artifacts. Located on the campus of Ferris State University in Big Rapids\, Michigan\, the museum houses more than 12\,000 objects—primarily\, but not exclusively\, segregation era artifacts and everyday anti-black caricatured objects. The museum’s innovative mission—which doubles as its tagline—is “using objects of intolerance to teach tolerance.”  As such\, the Jim Crow Museum serves as a compelling model for all museums to consider. \nProf. David Pilgrim\, founder and current director of the Jim Crow Museum of Racist Memorabilia also serves as Vice President for Diversity and Inclusion at Ferris State University. \nPlease note that some may be offended by the images in the presentation. \n  \nOctober 23\, 2018 at 6:30 p.m.\, Stern Auditorium\, University of Michigan Museum of Art \n  \nPresented by the University of Michigan Museum Studies Program with the support of the Office of the Vice President for Student Life\, the School of Information\, the University of Michigan Museum of Art\, and the Office of Diversity\, Equity\, and Inclusion. \n  \nPilgrim lecture announcement_Final \n  \nDr. David Pilgrim\, Vice President for Diversity and Inclusion at Ferris State University\, is one of this country’s leading experts on issues relating to multiculturalism\, diversity\, and race relations. He has been interviewed by National Public Radio\, Time magazine\, the British Broadcasting Corporation\, and dozens of newspapers\, including the New York Times\, Washington Post\, Boston Globe\, Chicago Tribune\, and the Los Angeles Times. Dr. Pilgrim is best known as the founder and curator of the Jim Crow Museum — a 11\,000 piece collection of racist artifacts located at Ferris State University\, in Big Rapids\, Michigan. The museum\, innovatively\, uses objects of intolerance to teach tolerance. Dr. Pilgrim’s writings\, many found at www.ferris.edu/jimcrow\, are used by scholars\, students\, and civil rights workers to better understand historical and contemporary expressions of racism. \nDr. Pilgrim is an applied sociologist with a doctorate from The Ohio State University. He believes that racism can be objectively studied and creatively assailed. In 2004\, he produced with Clayton Rye the documentary Jim Crow’s Museum to explain his approach to battling racism. The film won several awards including Best Documentary at the 2004 Flint Film Festival.  Dr. Pilgrim’s writings\, scholarly and creative\, deal with multiculturalism and race relations. His short stories have been published in Calaloo\, Obsidian\, African American Review\, Aim\, and Shooting Star. He is the author of Understanding Jim Crow: Using Objects of Intolerance to Teach Tolerance (PM Press\, 2015)\, used as a text in teaching undergraduates in the Museum Studies Minor at the University of Michigan. \nDr. Pilgrim challenges audiences to think deeply about diversity and race relations. He is a Ferris State University Distinguished Teacher. Dr. Pilgrim has spent his adult life using objects of intolerance to teach tolerance. It works. His goal is to get people talking about diversity and race relations in meaningful ways — and\, then\, to go and do something positive. \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/using-racist-memorabilia-to-teach-tolerance-and-promote-social-justice/
LOCATION:U-M Museum of Art\, Helmut Stern Auditorium\, 525 S. State St.\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Lectures
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20180929T090000
DTEND;TZID=America/Detroit:20180929T170000
DTSTAMP:20180918T213331Z
CREATED:20180918T212347Z
LAST-MODIFIED:20180918T213331Z
UID:10000103-1538211600-1538240400@ummsp.rackham.umich.edu
SUMMARY:Expansive Realities: A Longer History of the “Virtual” in Art\, Architecture\, and Visual Culture
DESCRIPTION:Keynote speaker: Kristina Kleutghen\, David. W. Mesker Associate Professor of Art History and Archaeology\, Chinese Art and Architecture\, Washington University in St. Louis \nThe History of Art Department at the University of Michigan presents graduate student presentations for its biannual Graduate Symposium\, Expansive Realities: A Longer History of the “Virtual” in Art\, Architecture\, and Visual Culture. \nAs artistic practice increasingly engages with digital media and the virtual\, our symposium aims to foster discussions of the theoretical\, social\, and cultural nature of this phenomenon. While often linked to the digital age\, the virtual implies imagined and immersive spaces that defy material and physical boundaries.  Presentations will examine intersections between art and the virtual in a variety of historical and cultural contexts\, investigating the virtual not only in relation to contemporary visual culture\, but also as a phenomenon extending to the pre-modern periods of the history of art. \nCo-sponsored by UM Museum Studies Program\, UM Museum of Art\, Department of Classical Studies\, Medieval and Early Modern Studies\, Department of American Culture\, Comparative Literature\, Confucius Institute\, Lieberthal-Rogel Center for Chinese Studies\, Slavic Languages & Literatures\, Interdepartmental Program in Classical Art and Archaeology
URL:https://ummsp.rackham.umich.edu/tribe-event/expansive-realities-a-longer-history-of-the-virtual-in-art-architecture-and-visual-culture/
LOCATION:U-M Museum of Art\, Helmut Stern Auditorium\, 525 S. State St.\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Other
GEO:42.276802;-83.738289
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=U-M Museum of Art Helmut Stern Auditorium 525 S. State St. Ann Arbor MI 48109 United States;X-APPLE-RADIUS=500;X-TITLE=525 S. State St.:geo:-83.738289,42.276802
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20180914T120000
DTEND;TZID=America/Detroit:20180914T140000
DTSTAMP:20180907T134121Z
CREATED:20180907T134121Z
LAST-MODIFIED:20180907T134121Z
UID:10000102-1536926400-1536933600@ummsp.rackham.umich.edu
SUMMARY:EIHS Symposium: Museum Stories: The Ethics of Collecting
DESCRIPTION:What constitutes rightful ownership of cultural objects? The unprecedented looting of modern wars as well as various protest movements have spawned international regulations\, declarations\, and efforts that offer guidance in this regard. The extant framework\, however\, falls short of exhausting the ethical problems raised by artifacts\, their histories\, and their displays. For museum and university collections these questions have gained the greatest urgency. Our panel offers reflections on this vast terrain; three case studies will follow an opening contribution by one of the foremost experts on restitution\, repatriation\, and cultural heritage law. \nPanelists:\nPatty Gerstenblith\, Distinguished Research Professor of Law\, DePaul University\nRaymond Silverman\, Professor\, History of Art\, Afroamerican and African Studies\, University of Michigan\nTerry G. Wilfong\, Director / Curator of Graeco-Roman Egyptian Collections\, Kelsey Museum of Archaeology\, University of Michigan\nYao-Fen You\, Associate Curator\, European Sculpture and Decorative ArtsDetroit Institute of Arts\nHelmut Puff (chair)\, Elizabeth L. Eisenstein Collegiate Professor of History and Germanic Languages\, University of Michigan \n1014 Tisch Hall \nAdditional details here.
URL:https://ummsp.rackham.umich.edu/tribe-event/eihs-symposium-museum-stories-the-ethics-of-collecting/
LOCATION:Tisch Hall\, 435 State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Other
ATTACH;FMTTYPE=image/png:https://ummsp.rackham.umich.edu/wp-content/uploads/2018/09/mus_stories.png
GEO:42.2766233;-83.7397101
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tisch Hall 435 State Street Ann Arbor MI 48109 United States;X-APPLE-RADIUS=500;X-TITLE=435 State Street:geo:-83.7397101,42.2766233
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20180811T080000
DTEND;TZID=America/Detroit:20181125T170000
DTSTAMP:20181002T213557Z
CREATED:20180925T224948Z
LAST-MODIFIED:20181002T213557Z
UID:10000104-1533974400-1543165200@ummsp.rackham.umich.edu
SUMMARY:Beyond Borders: Global Africa
DESCRIPTION:More than ever in the era of globalization\, ideas traverse geographic\, generational\, and cultural boundaries\, even as national borders seem to be closing. Beyond Borders: Global Africa reflects on this moment by considering how Africa and its artists have been at the center of complex histories of encounter and exchange for centuries. Bringing together a dazzling array of works made in Africa\, Europe\, and the United States from the nineteenth to twenty-first century\, the exhibition demonstrates the international scope and reach of art from Africa and the African diaspora. It also explores issues such as slavery\, colonization\, migration\, racism\, and identity at play in the objects and their histories. Highlights include paintings\, photographs\, sculpture\, and installations by Kudzanai Chiurai\, Omar Victor Diop\, Wangechi Mutu\, and Serge Alain Nitegeka. The exhibition is accompanied by a fully-illustrated publication\, the tenth in the UMMA Books series. \nLead support for Beyond Borders: Global Africa is provided by the University of Michigan Office of the Provost\, Michigan Medicine\, the National Endowment for the Arts\, and the University of Michigan Office of Research\, African Studies Center\, and Department of Afroamerican and African Studies\, and the Museum Studies Program.  Additional generous support is provided by the University of Michigan CEW+ Frances and Sydney Lewis Visiting Leaders Fund and Susan Ullrich.  \nExhibit runs August 11 – November 25 at the UM Museum of Art \nThe full schedule can be found here. \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/beyond-borders-global-africa/
LOCATION:MI
CATEGORIES:Other
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20180506T140000
DTEND;TZID=America/Detroit:20180506T150000
DTSTAMP:20180424T193557Z
CREATED:20180424T193345Z
LAST-MODIFIED:20180424T193557Z
UID:10000101-1525615200-1525618800@ummsp.rackham.umich.edu
SUMMARY:Curator Talk -  Excavating Archaeology at UM: 1817 - 2017
DESCRIPTION:Join the curators of “Excavating Archaeology @ UM: 1817-2017\,” Terry Wilfong and Carla Sinopoli\, for a public tour of the exhibition at the University of Michigan’s Kelsey Museum of Archaeology. \nThis exhibition explores the history of archaeology and museums at the University of Michigan for the past 200 years and looks forward to the future of archaeology and museums at Michigan in the coming century. The exhibition relies on carefully chosen objects\, archival documents and images\, and other illustrative materials to examine moments in the history of the University of Michigan’s involvements in archaeology and the location of archaeology in the museum environment. \nThe tour/exhibition is free and open to the public.
URL:https://ummsp.rackham.umich.edu/tribe-event/curator-talk-excavating-archaeology-at-um-1817-2017/
LOCATION:Kelsey Museum of Archaeology\, 434  South State Street\, Ann Arbor\, MI\, 48109
CATEGORIES:Other
ATTACH;FMTTYPE=image/png:https://ummsp.rackham.umich.edu/wp-content/uploads/2017/11/ExcArc.png
GEO:42.2767334;-83.7413886
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Kelsey Museum of Archaeology 434  South State Street Ann Arbor MI 48109;X-APPLE-RADIUS=500;X-TITLE=434  South State Street:geo:-83.7413886,42.2767334
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20180505T090000
DTEND;TZID=America/Detroit:20180505T160000
DTSTAMP:20180504T123731Z
CREATED:20180416T175401Z
LAST-MODIFIED:20180504T123731Z
UID:10000100-1525510800-1525536000@ummsp.rackham.umich.edu
SUMMARY:American History Workshop - Constructing America: Identities\, Infrastructure and Institutions
DESCRIPTION:In whose image is America constructed? What does “America” mean? In what ways has the world constructed America\, just as America has shaped itself? The American History Workshop invites you to join us in considering these and other questions at our annual graduate student conference: \n  \nConstructing America: Identities\, Infrastructure and Institutions \nMay 4\, 2018 8:30am – 6pm \nMay 5\, 2018 9am – 4pm \n1014 Tisch Hall \n  \nOur keynote speaker is Professor of American Studies\, Laura Barraclough (Yale University). Her talk\, “Colonizing and Decolonizing Frontier Imaginaries in the U.S. West\,” will be Friday May 4 at 4pm. Her talk will examine three sites in which imaginaries of the “western frontier” have been constructed and deconstructed in relationship to structures of settler colonialism\, migration\, and inequality. These include: rural land-use protections for horse-keeping and western heritage in Los Angeles; Mexican Americans use of the charro (gentleman horseman) to secure public and private space in California\, Texas\, and Nevada; and the Gila River Indian Community’s purchase and operation of a Wild West-style theme park just outside of Phoenix. Her goal is to have us think about the malleability of frontier myths: how they have been used to secure settler colonialism\, but can also be repurposed for spatial justice\, decolonization\, and sovereignty. \n  \nA Public History Roundtable will take place on Saturday\, May 5\, 11:30-1:30\, featuring speakers from museum\, archival and digital humanities fields.  NOTE\, this portion of the conference has been cancelled! \n  \nWe’ll be hosting panelists representing 14 universities across the U.S. and Canada\, whose disciplines range from History\, American Studies\, Urban Planning\, English\, Architecture and more. Please see the attached posters and full schedule. Breakfast and lunch will be provided both Friday and Saturday. \n  \nPlease register here if you are interested in attending. \n  \nPlease contact Daniela Sheinin (dsheinin@umich.edu) with any questions. \n  \nCo-sponsored by:  The Department of History\, Museum Studies Program\, and the Eisenberg Institute for Historical Studies \n  \nConstructing America schedule
URL:https://ummsp.rackham.umich.edu/tribe-event/american-history-workshop-constructing-america-identities-infrastructure-and-institutions/2018-05-05/
LOCATION:MI
CATEGORIES:Other
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20180504T083000
DTEND;TZID=America/Detroit:20180504T180000
DTSTAMP:20180504T123731Z
CREATED:20180416T175401Z
LAST-MODIFIED:20180504T123731Z
UID:10000099-1525422600-1525456800@ummsp.rackham.umich.edu
SUMMARY:American History Workshop - Constructing America: Identities\, Infrastructure and Institutions
DESCRIPTION:In whose image is America constructed? What does “America” mean? In what ways has the world constructed America\, just as America has shaped itself? The American History Workshop invites you to join us in considering these and other questions at our annual graduate student conference: \n  \nConstructing America: Identities\, Infrastructure and Institutions \nMay 4\, 2018 8:30am – 6pm \nMay 5\, 2018 9am – 4pm \n1014 Tisch Hall \n  \nOur keynote speaker is Professor of American Studies\, Laura Barraclough (Yale University). Her talk\, “Colonizing and Decolonizing Frontier Imaginaries in the U.S. West\,” will be Friday May 4 at 4pm. Her talk will examine three sites in which imaginaries of the “western frontier” have been constructed and deconstructed in relationship to structures of settler colonialism\, migration\, and inequality. These include: rural land-use protections for horse-keeping and western heritage in Los Angeles; Mexican Americans use of the charro (gentleman horseman) to secure public and private space in California\, Texas\, and Nevada; and the Gila River Indian Community’s purchase and operation of a Wild West-style theme park just outside of Phoenix. Her goal is to have us think about the malleability of frontier myths: how they have been used to secure settler colonialism\, but can also be repurposed for spatial justice\, decolonization\, and sovereignty. \n  \nA Public History Roundtable will take place on Saturday\, May 5\, 11:30-1:30\, featuring speakers from museum\, archival and digital humanities fields.  NOTE\, this portion of the conference has been cancelled! \n  \nWe’ll be hosting panelists representing 14 universities across the U.S. and Canada\, whose disciplines range from History\, American Studies\, Urban Planning\, English\, Architecture and more. Please see the attached posters and full schedule. Breakfast and lunch will be provided both Friday and Saturday. \n  \nPlease register here if you are interested in attending. \n  \nPlease contact Daniela Sheinin (dsheinin@umich.edu) with any questions. \n  \nCo-sponsored by:  The Department of History\, Museum Studies Program\, and the Eisenberg Institute for Historical Studies \n  \nConstructing America schedule
URL:https://ummsp.rackham.umich.edu/tribe-event/american-history-workshop-constructing-america-identities-infrastructure-and-institutions/2018-05-04/
LOCATION:MI
CATEGORIES:Other
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20180416T180000
DTEND;TZID=America/Detroit:20180416T200000
DTSTAMP:20180327T190741Z
CREATED:20180109T221605Z
LAST-MODIFIED:20180327T190741Z
UID:10000032-1523901600-1523908800@ummsp.rackham.umich.edu
SUMMARY:MSP17 Student Capstone Presentations
DESCRIPTION:Presentations for this evening are as follows: \n6:00 pm “Applewood Estate and North Flint: Historic Preservation and Community Revitalization” \nPresented by Onyx Henry\, Christopher Mulvey\, Katie Stadtmiller \nHost institution:  Applewood Estate \nProject challenge:  Creating a resource guide to assist Applewood Estate in taking the message of historic preservation to north Flint \n  \n7:00 pm “Is a Barn Just a Barn?  Building a Museum for Carver Camp” \nPresented by Carolyn Gennari\, Rashun Miles\, James Munene \nHost institution:  Camp Carver \nProject challenge:  Designing a long term strategy that will lead to an on-site museum for a metropolitan Detroit church day camp in Grass Lake\, MI \n  \nPresentations will be held in 5670 Haven Hall\, Eldersveld Room \n  \nA full schedule of all Capstone presentations can soon be found here.
URL:https://ummsp.rackham.umich.edu/tribe-event/msp17-student-capstone-presentations-april-16/
LOCATION:Haven Hall\, Eldersveld Room\, 505 S. State Street\, Ann Arbor\, 48109
CATEGORIES:Other,Student Presentation
GEO:42.2746165;-83.7406863
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Haven Hall Eldersveld Room 505 S. State Street Ann Arbor 48109;X-APPLE-RADIUS=500;X-TITLE=505 S. State Street:geo:-83.7406863,42.2746165
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20180409T180000
DTEND;TZID=America/Detroit:20180409T200000
DTSTAMP:20180327T190834Z
CREATED:20180109T221319Z
LAST-MODIFIED:20180327T190834Z
UID:10000031-1523296800-1523304000@ummsp.rackham.umich.edu
SUMMARY:MSP17 Student Capstone Presentations
DESCRIPTION:Presentations for this evening are as follows: \n6:00 pm “Building Bridges: Diversifying Audience at the Mott-Warsh Collection“ \nPresented by Stephanie Brown\, Isabelle Gillet\, and Colin Walker \nHost institution:  Mott-Warsh Collection \nProject challenge:  Finding ways to help a contemporary African American art gallery to reach new and diversified audiences \n  \n7:00 pm “Contemporary Voices in Historic Frames: Engaging Community at the Historic Mann House in Concord\, MI” \nPresented by Stacey Bishop\, Alexandra Creola\, Jeremy York \nHost institution: Michigan History Center \nProject challenge:  Finding ways to enhance visitor and community engagement at a small historic home in rural Michigan \n  \nPresentations will be held in 5670 Haven Hall\, Eldersveld Room \n  \nA full schedule of all Capstone presentations can soon be found here.
URL:https://ummsp.rackham.umich.edu/tribe-event/msp17-student-capstone-presentations/
LOCATION:Haven Hall\, Eldersveld Room\, 505 S. State Street\, Ann Arbor\, 48109
CATEGORIES:Other,Student Presentation
GEO:42.2746165;-83.7406863
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Haven Hall Eldersveld Room 505 S. State Street Ann Arbor 48109;X-APPLE-RADIUS=500;X-TITLE=505 S. State Street:geo:-83.7406863,42.2746165
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20180327T183000
DTEND;TZID=America/Detroit:20180327T193000
DTSTAMP:20180313T202022Z
CREATED:20180221T160842Z
LAST-MODIFIED:20180313T202022Z
UID:10000096-1522175400-1522179000@ummsp.rackham.umich.edu
SUMMARY:What Do Curators Know?
DESCRIPTION:Tuesday\, March 27 at 6:30 pm \nMichigan League (Michigan Room) \nPresentation by Steven Lubar Professor of American Studies\, History of Art and Architecture\, and History\, Brown University and Museum Studies Program Visiting Scholar \nCurators are experts on an astonishing range of topics. But what else do they know? I believe that curators’ hands-on work with art\, artifacts\, and specimens provides them a kind of knowledge unavailable in any other way. Handling objects\, understanding their materiality\, offers insights into their histories of creation\, meaning\, and use. Organizing them for storage\, research and exhibition allows new insights that allow understandings of connections across space and change over time. Curatorial knowledge matters\, even as the role of the museum and curator changes. \n  \nSteven Lubar is professor in the Departments of American Studies\, History\, and History of Art and Architecture at Brown University. He was previously curator at the National Museum of American History\, and Director of Brown’s John Nicholas Brown Center for Public Humanities and Cultural Heritage and Brown’s Haffenreffer Museum of Anthropology. He is a 2015 Guggenheim Fellow. His most recent book is Inside the Lost Museum: Curating\, Past and Present.  \n  \nco-sponsored by the University of Michigan Museum of  Art \n  \nLubar lecture announcement
URL:https://ummsp.rackham.umich.edu/tribe-event/what-do-curators-know/
LOCATION:Michigan League\, Ann Arbor\, MI
CATEGORIES:Lectures
GEO:42.2808256;-83.7430378
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20180322T143000
DTEND;TZID=America/Detroit:20180322T161500
DTSTAMP:20180309T151610Z
CREATED:20180309T151610Z
LAST-MODIFIED:20180309T151610Z
UID:10000097-1521729000-1521735300@ummsp.rackham.umich.edu
SUMMARY:The Challenges and Opportunities of Exhibiting Asian Art in the 21st Century: A View from the Rijksmuseum\, Amsterdam
DESCRIPTION:The Challenges and Opportunities of Exhibiting Asian Art in the 21st Century: A View from the Rijksmuseum\, Amsterdam. \nPresented by Anna Slaczka\, Curator of Asian Art\, Rijksmuseum\, Amsterdam. \nMarch 22 at 2:30\, Michigan Union\, Wolverine Room. \nPresented by the UM History of Art\, and co-sponsored by the Museum Studies Program.
URL:https://ummsp.rackham.umich.edu/tribe-event/the-challenges-and-opportunities-of-exhibiting-asian-art-in-the-21st-century-a-view-from-the-rijksmuseum-amsterdam/
LOCATION:Michigan Union\, 530 S. State Streeet\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Other
ATTACH;FMTTYPE=image/png:https://ummsp.rackham.umich.edu/wp-content/uploads/2018/03/sponsored.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20180216T083000
DTEND;TZID=America/Detroit:20180216T123000
DTSTAMP:20180214T171426Z
CREATED:20180109T213934Z
LAST-MODIFIED:20180214T171426Z
UID:10000028-1518769800-1518784200@ummsp.rackham.umich.edu
SUMMARY:Historic House Museums workshop
DESCRIPTION:The morning session of this workshop is free and open to the public.  The afternoon visit to Fair Lane Estate\, however\, is limited to 40 people and is fully registered. \nHouse museums have been a mainstay of the American museum landscape for generations.  The most common museum type in the United States\, these monuments to affluence and influence—often associated with ‘great men’ and community founders—are found from small towns to major urban centers.  Over the last half century\, the model for the historic house museum has become both familiar and entrenched.  Today\, historic house museums are being challenged: to respond to changing audiences and interests of contemporary museum goers: to tell more complex—and difficult—histories; and to more fully represent the many and diverse communities and individuals that constitute our past and present. \nRe-Imagining the Historic House Museum brings together scholars\, professionals\, and provocateurs who are transforming historic house museums to tell new stories and create new visitor experiences.  This all-day event has two parts.  In the morning\, speakers will introduce their work and institutions in on-campus presentations.  In the afternoon\, pre-registered participants are invited to join a visit to Henry Ford’s Fair Lane Estate in Dearborn\, MI\, currently in the midst of an innovative renovation.  Attendees will be introduced to new approaches to historic house museums and have the opportunity for a rare behind-the-scenes look at work being undertaken in our own community. \n  \n8:30 am – 12:30 pm\, Michigan League (Koessler Room\, 3rd floor) \n  \nParticipants: \nElizabeth Chew\, Vice President for Museum Programs\, James Madison’s Montpelier \nLisa Yun Lee\, Executive Director\, National Public Housing Museum and Director\, School of Art and Art History\, University of Illinois\, Chicago \nMark Heppner\, Vice President for Historic Resources\, Historic Ford Estates \nFrank Vagnone\, co-author\, Anarchist’s Guide to Historic House Museums \nNancy Villa Bryk\,  Associate Professor\, Program in Historic Preservation\, Eastern Michigan University \n  \nPlease see the complete schedule\, presentation titles\, and participant biographies here. \n  \n* The bus to Fairlane Estate will leave from the Michigan League at 1:30 pm (The bus is fully reserved; if you have reserved a spot and must cancel\, please email ummsp@umich.edu to open your spot for someone else.) \n  \n  \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/historic-house-museums-workshop/
LOCATION:Michigan League\, Ann Arbor\, MI
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/png:https://ummsp.rackham.umich.edu/wp-content/uploads/2018/01/Fairlane.png
GEO:42.2808256;-83.7430378
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20180212T160000
DTEND;TZID=America/Detroit:20180212T180000
DTSTAMP:20180309T152522Z
CREATED:20180309T152522Z
LAST-MODIFIED:20180309T152522Z
UID:10000098-1518451200-1518458400@ummsp.rackham.umich.edu
SUMMARY:“Archives and Futures: A View from ‘the most distant place’”
DESCRIPTION:Shamil Jeppie\, University of Capetown\, South Africa \n\nMonday\, Feb 12\, 4-6pm\nRackham Amphitheatre\, 915 E. Washington\n\nPlease join us for a reception with Shamil Jeppie immediately following the lecture. \nThe Oxford English Dictionary describes Timbuktu as “the most distant place\,” a view that comes out of European explorations of West Africa and the challenges in reaching the place in the interior of the continent\, at the edges of the Sahara desert. Hardly anything was ever noted about Timbuktu’s place in a larger network of settlements with traditions of advanced literacy\, of scholars and scholastic manuscript book making and collecting. Centuries of learned activity were well-known among various local communities. Some settlements become more famous than others. “Timbuktu” somehow became the most famous name. But it was neither an invention nor without actual scholars. \nWhat can the ways these manuscript libraries were kept and conserved—but also dispersed and often destroyed—over the past century and more tell us about the place of archives from the period before European contact in parts of the African past? When and how do archives come to give us insight into more than experiences and conceptions of the past but ideas about the future? The recent attacks on cultural sites including libraries in and around Timbuktu provides an opportunity to ask questions about the constructions of collections and archives\, and their relation to writing about the past but also what they tell about visions of the future. These conflicts and the loss and hazardous movement of cultural artifacts and collections are far from over on the continent. \nShamil Jeppie is associate professor of history at the University of Cape Town and director of the Institute for Humanities in Africa. His research and publications focus on social and cultural history in South Africa and West Africa\, and he is founder of the Tombouctou Manuscripts Project\, which explores the formation of a culture of collecting in Timbuktu. His books include Language\, Identity\, Modernity: The Arabic Study Circle of Durban (2007)\, and the co-edited volumes The Meanings of Timbuktu (2008)\, Muslim Family Law in Sub-Saharan Africa: Colonial Legacies and Post-Colonial Challenges (2010)\, andToward New Histories for South Africa: On the Place of the Past in Our Present (2004). \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/archives-and-futures-a-view-from-the-most-distant-place/
LOCATION:Rackham Graduate School\, 915 E. Washington Street\, Ann Arbor\, MI\, 48109\, United States
ATTACH;FMTTYPE=image/png:https://ummsp.rackham.umich.edu/wp-content/uploads/2018/03/IH.png
GEO:42.2807892;-83.7381556
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Rackham Graduate School 915 E. Washington Street Ann Arbor MI 48109 United States;X-APPLE-RADIUS=500;X-TITLE=915 E. Washington Street:geo:-83.7381556,42.2807892
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20180209T120000
DTEND;TZID=America/Detroit:20180209T130000
DTSTAMP:20180202T173935Z
CREATED:20180109T222256Z
LAST-MODIFIED:20180202T173935Z
UID:10000095-1518177600-1518181200@ummsp.rackham.umich.edu
SUMMARY:Museums at Noon - Postponed!
DESCRIPTION:Presented by Mark Auslander\, Director of Michigan State University Museum \nco-sponsored by the UM Department of Afroamerican and African Studies \n  \nPreviously schedued for Friday\, February 9 at 12:00 pm in the UM Museum of Art Multi-Purpose Room (125) – new date to be announced soon! \n(add flyer)
URL:https://ummsp.rackham.umich.edu/tribe-event/museums-at-noon-presentation-title-coming-soon/
LOCATION:University of Michigan Museum of Art\, First Floor\, Multi-Purpose Room\, 525 South State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Museums at Noon
GEO:42.276802;-83.738289
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=University of Michigan Museum of Art First Floor Multi-Purpose Room 525 South State Street Ann Arbor MI 48109 United States;X-APPLE-RADIUS=500;X-TITLE=525 South State Street:geo:-83.738289,42.276802
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20171212T183000
DTEND;TZID=America/Detroit:20171212T193000
DTSTAMP:20171204T192605Z
CREATED:20170919T224849Z
LAST-MODIFIED:20171204T192605Z
UID:10000093-1513103400-1513107000@ummsp.rackham.umich.edu
SUMMARY:Museums of the Past into the Future: The Oriental Institute and the Kelsey Museum
DESCRIPTION:A conversation between: \nChris Woods\, Director\, Oriental Institute\, University of Chicago \nTerry G. Wilfong\, Director\, Kelsey Museum of Archaeology\, U-M \n  \nThe Oriental Institute Museum at the University of Chicago and the Kelsey Museum of Archaeology at the University of Michigan share similar backgrounds and histories. Founded in the prosperity of the 1920s as part of the wider-ranging projects of visionary scholars\, the two archaeological museums focus on an expansive program of investigation of the ancient history of the Mediterranean and Middle East. But these two museums have taken very different paths to the present and face different challenges for the future. The discussion will cover the history of these unique institutions as well as their present situations and future possibilities. \n  \nChristopher Woods is John A. Wilson Professor and Director of the Oriental Institute\, and member of the Department of Near Eastern Languages and Civilizations and the Program in the Ancient Mediterranean World at the University of Chicago. He received his BS from Yale University and his PhD in Assyriology from Harvard University and was a junior fellow in the Harvard Society of Fellows before joining the faculty of the University of Chicago. His research interests include Sumerian writing and language as well as early Mesopotamian religion\, literature\, and administration.  He is author of The Grammar of Perspective: The Sumerian Conjugation Prefixes as a System of Voice (Brill\, 2008)\, Materials for the Sumerian Lexicon (Volume 18) and is currently completing a monograph on early cuneiform writing\, The Origins and Development of Writing in Ancient Mesopotamia: A History\, 3500 — 2000 BCE. \n  \nTerry G. Wilfong is Director and Curator for Graeco-Roman Egypt at the Kelsey Museum of Archaeology and Professor of Egyptology in the Department of Near Eastern Studies at the University of Michigan. Wilfong received his BA\, MA\, and PhD in Egyptology at the University of Chicago. As a scholar\, he has dedicated himself to the Kelsey Museum’s collections from the University’s 1924-1935 excavations of the Egyptian sites of Karanis\, Soknopaiou Nesos\, and Terenouthis\, sites chosen by the original excavators to illustrate daily life in Egypt in the Greek and Roman periods (c. 332 BCE – 641 CE). As a curator and museum director\, Wilfong has used these collections to address wider areas of archaeological inquiry\, including concepts such as gender\, sound\, childhood\, and fire. He has also supervised an ongoing series of contemporary art installations in which artists respond to the ancient material in the Kelsey’s collections. Wilfong has recently published two monographs on ancient Egyptian religion and practices relating to death and burial: Death Dogs: The Jackal Gods of Ancient Egypt (2015)\, and Life\, Death and Afterlife in Ancient Egypt: The Coffin of Djehutymose in the Kelsey Museum of Archaeology (2012). \n  \nCo-sponsored by the Kelsey Museum of Archaeology and the University of Michigan Bicentennial \nWoods and Wilfong Announcement
URL:https://ummsp.rackham.umich.edu/tribe-event/museums-of-the-past-into-the-future-the-oriental-institute-and-the-kelsey-museum/
LOCATION:U-M Museum of Art\, Helmut Stern Auditorium\, 525 S. State St.\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Lectures
GEO:42.276802;-83.738289
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=U-M Museum of Art Helmut Stern Auditorium 525 S. State St. Ann Arbor MI 48109 United States;X-APPLE-RADIUS=500;X-TITLE=525 S. State St.:geo:-83.738289,42.276802
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20171208T120000
DTEND;TZID=America/Detroit:20171208T130000
DTSTAMP:20170919T201724Z
CREATED:20170908T132313Z
LAST-MODIFIED:20170919T201724Z
UID:10000090-1512734400-1512738000@ummsp.rackham.umich.edu
SUMMARY:Digital Aspirations: The Design of an Online Exhibit at a Site of Conscience in Nicaragua
DESCRIPTION:Presentation by Allan Martell\, PhD candidate\, Information \nFriday\, December 8 from 12:00 pm – 1:00 pm\, UM Museum of Art auditorium \n  \nDigital Aspirations: The Design of an Online Exhibit at a Site of Conscience in Nicaragua \nSites of conscience serve the public by raising awareness about contemporary issues such as transnational migrations\, racism\, and gender inequalities. Such is the case for the Institute of History of Nicaragua and Central America (IHNCA). In this talk\, I will share my experience designing the concept of a digital exhibit at IHNCA\, and how this project feeds into larger conversations about the contributions of digital technologies to the museum mission. I argue that the way museum professionals talk about digital technologies reveal their aspirations for what a museum can be. However\, such aspirations do not always match the affordances of digital technologies. \n  \nMuseums at Noon_Martell
URL:https://ummsp.rackham.umich.edu/tribe-event/museums-at-noon-december-8/
LOCATION:MI
CATEGORIES:Museums at Noon
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20171205T183000
DTEND;TZID=America/Detroit:20171205T193000
DTSTAMP:20171204T192138Z
CREATED:20170919T224555Z
LAST-MODIFIED:20171204T192138Z
UID:10000092-1512498600-1512502200@ummsp.rackham.umich.edu
SUMMARY:Time to Evolve:  The Histories and Futures of Two University Natural History Museums 
DESCRIPTION:A conversation between: \nJulie Stein – Executive Director\, Burke Museum of Natural History and Culture\, University of Washington \nAmy Harris – Director\, Museum of Natural History\, U-M \n  \nUniversity natural history collections were central to the scientific enterprise in the 19th century. Today\, these collections document change over time\, and play critical roles in research\, education\, and cultural heritage. However\, many museums are under-utilized by their local communities. \nIn the 21st century\, campus and museum leaders must rethink the role of the University Museum. As public appetite for engagement and transparency increases\, University Museums are in a unique position to act as a “front door” to academia by offering access to collections and opportunities to connect with the process of scientific research. Some universities are now making significant investments in upgrading their natural history museums\, including the University of Washington and the University of Michigan. \n  \nJulie K. Stein\, Executive Director of the Burke Museum of Nature and Culture at the University of Washington and Amy Harris\, Director of the University of Michigan Museum of Natural History will share  stories of their institutions’ development over time\, with particular emphasis on the opportunities presented by their new facilities\, both opening in 2019. \n  \nJulie K. Stein was appointed Executive Director of the Burke Museum of Natural History and Culture in 2005.  Previously she served as the Museum’s Curator of Archaeology.  She also maintains a professor position in the Department of Anthropology at the University of Washington\, and was Divisional Dean of Research\, Computing\, and Facilities for the College of Arts and Sciences.  Stein received her MA and PhD degrees from the University of Minnesota and her BA degree from Western Michigan University.  Her research interests are in geoarchaeology\, especially studies involving Northwest Coast shell middens.  She has excavated archaeological sites on Washington’s San Juan Islands since 1983\, and she continues to collaborate on research projects involving geoarchaeology. \n  \nSince 2002\, Amy Harris has served as the Director of the University of Michigan Museum of Natural History\, where she was previously Associate Director and Development Officer. Harris received her BA from Cornell and MA from the University of Michigan. Before joining the Museum of Natural History in 1996\, she worked at the Art Institute of Chicago and then became the Development Director of the Ann Arbor Summer Festival (1986-1994). As museum director\, Harris is currently overseeing the planning and development of the new U-M Museum of Natural History\, slated to open fully in fall 2019.  Harris’ decades of commitment to the Museum and her leadership in this new project were recently honored by the establishment of the Amy Harris Director’s Strategic Fund\, a sizeable endowment that will support the Museum’s projects in perpetuity. \n  \nCo-sponsored by the University of Michigan Bicentennial and the UM Museum of Natural History \n  \nStein and Harris Announcement
URL:https://ummsp.rackham.umich.edu/tribe-event/time-to-evolve-the-histories-and-futures-of-two-university-natural-history-museums/
LOCATION:U-M Museum of Art\, Helmut Stern Auditorium\, 525 S. State St.\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Lectures
GEO:42.276802;-83.738289
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=U-M Museum of Art Helmut Stern Auditorium 525 S. State St. Ann Arbor MI 48109 United States;X-APPLE-RADIUS=500;X-TITLE=525 S. State St.:geo:-83.738289,42.276802
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20171130T190000
DTEND;TZID=America/Detroit:20171130T203000
DTSTAMP:20170920T131623Z
CREATED:20170920T131623Z
LAST-MODIFIED:20170920T131623Z
UID:10000018-1512068400-1512073800@ummsp.rackham.umich.edu
SUMMARY:Curatorial Dilemmas: Representing Africa at UMMA with Christa Clarke
DESCRIPTION:A series of talks by leading curators and thinkers in African art will launch a reimagining process for the forthcoming reinstallation of the University of Michigan Museum of Art’s Robert and Lillian Montalto Bohlen Gallery of African Art. Christa Clarke\, Senior Curator Arts of Global Africa\, Newark Museum\, will be the third and final speaker in this series to contribute reflections on her own groundbreaking work in the display of African art. \nClarke is Senior Curator\, Arts of Global Africa at the Newark Museum\, where she has organized numerous exhibitions ranging from men’s fashion to Nigerian modernism since her appointment in 2002. Clarke’s scholarship on the history of collecting and display and the politics of representation includes Representing Africa in American Art Museums: A Century of Collecting and Display (co-edited with Kathleen Berzock; 2010)\, which examines the impact of museum practice on the formation of meaning and public perception of African art. Her recent book\, African Art in the Barnes Foundation (Rizzoli; 2015)\, received the James A. Porter and David C. Driskell Book Award for African American Art History and a First Place Award for Excellence from the Association of Art Museum Curators (AAMC) in 2016. \nClarke has held fellowships at the Smithsonian\, the Metropolitan Museum of Art\, and the Clark Art Institute\, and teaching appointments at NYU Abu Dhabi\, University of Pennsylvania\, George Washington University\, Rutgers University\, Purchase College\, and Drew University. In addition\, she was a Center for Curatorial Leadership Fellow in 2012 and currently serves as President of the Association of Art Museum Curators (AAMC). In 2017-2018\, Clarke will be a fellow at the Hutchins Center at Harvard’s DuBois Institute\, where she will be working on a book project\, The Activist Collector: Recovering the Story of an African American Woman in Pre-Apartheid South Africa. \nAdditional featured speakers include: \nThursday\, October 19\, 7 p.m.: Mary (Polly) Nooter Roberts\, Professor\, UCLA Department of World Arts and Cultures/Dance and Consulting Curator for African Art\, Los Angeles County Museum of Art (LACMA) \nThursday\, November 2\, 7 p.m.: Pamela McClusky\, Curator of African and Oceanic Art\, Seattle Art Museum \n  \n\n\nLead support for Power Contained: The Art of Authority in Central and West Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. \nThis lecture series is presented in partnership with the University of Michigan African Studies Center\, Department of Afroamerican and African Studies\, Department of History of Art\, Institute for the Humanities\, and Museum Studies Program. \nThe series is presented in conjunction with the UMMA exhibition Power Contained: The Art of Authority in Central and West Africa (on view from August 19-December 31\, 2017).
URL:https://ummsp.rackham.umich.edu/tribe-event/curatorial-dilemmas-representing-africa-at-umma-with-christa-clarke/
LOCATION:MI
CATEGORIES:Other
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20171128T183000
DTEND;TZID=America/Detroit:20171128T193000
DTSTAMP:20171121T233639Z
CREATED:20170919T224003Z
LAST-MODIFIED:20171121T233639Z
UID:10000091-1511893800-1511897400@ummsp.rackham.umich.edu
SUMMARY:Learning by Leading: A New Model for Expanding Museum Impact
DESCRIPTION:A conversation between: \nKathleen Socolofsky – Director\, Arboretum and Public Garden\, University of California\, Davis \nBob Grese – Director\, Matthaei Botanical Gardens and Nichols Arboretum\, U-M \n  \nDuring this time of immense and sometimes disorienting change\, museums are perfectly positioned to step into new leadership roles for the universities\, their towns\, and their cities.  Building on foundational strengths in education and community engagement\, museums are poised to be the natural hub that can help people band together to identify\, understand\, and begin to solve the real problems that the community and nation face. This brief presentation will share the lessons that the UC Davis Arboretum and Public Garden has learned over the last ten years as we developed and launched our Learning by Leading program. This student-centered program\, focused on step-by-step leadership training\, staff mentorship\, and project-based learning\, helps undergraduates engage and lead a broad community of partners\, donors\, and volunteers to “make real change happen in the real world.” Because we are a living museum\, our teaching focuses naturally on plants\, biodiversity\, and ecological systems. Learning by Leading\, therefore\, is intentionally designed to empower the next generation of environmental leaders. As we move forward to explore\, test\, and share our Learning by Leading model nationally\, we invite you to bring your own best ideas about how we can improve and expand this program that is dedicated to “inspiring human potential to help people and environments thrive.” \nMatthaei Botanical Gardens and Nichols Arboretum at the University of Michigan also aspires to train environmental leaders through its student internship\, work-study\, and volunteer programs\, including the Campus Farm.  The summer internship program\, known as the “Nature Academy” strives to provide professional training for students while engaging them in caring for the arboretum and botanical gardens properties.  Following Kathleen Socolofsky’s presentation\, she and Matthaei-Nichols Director Bob Grese will compare notes on what each of their respective institutions has learned from these innovative student engagement programs. \n  \nSince 1998\, Kathleen Socolofsky has served as Director of the Arboretum and Public Garden at the University of California\, Davis\, where she has also been Assistant Vice Chancellor in Campus Planning and Environmental Stewardship since 2008. Nationally recognized for her leadership and contributions to UC Davis\, Socolofsky has built university and community partnerships that have led to new gardens and innovative programming\, with a major goal of transitioning her campus into a public garden\, using strategies that have made the Arboretum a success. She has co-developed and currently leads the UC Davis GATEways (Garden\, Arts\, and the Environment) Project\, which works to transform the Arboretum and campus landscapes into physical and programmatic “gateways” to engage the public and connect them with the riches of the University. \nPrior to joining UC Davis\, Socolofsky served as the Director of Education at the Desert Botanical Garden in Phoenix\, Arizona (1985-1998)\, where she was Principal Investigator for a National Science Foundation grant that transformed the garden and its collections into an interactive science museum. Among her committee and board appointments\, she has served on the Board of the American Public Gardens Association\, receiving its 2007 Professional Citation Award. Socolofsky received an Award of Distinction in 2012 from the UC Davis College of Agricultural and Environmental Sciences and the first-ever Leadership Prize from the Excelerate Foundation in 2014. \n  \n  \nRobert Grese has served as Director of Nichols Arboretum since 1999 and of the combined Nichols Arboretum and Matthaei Botanical Gardens since 2004. A long-time advocate of ecologically-based design and of the careful stewardship of cultural and natural landscapes\, Grese is a faculty member in the University of Michigan’s newly renamed School for Environment and Sustainability\, where he is currently the Theodore Roosevelt Chair of Ecosystem Management. Hailed by the Garden Club of America as an “extraordinary leader\, designer\, researcher\, teacher and guide\, a true Renaissance man in his field\,” his focus has been on restoring urban wilds\, specifically prairie and oak savanna ecosystems\, integrating and connecting people to nature and fostering volunteer stewardship. \nA much-published author and speaker\, Grese has documented and become a leading authority on the work of early landscape designers Jens Jensen and O.C. Simonds\, who pioneered the “prairie style” of landscape architecture and advocated the use of native plants. He also is considered a leader in documenting midwestern landscapes and has helped develop national landmark nominations for both the Edsel & Eleanor Ford House and the Henry Ford estate\, Fair Lane. \n  \nCo-sponsored by the University of Michigan Bicentennial \n  \nSocolofsky and Grese Announcement
URL:https://ummsp.rackham.umich.edu/tribe-event/learning-by-leading-a-new-model-for-expanding-museum-impact/
LOCATION:U-M Museum of Art\, Helmut Stern Auditorium\, 525 S. State St.\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Lectures
GEO:42.276802;-83.738289
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=U-M Museum of Art Helmut Stern Auditorium 525 S. State St. Ann Arbor MI 48109 United States;X-APPLE-RADIUS=500;X-TITLE=525 S. State St.:geo:-83.738289,42.276802
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20171117T120000
DTEND;TZID=America/Detroit:20171117T130000
DTSTAMP:20170919T201758Z
CREATED:20170908T132147Z
LAST-MODIFIED:20170919T201758Z
UID:10000087-1510920000-1510923600@ummsp.rackham.umich.edu
SUMMARY:Narrative and Nationalism: Islamic Science in American Museum Practice
DESCRIPTION:Presentation by Amanda Respess\, PhD candidate\, Anthropology and History \nFriday\,  November 17 from 12:00 pm – 1:00 pm\, UM Museum of Art auditorium \n  \nNarrative and Nationalism: Islamic Science in American Museum Practice \nArtifacts important to the history of science in Islamicate societies occupy peculiar ground in American museums\, often having trajectories in collections and exhibits that obscure\, rather than clarify\, their provenance and significance. Islamicate societies from the eighth century to the early modern period authored scientific advancements in an astonishing number of fields\, producing a multitude of objects now housed in museum collections around the world. These objects are\, however\, often conspicuously absent in American science museums; they are instead scattered among the collections of American art museums\, where their scientific importance is often sidelined. \nThis talk\, centered on a discussion of the Smithsonian\, examines the historical context of the acquisition of these objects and their itineraries through American collections and exhibitions\, which have offered a variety of narrative techniques used to assign them meanings while on display. What emerges from this analysis is a history of nation-building in American museums that tells a very particular story about the nature of science\, and about who and what can be considered its legitimate stakeholders\, or claim it as a cultural inheritance. \n  \nMuseums at Noon_Respess
URL:https://ummsp.rackham.umich.edu/tribe-event/museums-at-noon-november-17/
LOCATION:MI
CATEGORIES:Museums at Noon
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END:VCALENDAR