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DTSTART;TZID=America/Detroit:20190124T190000
DTEND;TZID=America/Detroit:20190124T220000
DTSTAMP:20190121T195229Z
CREATED:20181221T153819Z
LAST-MODIFIED:20190121T195229Z
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SUMMARY:Student Late Night: Art in the Age of the Internet
DESCRIPTION:Thursday\, January 24 \n7:00 pm – 10:00 pm \nUM Museum of Art \n  \nOrganized by U-M students for U-M students\, and inspired by the exhibition Art in the Age of the Internet\, the 10th annual Student Late Night event at UMMA will be a fun-filled creative explosion! \nThe internet has changed every aspect of contemporary life—from how we interact with each other to how we work and play.  Art in the Age of the Internet\, 1989 to Today examines the radical impact of internet culture on visual art since the invention of the web in 1989.  This exhibition presents more than forty works across a variety of media—painting\, performance\, photography\, sculpture\, video\, and web-based projects. \nCome to the party and enjoy some of the best fun that the digital age has to offer! Participate in live collaborative art making\, motion graphics\, and sound mixing. Have fun at the Silent Disco\, snag some free food\, and have a blast! \nArt in the Age of the Internet\, 1989 to Today is organized by the Institute of Contemporary Art/Boston and curated by Eva Respini\, Barbara Lee Chief Curator\, with Jeffrey De Blois\, Assistant Curator. \n  \nStudent Late Night: Art in the Age of the Internet is brought to you by the Student Collective at UMMA in partnership with Maize Collective\, and co-sponsored by Arts at Michigan\, ArtsEngine\, the Penny W. Stamps School of Art & Design\, the Institute for the Humanities\, the History of Art Department\, American Culture\, and the Museum Studies Program\, with additional support from the African Student Association. \n  \nAIAI Student Late Night Final
URL:https://ummsp.rackham.umich.edu/tribe-event/student-late-night-art-in-the-age-of-the-internet/
LOCATION:University of Michigan Museum of Art
CATEGORIES:Other
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20190123T173000
DTEND;TZID=America/Detroit:20190124T190000
DTSTAMP:20190123T172907Z
CREATED:20190122T200441Z
LAST-MODIFIED:20190123T172907Z
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SUMMARY:Penny Stamps Distinguished Speaker Series: Consolation\, JuYeon Kim
DESCRIPTION:Born in Seoul\, South Korea\, JuYeon Kim works and lives in New York. She has shown in both solo and group exhibitions nationally and internationally including New York\, Washington\, DC\, Shanghai\, and Seoul. Additionally\, Kim has been awarded several residencies such as MacDowell Colony\, Kohler Arts Center\, Triangle\, and the Roswell Artist in Residence Fellowship. Kim has also held several positions as a visiting artist and professor. A 2018–2019 Roman Witt Resident\, Kim is creating a multimedia installation work in collaboration with the Stamps School community and composer George Tsontakis that seeks to explore themes around Korean “comfort women”— the female prisoners of the Japanese army during World War II.  Kim states: “Although my installation project was conceived and initiated before my awareness of the #MeToo movement developing in the States and around the world\, it seems to me to be so poignantly connected to the historical plight of women everywhere. While the travails of the Korean ‘comfort women’ are an extreme example of women’s integrity being compromised\, the assault sadly continues on various levels and by different degrees.” \nPresented with support from the University of Michigan Museum of Art (UMMA) and the Institute for the Humanities. \nAdditional details can be found here.
URL:https://ummsp.rackham.umich.edu/tribe-event/penny-stamps-distinguished-speaker-series-consolation-junyeon-kim/
LOCATION:MI
CATEGORIES:Other
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20181207T120000
DTEND;TZID=America/Detroit:20181207T130000
DTSTAMP:20181113T231400Z
CREATED:20181017T151157Z
LAST-MODIFIED:20181113T231400Z
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SUMMARY:Museums as Sites of Healing: Empathy\, Repair\, and Critical Reflection
DESCRIPTION:What are the ethical responsibilities of university museums when our local communities face profound crises and occasions of injustice? How might we foster compassion and promote conversations that can build enduring community bonds\, while honoring our academic commitments to promoting critical analysis and stewardship of our scientific and cultural collections? \nMichigan State University Museum Director Mark Auslander explores several instances\, in which museums have grappled with moral challenges close to home\, including facing up to legacies of slavery on a college campuses and the threatened mass eviction of a low-income neighborhood. His primary case study is the MSU Museum’s current partnership with the survivors of the horrific sexual abuse crisis at MSU\, in which the museum has committed to collecting material culture and narratives associated with the crisis and co-curating with survivors and parents an exhibition on the scandal\, its ramifications\, and struggles for institutional transformation. What lessons have been learned and how might we\, together\, chart productive pathways forward? \nPresented by Mark Auslander – Director\, MSU Museum and Associate Professor of Anthropology and History\, Michigan State University \nDecember 7 at 12:00 pm\, UM Museum of Art Multi-Purpose Room \n  \nco-sponsored by the Department of Afroamerican and African Studies \n  \nBrownBag_Auslander \n  \n \nphotography credit Pearl Yee Wong
URL:https://ummsp.rackham.umich.edu/tribe-event/museums-as-sites-of-healing-empathy-repair-and-critical-reflection/
LOCATION:University of Michigan Museum of Art\, First Floor\, Multi-Purpose Room\, 525 South State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Museums at Noon
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20181026T180000
DTEND;TZID=America/Detroit:20181026T200000
DTSTAMP:20181002T213649Z
CREATED:20181002T213434Z
LAST-MODIFIED:20181002T213649Z
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SUMMARY:African Art in Museums: Ethical Quandaries
DESCRIPTION:“Where do you think your ancestors got these?” asks Eric Killmonger in the recent Black Panther film. Join us for a discussion facilitated by African Art Historian Ray Silverman with curators\, activists and scholars Nii Quarcoopome (Detroit Institute of Arts)\, Sylvester Ogbechie (UC Santa Barbara)\, and Monica Udvardy (University of Kentucky) about what we can learn from the display of African art objects in Western art museums\, diving deep into fraught questions of collecting\, display\, and repatriation. \nThis program is co-sponsored by the U-M Institute for the Humanities and the Museum Studies Program. \nLead support for Beyond Borders: Global Africa is provided by the University of Michigan Office of the Provost\, Michigan Medicine\, the National Endowment for the Arts\, and the University of Michigan Office of Research\, African Studies Center\, and Department of Afroamerican and African Studies.  Additional generous support is provided by the University of Michigan CEW+ Frances and Sydney Lewis Visiting Leaders Fund and Susan Ullrich. \nFriday\, October 26\, 6:00 pm – 8:00 pm \nHelmut Stern Auditorium\, UM Museum of Art \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/african-art-in-museums-ethical-quandaries/
LOCATION:MI
CATEGORIES:Other
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20181023T183000
DTEND;TZID=America/Detroit:20181023T193000
DTSTAMP:20181009T203831Z
CREATED:20180918T221219Z
LAST-MODIFIED:20181009T203831Z
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SUMMARY:Using Racist Memorabilia to Teach Tolerance and Promote Social Justice: the Case of the Jim Crow Museum
DESCRIPTION:The Jim Crow Museum is the nation’s largest publicly accessible collection of racist artifacts. Located on the campus of Ferris State University in Big Rapids\, Michigan\, the museum houses more than 12\,000 objects—primarily\, but not exclusively\, segregation era artifacts and everyday anti-black caricatured objects. The museum’s innovative mission—which doubles as its tagline—is “using objects of intolerance to teach tolerance.”  As such\, the Jim Crow Museum serves as a compelling model for all museums to consider. \nProf. David Pilgrim\, founder and current director of the Jim Crow Museum of Racist Memorabilia also serves as Vice President for Diversity and Inclusion at Ferris State University. \nPlease note that some may be offended by the images in the presentation. \n  \nOctober 23\, 2018 at 6:30 p.m.\, Stern Auditorium\, University of Michigan Museum of Art \n  \nPresented by the University of Michigan Museum Studies Program with the support of the Office of the Vice President for Student Life\, the School of Information\, the University of Michigan Museum of Art\, and the Office of Diversity\, Equity\, and Inclusion. \n  \nPilgrim lecture announcement_Final \n  \nDr. David Pilgrim\, Vice President for Diversity and Inclusion at Ferris State University\, is one of this country’s leading experts on issues relating to multiculturalism\, diversity\, and race relations. He has been interviewed by National Public Radio\, Time magazine\, the British Broadcasting Corporation\, and dozens of newspapers\, including the New York Times\, Washington Post\, Boston Globe\, Chicago Tribune\, and the Los Angeles Times. Dr. Pilgrim is best known as the founder and curator of the Jim Crow Museum — a 11\,000 piece collection of racist artifacts located at Ferris State University\, in Big Rapids\, Michigan. The museum\, innovatively\, uses objects of intolerance to teach tolerance. Dr. Pilgrim’s writings\, many found at www.ferris.edu/jimcrow\, are used by scholars\, students\, and civil rights workers to better understand historical and contemporary expressions of racism. \nDr. Pilgrim is an applied sociologist with a doctorate from The Ohio State University. He believes that racism can be objectively studied and creatively assailed. In 2004\, he produced with Clayton Rye the documentary Jim Crow’s Museum to explain his approach to battling racism. The film won several awards including Best Documentary at the 2004 Flint Film Festival.  Dr. Pilgrim’s writings\, scholarly and creative\, deal with multiculturalism and race relations. His short stories have been published in Calaloo\, Obsidian\, African American Review\, Aim\, and Shooting Star. He is the author of Understanding Jim Crow: Using Objects of Intolerance to Teach Tolerance (PM Press\, 2015)\, used as a text in teaching undergraduates in the Museum Studies Minor at the University of Michigan. \nDr. Pilgrim challenges audiences to think deeply about diversity and race relations. He is a Ferris State University Distinguished Teacher. Dr. Pilgrim has spent his adult life using objects of intolerance to teach tolerance. It works. His goal is to get people talking about diversity and race relations in meaningful ways — and\, then\, to go and do something positive. \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/using-racist-memorabilia-to-teach-tolerance-and-promote-social-justice/
LOCATION:U-M Museum of Art\, Helmut Stern Auditorium\, 525 S. State St.\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Lectures
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20180929T090000
DTEND;TZID=America/Detroit:20180929T170000
DTSTAMP:20180918T213331Z
CREATED:20180918T212347Z
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SUMMARY:Expansive Realities: A Longer History of the “Virtual” in Art\, Architecture\, and Visual Culture
DESCRIPTION:Keynote speaker: Kristina Kleutghen\, David. W. Mesker Associate Professor of Art History and Archaeology\, Chinese Art and Architecture\, Washington University in St. Louis \nThe History of Art Department at the University of Michigan presents graduate student presentations for its biannual Graduate Symposium\, Expansive Realities: A Longer History of the “Virtual” in Art\, Architecture\, and Visual Culture. \nAs artistic practice increasingly engages with digital media and the virtual\, our symposium aims to foster discussions of the theoretical\, social\, and cultural nature of this phenomenon. While often linked to the digital age\, the virtual implies imagined and immersive spaces that defy material and physical boundaries.  Presentations will examine intersections between art and the virtual in a variety of historical and cultural contexts\, investigating the virtual not only in relation to contemporary visual culture\, but also as a phenomenon extending to the pre-modern periods of the history of art. \nCo-sponsored by UM Museum Studies Program\, UM Museum of Art\, Department of Classical Studies\, Medieval and Early Modern Studies\, Department of American Culture\, Comparative Literature\, Confucius Institute\, Lieberthal-Rogel Center for Chinese Studies\, Slavic Languages & Literatures\, Interdepartmental Program in Classical Art and Archaeology
URL:https://ummsp.rackham.umich.edu/tribe-event/expansive-realities-a-longer-history-of-the-virtual-in-art-architecture-and-visual-culture/
LOCATION:U-M Museum of Art\, Helmut Stern Auditorium\, 525 S. State St.\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Other
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20180914T120000
DTEND;TZID=America/Detroit:20180914T140000
DTSTAMP:20180907T134121Z
CREATED:20180907T134121Z
LAST-MODIFIED:20180907T134121Z
UID:10000102-1536926400-1536933600@ummsp.rackham.umich.edu
SUMMARY:EIHS Symposium: Museum Stories: The Ethics of Collecting
DESCRIPTION:What constitutes rightful ownership of cultural objects? The unprecedented looting of modern wars as well as various protest movements have spawned international regulations\, declarations\, and efforts that offer guidance in this regard. The extant framework\, however\, falls short of exhausting the ethical problems raised by artifacts\, their histories\, and their displays. For museum and university collections these questions have gained the greatest urgency. Our panel offers reflections on this vast terrain; three case studies will follow an opening contribution by one of the foremost experts on restitution\, repatriation\, and cultural heritage law. \nPanelists:\nPatty Gerstenblith\, Distinguished Research Professor of Law\, DePaul University\nRaymond Silverman\, Professor\, History of Art\, Afroamerican and African Studies\, University of Michigan\nTerry G. Wilfong\, Director / Curator of Graeco-Roman Egyptian Collections\, Kelsey Museum of Archaeology\, University of Michigan\nYao-Fen You\, Associate Curator\, European Sculpture and Decorative ArtsDetroit Institute of Arts\nHelmut Puff (chair)\, Elizabeth L. Eisenstein Collegiate Professor of History and Germanic Languages\, University of Michigan \n1014 Tisch Hall \nAdditional details here.
URL:https://ummsp.rackham.umich.edu/tribe-event/eihs-symposium-museum-stories-the-ethics-of-collecting/
LOCATION:Tisch Hall\, 435 State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Other
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20180811T080000
DTEND;TZID=America/Detroit:20181125T170000
DTSTAMP:20181002T213557Z
CREATED:20180925T224948Z
LAST-MODIFIED:20181002T213557Z
UID:10000104-1533974400-1543165200@ummsp.rackham.umich.edu
SUMMARY:Beyond Borders: Global Africa
DESCRIPTION:More than ever in the era of globalization\, ideas traverse geographic\, generational\, and cultural boundaries\, even as national borders seem to be closing. Beyond Borders: Global Africa reflects on this moment by considering how Africa and its artists have been at the center of complex histories of encounter and exchange for centuries. Bringing together a dazzling array of works made in Africa\, Europe\, and the United States from the nineteenth to twenty-first century\, the exhibition demonstrates the international scope and reach of art from Africa and the African diaspora. It also explores issues such as slavery\, colonization\, migration\, racism\, and identity at play in the objects and their histories. Highlights include paintings\, photographs\, sculpture\, and installations by Kudzanai Chiurai\, Omar Victor Diop\, Wangechi Mutu\, and Serge Alain Nitegeka. The exhibition is accompanied by a fully-illustrated publication\, the tenth in the UMMA Books series. \nLead support for Beyond Borders: Global Africa is provided by the University of Michigan Office of the Provost\, Michigan Medicine\, the National Endowment for the Arts\, and the University of Michigan Office of Research\, African Studies Center\, and Department of Afroamerican and African Studies\, and the Museum Studies Program.  Additional generous support is provided by the University of Michigan CEW+ Frances and Sydney Lewis Visiting Leaders Fund and Susan Ullrich.  \nExhibit runs August 11 – November 25 at the UM Museum of Art \nThe full schedule can be found here. \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/beyond-borders-global-africa/
LOCATION:MI
CATEGORIES:Other
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20180506T140000
DTEND;TZID=America/Detroit:20180506T150000
DTSTAMP:20180424T193557Z
CREATED:20180424T193345Z
LAST-MODIFIED:20180424T193557Z
UID:10000101-1525615200-1525618800@ummsp.rackham.umich.edu
SUMMARY:Curator Talk -  Excavating Archaeology at UM: 1817 - 2017
DESCRIPTION:Join the curators of “Excavating Archaeology @ UM: 1817-2017\,” Terry Wilfong and Carla Sinopoli\, for a public tour of the exhibition at the University of Michigan’s Kelsey Museum of Archaeology. \nThis exhibition explores the history of archaeology and museums at the University of Michigan for the past 200 years and looks forward to the future of archaeology and museums at Michigan in the coming century. The exhibition relies on carefully chosen objects\, archival documents and images\, and other illustrative materials to examine moments in the history of the University of Michigan’s involvements in archaeology and the location of archaeology in the museum environment. \nThe tour/exhibition is free and open to the public.
URL:https://ummsp.rackham.umich.edu/tribe-event/curator-talk-excavating-archaeology-at-um-1817-2017/
LOCATION:Kelsey Museum of Archaeology\, 434  South State Street\, Ann Arbor\, MI\, 48109
CATEGORIES:Other
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GEO:42.2767334;-83.7413886
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20180505T090000
DTEND;TZID=America/Detroit:20180505T160000
DTSTAMP:20180504T123731Z
CREATED:20180416T175401Z
LAST-MODIFIED:20180504T123731Z
UID:10000100-1525510800-1525536000@ummsp.rackham.umich.edu
SUMMARY:American History Workshop - Constructing America: Identities\, Infrastructure and Institutions
DESCRIPTION:In whose image is America constructed? What does “America” mean? In what ways has the world constructed America\, just as America has shaped itself? The American History Workshop invites you to join us in considering these and other questions at our annual graduate student conference: \n  \nConstructing America: Identities\, Infrastructure and Institutions \nMay 4\, 2018 8:30am – 6pm \nMay 5\, 2018 9am – 4pm \n1014 Tisch Hall \n  \nOur keynote speaker is Professor of American Studies\, Laura Barraclough (Yale University). Her talk\, “Colonizing and Decolonizing Frontier Imaginaries in the U.S. West\,” will be Friday May 4 at 4pm. Her talk will examine three sites in which imaginaries of the “western frontier” have been constructed and deconstructed in relationship to structures of settler colonialism\, migration\, and inequality. These include: rural land-use protections for horse-keeping and western heritage in Los Angeles; Mexican Americans use of the charro (gentleman horseman) to secure public and private space in California\, Texas\, and Nevada; and the Gila River Indian Community’s purchase and operation of a Wild West-style theme park just outside of Phoenix. Her goal is to have us think about the malleability of frontier myths: how they have been used to secure settler colonialism\, but can also be repurposed for spatial justice\, decolonization\, and sovereignty. \n  \nA Public History Roundtable will take place on Saturday\, May 5\, 11:30-1:30\, featuring speakers from museum\, archival and digital humanities fields.  NOTE\, this portion of the conference has been cancelled! \n  \nWe’ll be hosting panelists representing 14 universities across the U.S. and Canada\, whose disciplines range from History\, American Studies\, Urban Planning\, English\, Architecture and more. Please see the attached posters and full schedule. Breakfast and lunch will be provided both Friday and Saturday. \n  \nPlease register here if you are interested in attending. \n  \nPlease contact Daniela Sheinin (dsheinin@umich.edu) with any questions. \n  \nCo-sponsored by:  The Department of History\, Museum Studies Program\, and the Eisenberg Institute for Historical Studies \n  \nConstructing America schedule
URL:https://ummsp.rackham.umich.edu/tribe-event/american-history-workshop-constructing-america-identities-infrastructure-and-institutions/2018-05-05/
LOCATION:MI
CATEGORIES:Other
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20180504T083000
DTEND;TZID=America/Detroit:20180504T180000
DTSTAMP:20180504T123731Z
CREATED:20180416T175401Z
LAST-MODIFIED:20180504T123731Z
UID:10000099-1525422600-1525456800@ummsp.rackham.umich.edu
SUMMARY:American History Workshop - Constructing America: Identities\, Infrastructure and Institutions
DESCRIPTION:In whose image is America constructed? What does “America” mean? In what ways has the world constructed America\, just as America has shaped itself? The American History Workshop invites you to join us in considering these and other questions at our annual graduate student conference: \n  \nConstructing America: Identities\, Infrastructure and Institutions \nMay 4\, 2018 8:30am – 6pm \nMay 5\, 2018 9am – 4pm \n1014 Tisch Hall \n  \nOur keynote speaker is Professor of American Studies\, Laura Barraclough (Yale University). Her talk\, “Colonizing and Decolonizing Frontier Imaginaries in the U.S. West\,” will be Friday May 4 at 4pm. Her talk will examine three sites in which imaginaries of the “western frontier” have been constructed and deconstructed in relationship to structures of settler colonialism\, migration\, and inequality. These include: rural land-use protections for horse-keeping and western heritage in Los Angeles; Mexican Americans use of the charro (gentleman horseman) to secure public and private space in California\, Texas\, and Nevada; and the Gila River Indian Community’s purchase and operation of a Wild West-style theme park just outside of Phoenix. Her goal is to have us think about the malleability of frontier myths: how they have been used to secure settler colonialism\, but can also be repurposed for spatial justice\, decolonization\, and sovereignty. \n  \nA Public History Roundtable will take place on Saturday\, May 5\, 11:30-1:30\, featuring speakers from museum\, archival and digital humanities fields.  NOTE\, this portion of the conference has been cancelled! \n  \nWe’ll be hosting panelists representing 14 universities across the U.S. and Canada\, whose disciplines range from History\, American Studies\, Urban Planning\, English\, Architecture and more. Please see the attached posters and full schedule. Breakfast and lunch will be provided both Friday and Saturday. \n  \nPlease register here if you are interested in attending. \n  \nPlease contact Daniela Sheinin (dsheinin@umich.edu) with any questions. \n  \nCo-sponsored by:  The Department of History\, Museum Studies Program\, and the Eisenberg Institute for Historical Studies \n  \nConstructing America schedule
URL:https://ummsp.rackham.umich.edu/tribe-event/american-history-workshop-constructing-america-identities-infrastructure-and-institutions/2018-05-04/
LOCATION:MI
CATEGORIES:Other
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20180416T180000
DTEND;TZID=America/Detroit:20180416T200000
DTSTAMP:20180327T190741Z
CREATED:20180109T221605Z
LAST-MODIFIED:20180327T190741Z
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SUMMARY:MSP17 Student Capstone Presentations
DESCRIPTION:Presentations for this evening are as follows: \n6:00 pm “Applewood Estate and North Flint: Historic Preservation and Community Revitalization” \nPresented by Onyx Henry\, Christopher Mulvey\, Katie Stadtmiller \nHost institution:  Applewood Estate \nProject challenge:  Creating a resource guide to assist Applewood Estate in taking the message of historic preservation to north Flint \n  \n7:00 pm “Is a Barn Just a Barn?  Building a Museum for Carver Camp” \nPresented by Carolyn Gennari\, Rashun Miles\, James Munene \nHost institution:  Camp Carver \nProject challenge:  Designing a long term strategy that will lead to an on-site museum for a metropolitan Detroit church day camp in Grass Lake\, MI \n  \nPresentations will be held in 5670 Haven Hall\, Eldersveld Room \n  \nA full schedule of all Capstone presentations can soon be found here.
URL:https://ummsp.rackham.umich.edu/tribe-event/msp17-student-capstone-presentations-april-16/
LOCATION:Haven Hall\, Eldersveld Room\, 505 S. State Street\, Ann Arbor\, 48109
CATEGORIES:Other,Student Presentation
GEO:42.2746165;-83.7406863
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Haven Hall Eldersveld Room 505 S. State Street Ann Arbor 48109;X-APPLE-RADIUS=500;X-TITLE=505 S. State Street:geo:-83.7406863,42.2746165
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20180409T180000
DTEND;TZID=America/Detroit:20180409T200000
DTSTAMP:20180327T190834Z
CREATED:20180109T221319Z
LAST-MODIFIED:20180327T190834Z
UID:10000031-1523296800-1523304000@ummsp.rackham.umich.edu
SUMMARY:MSP17 Student Capstone Presentations
DESCRIPTION:Presentations for this evening are as follows: \n6:00 pm “Building Bridges: Diversifying Audience at the Mott-Warsh Collection“ \nPresented by Stephanie Brown\, Isabelle Gillet\, and Colin Walker \nHost institution:  Mott-Warsh Collection \nProject challenge:  Finding ways to help a contemporary African American art gallery to reach new and diversified audiences \n  \n7:00 pm “Contemporary Voices in Historic Frames: Engaging Community at the Historic Mann House in Concord\, MI” \nPresented by Stacey Bishop\, Alexandra Creola\, Jeremy York \nHost institution: Michigan History Center \nProject challenge:  Finding ways to enhance visitor and community engagement at a small historic home in rural Michigan \n  \nPresentations will be held in 5670 Haven Hall\, Eldersveld Room \n  \nA full schedule of all Capstone presentations can soon be found here.
URL:https://ummsp.rackham.umich.edu/tribe-event/msp17-student-capstone-presentations/
LOCATION:Haven Hall\, Eldersveld Room\, 505 S. State Street\, Ann Arbor\, 48109
CATEGORIES:Other,Student Presentation
GEO:42.2746165;-83.7406863
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Haven Hall Eldersveld Room 505 S. State Street Ann Arbor 48109;X-APPLE-RADIUS=500;X-TITLE=505 S. State Street:geo:-83.7406863,42.2746165
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20180327T183000
DTEND;TZID=America/Detroit:20180327T193000
DTSTAMP:20180313T202022Z
CREATED:20180221T160842Z
LAST-MODIFIED:20180313T202022Z
UID:10000096-1522175400-1522179000@ummsp.rackham.umich.edu
SUMMARY:What Do Curators Know?
DESCRIPTION:Tuesday\, March 27 at 6:30 pm \nMichigan League (Michigan Room) \nPresentation by Steven Lubar Professor of American Studies\, History of Art and Architecture\, and History\, Brown University and Museum Studies Program Visiting Scholar \nCurators are experts on an astonishing range of topics. But what else do they know? I believe that curators’ hands-on work with art\, artifacts\, and specimens provides them a kind of knowledge unavailable in any other way. Handling objects\, understanding their materiality\, offers insights into their histories of creation\, meaning\, and use. Organizing them for storage\, research and exhibition allows new insights that allow understandings of connections across space and change over time. Curatorial knowledge matters\, even as the role of the museum and curator changes. \n  \nSteven Lubar is professor in the Departments of American Studies\, History\, and History of Art and Architecture at Brown University. He was previously curator at the National Museum of American History\, and Director of Brown’s John Nicholas Brown Center for Public Humanities and Cultural Heritage and Brown’s Haffenreffer Museum of Anthropology. He is a 2015 Guggenheim Fellow. His most recent book is Inside the Lost Museum: Curating\, Past and Present.  \n  \nco-sponsored by the University of Michigan Museum of  Art \n  \nLubar lecture announcement
URL:https://ummsp.rackham.umich.edu/tribe-event/what-do-curators-know/
LOCATION:Michigan League\, Ann Arbor\, MI
CATEGORIES:Lectures
GEO:42.2808256;-83.7430378
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20180322T143000
DTEND;TZID=America/Detroit:20180322T161500
DTSTAMP:20180309T151610Z
CREATED:20180309T151610Z
LAST-MODIFIED:20180309T151610Z
UID:10000097-1521729000-1521735300@ummsp.rackham.umich.edu
SUMMARY:The Challenges and Opportunities of Exhibiting Asian Art in the 21st Century: A View from the Rijksmuseum\, Amsterdam
DESCRIPTION:The Challenges and Opportunities of Exhibiting Asian Art in the 21st Century: A View from the Rijksmuseum\, Amsterdam. \nPresented by Anna Slaczka\, Curator of Asian Art\, Rijksmuseum\, Amsterdam. \nMarch 22 at 2:30\, Michigan Union\, Wolverine Room. \nPresented by the UM History of Art\, and co-sponsored by the Museum Studies Program.
URL:https://ummsp.rackham.umich.edu/tribe-event/the-challenges-and-opportunities-of-exhibiting-asian-art-in-the-21st-century-a-view-from-the-rijksmuseum-amsterdam/
LOCATION:Michigan Union\, 530 S. State Streeet\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Other
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20180216T083000
DTEND;TZID=America/Detroit:20180216T123000
DTSTAMP:20180214T171426Z
CREATED:20180109T213934Z
LAST-MODIFIED:20180214T171426Z
UID:10000028-1518769800-1518784200@ummsp.rackham.umich.edu
SUMMARY:Historic House Museums workshop
DESCRIPTION:The morning session of this workshop is free and open to the public.  The afternoon visit to Fair Lane Estate\, however\, is limited to 40 people and is fully registered. \nHouse museums have been a mainstay of the American museum landscape for generations.  The most common museum type in the United States\, these monuments to affluence and influence—often associated with ‘great men’ and community founders—are found from small towns to major urban centers.  Over the last half century\, the model for the historic house museum has become both familiar and entrenched.  Today\, historic house museums are being challenged: to respond to changing audiences and interests of contemporary museum goers: to tell more complex—and difficult—histories; and to more fully represent the many and diverse communities and individuals that constitute our past and present. \nRe-Imagining the Historic House Museum brings together scholars\, professionals\, and provocateurs who are transforming historic house museums to tell new stories and create new visitor experiences.  This all-day event has two parts.  In the morning\, speakers will introduce their work and institutions in on-campus presentations.  In the afternoon\, pre-registered participants are invited to join a visit to Henry Ford’s Fair Lane Estate in Dearborn\, MI\, currently in the midst of an innovative renovation.  Attendees will be introduced to new approaches to historic house museums and have the opportunity for a rare behind-the-scenes look at work being undertaken in our own community. \n  \n8:30 am – 12:30 pm\, Michigan League (Koessler Room\, 3rd floor) \n  \nParticipants: \nElizabeth Chew\, Vice President for Museum Programs\, James Madison’s Montpelier \nLisa Yun Lee\, Executive Director\, National Public Housing Museum and Director\, School of Art and Art History\, University of Illinois\, Chicago \nMark Heppner\, Vice President for Historic Resources\, Historic Ford Estates \nFrank Vagnone\, co-author\, Anarchist’s Guide to Historic House Museums \nNancy Villa Bryk\,  Associate Professor\, Program in Historic Preservation\, Eastern Michigan University \n  \nPlease see the complete schedule\, presentation titles\, and participant biographies here. \n  \n* The bus to Fairlane Estate will leave from the Michigan League at 1:30 pm (The bus is fully reserved; if you have reserved a spot and must cancel\, please email ummsp@umich.edu to open your spot for someone else.) \n  \n  \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/historic-house-museums-workshop/
LOCATION:Michigan League\, Ann Arbor\, MI
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/png:https://ummsp.rackham.umich.edu/wp-content/uploads/2018/01/Fairlane.png
GEO:42.2808256;-83.7430378
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20180212T160000
DTEND;TZID=America/Detroit:20180212T180000
DTSTAMP:20180309T152522Z
CREATED:20180309T152522Z
LAST-MODIFIED:20180309T152522Z
UID:10000098-1518451200-1518458400@ummsp.rackham.umich.edu
SUMMARY:“Archives and Futures: A View from ‘the most distant place’”
DESCRIPTION:Shamil Jeppie\, University of Capetown\, South Africa \n\nMonday\, Feb 12\, 4-6pm\nRackham Amphitheatre\, 915 E. Washington\n\nPlease join us for a reception with Shamil Jeppie immediately following the lecture. \nThe Oxford English Dictionary describes Timbuktu as “the most distant place\,” a view that comes out of European explorations of West Africa and the challenges in reaching the place in the interior of the continent\, at the edges of the Sahara desert. Hardly anything was ever noted about Timbuktu’s place in a larger network of settlements with traditions of advanced literacy\, of scholars and scholastic manuscript book making and collecting. Centuries of learned activity were well-known among various local communities. Some settlements become more famous than others. “Timbuktu” somehow became the most famous name. But it was neither an invention nor without actual scholars. \nWhat can the ways these manuscript libraries were kept and conserved—but also dispersed and often destroyed—over the past century and more tell us about the place of archives from the period before European contact in parts of the African past? When and how do archives come to give us insight into more than experiences and conceptions of the past but ideas about the future? The recent attacks on cultural sites including libraries in and around Timbuktu provides an opportunity to ask questions about the constructions of collections and archives\, and their relation to writing about the past but also what they tell about visions of the future. These conflicts and the loss and hazardous movement of cultural artifacts and collections are far from over on the continent. \nShamil Jeppie is associate professor of history at the University of Cape Town and director of the Institute for Humanities in Africa. His research and publications focus on social and cultural history in South Africa and West Africa\, and he is founder of the Tombouctou Manuscripts Project\, which explores the formation of a culture of collecting in Timbuktu. His books include Language\, Identity\, Modernity: The Arabic Study Circle of Durban (2007)\, and the co-edited volumes The Meanings of Timbuktu (2008)\, Muslim Family Law in Sub-Saharan Africa: Colonial Legacies and Post-Colonial Challenges (2010)\, andToward New Histories for South Africa: On the Place of the Past in Our Present (2004). \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/archives-and-futures-a-view-from-the-most-distant-place/
LOCATION:Rackham Graduate School\, 915 E. Washington Street\, Ann Arbor\, MI\, 48109\, United States
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GEO:42.2807892;-83.7381556
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Rackham Graduate School 915 E. Washington Street Ann Arbor MI 48109 United States;X-APPLE-RADIUS=500;X-TITLE=915 E. Washington Street:geo:-83.7381556,42.2807892
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20180209T120000
DTEND;TZID=America/Detroit:20180209T130000
DTSTAMP:20180202T173935Z
CREATED:20180109T222256Z
LAST-MODIFIED:20180202T173935Z
UID:10000095-1518177600-1518181200@ummsp.rackham.umich.edu
SUMMARY:Museums at Noon - Postponed!
DESCRIPTION:Presented by Mark Auslander\, Director of Michigan State University Museum \nco-sponsored by the UM Department of Afroamerican and African Studies \n  \nPreviously schedued for Friday\, February 9 at 12:00 pm in the UM Museum of Art Multi-Purpose Room (125) – new date to be announced soon! \n(add flyer)
URL:https://ummsp.rackham.umich.edu/tribe-event/museums-at-noon-presentation-title-coming-soon/
LOCATION:University of Michigan Museum of Art\, First Floor\, Multi-Purpose Room\, 525 South State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Museums at Noon
GEO:42.276802;-83.738289
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=University of Michigan Museum of Art First Floor Multi-Purpose Room 525 South State Street Ann Arbor MI 48109 United States;X-APPLE-RADIUS=500;X-TITLE=525 South State Street:geo:-83.738289,42.276802
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20171212T183000
DTEND;TZID=America/Detroit:20171212T193000
DTSTAMP:20171204T192605Z
CREATED:20170919T224849Z
LAST-MODIFIED:20171204T192605Z
UID:10000093-1513103400-1513107000@ummsp.rackham.umich.edu
SUMMARY:Museums of the Past into the Future: The Oriental Institute and the Kelsey Museum
DESCRIPTION:A conversation between: \nChris Woods\, Director\, Oriental Institute\, University of Chicago \nTerry G. Wilfong\, Director\, Kelsey Museum of Archaeology\, U-M \n  \nThe Oriental Institute Museum at the University of Chicago and the Kelsey Museum of Archaeology at the University of Michigan share similar backgrounds and histories. Founded in the prosperity of the 1920s as part of the wider-ranging projects of visionary scholars\, the two archaeological museums focus on an expansive program of investigation of the ancient history of the Mediterranean and Middle East. But these two museums have taken very different paths to the present and face different challenges for the future. The discussion will cover the history of these unique institutions as well as their present situations and future possibilities. \n  \nChristopher Woods is John A. Wilson Professor and Director of the Oriental Institute\, and member of the Department of Near Eastern Languages and Civilizations and the Program in the Ancient Mediterranean World at the University of Chicago. He received his BS from Yale University and his PhD in Assyriology from Harvard University and was a junior fellow in the Harvard Society of Fellows before joining the faculty of the University of Chicago. His research interests include Sumerian writing and language as well as early Mesopotamian religion\, literature\, and administration.  He is author of The Grammar of Perspective: The Sumerian Conjugation Prefixes as a System of Voice (Brill\, 2008)\, Materials for the Sumerian Lexicon (Volume 18) and is currently completing a monograph on early cuneiform writing\, The Origins and Development of Writing in Ancient Mesopotamia: A History\, 3500 — 2000 BCE. \n  \nTerry G. Wilfong is Director and Curator for Graeco-Roman Egypt at the Kelsey Museum of Archaeology and Professor of Egyptology in the Department of Near Eastern Studies at the University of Michigan. Wilfong received his BA\, MA\, and PhD in Egyptology at the University of Chicago. As a scholar\, he has dedicated himself to the Kelsey Museum’s collections from the University’s 1924-1935 excavations of the Egyptian sites of Karanis\, Soknopaiou Nesos\, and Terenouthis\, sites chosen by the original excavators to illustrate daily life in Egypt in the Greek and Roman periods (c. 332 BCE – 641 CE). As a curator and museum director\, Wilfong has used these collections to address wider areas of archaeological inquiry\, including concepts such as gender\, sound\, childhood\, and fire. He has also supervised an ongoing series of contemporary art installations in which artists respond to the ancient material in the Kelsey’s collections. Wilfong has recently published two monographs on ancient Egyptian religion and practices relating to death and burial: Death Dogs: The Jackal Gods of Ancient Egypt (2015)\, and Life\, Death and Afterlife in Ancient Egypt: The Coffin of Djehutymose in the Kelsey Museum of Archaeology (2012). \n  \nCo-sponsored by the Kelsey Museum of Archaeology and the University of Michigan Bicentennial \nWoods and Wilfong Announcement
URL:https://ummsp.rackham.umich.edu/tribe-event/museums-of-the-past-into-the-future-the-oriental-institute-and-the-kelsey-museum/
LOCATION:U-M Museum of Art\, Helmut Stern Auditorium\, 525 S. State St.\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Lectures
GEO:42.276802;-83.738289
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=U-M Museum of Art Helmut Stern Auditorium 525 S. State St. Ann Arbor MI 48109 United States;X-APPLE-RADIUS=500;X-TITLE=525 S. State St.:geo:-83.738289,42.276802
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20171208T120000
DTEND;TZID=America/Detroit:20171208T130000
DTSTAMP:20170919T201724Z
CREATED:20170908T132313Z
LAST-MODIFIED:20170919T201724Z
UID:10000090-1512734400-1512738000@ummsp.rackham.umich.edu
SUMMARY:Digital Aspirations: The Design of an Online Exhibit at a Site of Conscience in Nicaragua
DESCRIPTION:Presentation by Allan Martell\, PhD candidate\, Information \nFriday\, December 8 from 12:00 pm – 1:00 pm\, UM Museum of Art auditorium \n  \nDigital Aspirations: The Design of an Online Exhibit at a Site of Conscience in Nicaragua \nSites of conscience serve the public by raising awareness about contemporary issues such as transnational migrations\, racism\, and gender inequalities. Such is the case for the Institute of History of Nicaragua and Central America (IHNCA). In this talk\, I will share my experience designing the concept of a digital exhibit at IHNCA\, and how this project feeds into larger conversations about the contributions of digital technologies to the museum mission. I argue that the way museum professionals talk about digital technologies reveal their aspirations for what a museum can be. However\, such aspirations do not always match the affordances of digital technologies. \n  \nMuseums at Noon_Martell
URL:https://ummsp.rackham.umich.edu/tribe-event/museums-at-noon-december-8/
LOCATION:MI
CATEGORIES:Museums at Noon
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20171205T183000
DTEND;TZID=America/Detroit:20171205T193000
DTSTAMP:20171204T192138Z
CREATED:20170919T224555Z
LAST-MODIFIED:20171204T192138Z
UID:10000092-1512498600-1512502200@ummsp.rackham.umich.edu
SUMMARY:Time to Evolve:  The Histories and Futures of Two University Natural History Museums 
DESCRIPTION:A conversation between: \nJulie Stein – Executive Director\, Burke Museum of Natural History and Culture\, University of Washington \nAmy Harris – Director\, Museum of Natural History\, U-M \n  \nUniversity natural history collections were central to the scientific enterprise in the 19th century. Today\, these collections document change over time\, and play critical roles in research\, education\, and cultural heritage. However\, many museums are under-utilized by their local communities. \nIn the 21st century\, campus and museum leaders must rethink the role of the University Museum. As public appetite for engagement and transparency increases\, University Museums are in a unique position to act as a “front door” to academia by offering access to collections and opportunities to connect with the process of scientific research. Some universities are now making significant investments in upgrading their natural history museums\, including the University of Washington and the University of Michigan. \n  \nJulie K. Stein\, Executive Director of the Burke Museum of Nature and Culture at the University of Washington and Amy Harris\, Director of the University of Michigan Museum of Natural History will share  stories of their institutions’ development over time\, with particular emphasis on the opportunities presented by their new facilities\, both opening in 2019. \n  \nJulie K. Stein was appointed Executive Director of the Burke Museum of Natural History and Culture in 2005.  Previously she served as the Museum’s Curator of Archaeology.  She also maintains a professor position in the Department of Anthropology at the University of Washington\, and was Divisional Dean of Research\, Computing\, and Facilities for the College of Arts and Sciences.  Stein received her MA and PhD degrees from the University of Minnesota and her BA degree from Western Michigan University.  Her research interests are in geoarchaeology\, especially studies involving Northwest Coast shell middens.  She has excavated archaeological sites on Washington’s San Juan Islands since 1983\, and she continues to collaborate on research projects involving geoarchaeology. \n  \nSince 2002\, Amy Harris has served as the Director of the University of Michigan Museum of Natural History\, where she was previously Associate Director and Development Officer. Harris received her BA from Cornell and MA from the University of Michigan. Before joining the Museum of Natural History in 1996\, she worked at the Art Institute of Chicago and then became the Development Director of the Ann Arbor Summer Festival (1986-1994). As museum director\, Harris is currently overseeing the planning and development of the new U-M Museum of Natural History\, slated to open fully in fall 2019.  Harris’ decades of commitment to the Museum and her leadership in this new project were recently honored by the establishment of the Amy Harris Director’s Strategic Fund\, a sizeable endowment that will support the Museum’s projects in perpetuity. \n  \nCo-sponsored by the University of Michigan Bicentennial and the UM Museum of Natural History \n  \nStein and Harris Announcement
URL:https://ummsp.rackham.umich.edu/tribe-event/time-to-evolve-the-histories-and-futures-of-two-university-natural-history-museums/
LOCATION:U-M Museum of Art\, Helmut Stern Auditorium\, 525 S. State St.\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Lectures
GEO:42.276802;-83.738289
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=U-M Museum of Art Helmut Stern Auditorium 525 S. State St. Ann Arbor MI 48109 United States;X-APPLE-RADIUS=500;X-TITLE=525 S. State St.:geo:-83.738289,42.276802
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20171130T190000
DTEND;TZID=America/Detroit:20171130T203000
DTSTAMP:20170920T131623Z
CREATED:20170920T131623Z
LAST-MODIFIED:20170920T131623Z
UID:10000018-1512068400-1512073800@ummsp.rackham.umich.edu
SUMMARY:Curatorial Dilemmas: Representing Africa at UMMA with Christa Clarke
DESCRIPTION:A series of talks by leading curators and thinkers in African art will launch a reimagining process for the forthcoming reinstallation of the University of Michigan Museum of Art’s Robert and Lillian Montalto Bohlen Gallery of African Art. Christa Clarke\, Senior Curator Arts of Global Africa\, Newark Museum\, will be the third and final speaker in this series to contribute reflections on her own groundbreaking work in the display of African art. \nClarke is Senior Curator\, Arts of Global Africa at the Newark Museum\, where she has organized numerous exhibitions ranging from men’s fashion to Nigerian modernism since her appointment in 2002. Clarke’s scholarship on the history of collecting and display and the politics of representation includes Representing Africa in American Art Museums: A Century of Collecting and Display (co-edited with Kathleen Berzock; 2010)\, which examines the impact of museum practice on the formation of meaning and public perception of African art. Her recent book\, African Art in the Barnes Foundation (Rizzoli; 2015)\, received the James A. Porter and David C. Driskell Book Award for African American Art History and a First Place Award for Excellence from the Association of Art Museum Curators (AAMC) in 2016. \nClarke has held fellowships at the Smithsonian\, the Metropolitan Museum of Art\, and the Clark Art Institute\, and teaching appointments at NYU Abu Dhabi\, University of Pennsylvania\, George Washington University\, Rutgers University\, Purchase College\, and Drew University. In addition\, she was a Center for Curatorial Leadership Fellow in 2012 and currently serves as President of the Association of Art Museum Curators (AAMC). In 2017-2018\, Clarke will be a fellow at the Hutchins Center at Harvard’s DuBois Institute\, where she will be working on a book project\, The Activist Collector: Recovering the Story of an African American Woman in Pre-Apartheid South Africa. \nAdditional featured speakers include: \nThursday\, October 19\, 7 p.m.: Mary (Polly) Nooter Roberts\, Professor\, UCLA Department of World Arts and Cultures/Dance and Consulting Curator for African Art\, Los Angeles County Museum of Art (LACMA) \nThursday\, November 2\, 7 p.m.: Pamela McClusky\, Curator of African and Oceanic Art\, Seattle Art Museum \n  \n\n\nLead support for Power Contained: The Art of Authority in Central and West Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. \nThis lecture series is presented in partnership with the University of Michigan African Studies Center\, Department of Afroamerican and African Studies\, Department of History of Art\, Institute for the Humanities\, and Museum Studies Program. \nThe series is presented in conjunction with the UMMA exhibition Power Contained: The Art of Authority in Central and West Africa (on view from August 19-December 31\, 2017).
URL:https://ummsp.rackham.umich.edu/tribe-event/curatorial-dilemmas-representing-africa-at-umma-with-christa-clarke/
LOCATION:MI
CATEGORIES:Other
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20171128T183000
DTEND;TZID=America/Detroit:20171128T193000
DTSTAMP:20171121T233639Z
CREATED:20170919T224003Z
LAST-MODIFIED:20171121T233639Z
UID:10000091-1511893800-1511897400@ummsp.rackham.umich.edu
SUMMARY:Learning by Leading: A New Model for Expanding Museum Impact
DESCRIPTION:A conversation between: \nKathleen Socolofsky – Director\, Arboretum and Public Garden\, University of California\, Davis \nBob Grese – Director\, Matthaei Botanical Gardens and Nichols Arboretum\, U-M \n  \nDuring this time of immense and sometimes disorienting change\, museums are perfectly positioned to step into new leadership roles for the universities\, their towns\, and their cities.  Building on foundational strengths in education and community engagement\, museums are poised to be the natural hub that can help people band together to identify\, understand\, and begin to solve the real problems that the community and nation face. This brief presentation will share the lessons that the UC Davis Arboretum and Public Garden has learned over the last ten years as we developed and launched our Learning by Leading program. This student-centered program\, focused on step-by-step leadership training\, staff mentorship\, and project-based learning\, helps undergraduates engage and lead a broad community of partners\, donors\, and volunteers to “make real change happen in the real world.” Because we are a living museum\, our teaching focuses naturally on plants\, biodiversity\, and ecological systems. Learning by Leading\, therefore\, is intentionally designed to empower the next generation of environmental leaders. As we move forward to explore\, test\, and share our Learning by Leading model nationally\, we invite you to bring your own best ideas about how we can improve and expand this program that is dedicated to “inspiring human potential to help people and environments thrive.” \nMatthaei Botanical Gardens and Nichols Arboretum at the University of Michigan also aspires to train environmental leaders through its student internship\, work-study\, and volunteer programs\, including the Campus Farm.  The summer internship program\, known as the “Nature Academy” strives to provide professional training for students while engaging them in caring for the arboretum and botanical gardens properties.  Following Kathleen Socolofsky’s presentation\, she and Matthaei-Nichols Director Bob Grese will compare notes on what each of their respective institutions has learned from these innovative student engagement programs. \n  \nSince 1998\, Kathleen Socolofsky has served as Director of the Arboretum and Public Garden at the University of California\, Davis\, where she has also been Assistant Vice Chancellor in Campus Planning and Environmental Stewardship since 2008. Nationally recognized for her leadership and contributions to UC Davis\, Socolofsky has built university and community partnerships that have led to new gardens and innovative programming\, with a major goal of transitioning her campus into a public garden\, using strategies that have made the Arboretum a success. She has co-developed and currently leads the UC Davis GATEways (Garden\, Arts\, and the Environment) Project\, which works to transform the Arboretum and campus landscapes into physical and programmatic “gateways” to engage the public and connect them with the riches of the University. \nPrior to joining UC Davis\, Socolofsky served as the Director of Education at the Desert Botanical Garden in Phoenix\, Arizona (1985-1998)\, where she was Principal Investigator for a National Science Foundation grant that transformed the garden and its collections into an interactive science museum. Among her committee and board appointments\, she has served on the Board of the American Public Gardens Association\, receiving its 2007 Professional Citation Award. Socolofsky received an Award of Distinction in 2012 from the UC Davis College of Agricultural and Environmental Sciences and the first-ever Leadership Prize from the Excelerate Foundation in 2014. \n  \n  \nRobert Grese has served as Director of Nichols Arboretum since 1999 and of the combined Nichols Arboretum and Matthaei Botanical Gardens since 2004. A long-time advocate of ecologically-based design and of the careful stewardship of cultural and natural landscapes\, Grese is a faculty member in the University of Michigan’s newly renamed School for Environment and Sustainability\, where he is currently the Theodore Roosevelt Chair of Ecosystem Management. Hailed by the Garden Club of America as an “extraordinary leader\, designer\, researcher\, teacher and guide\, a true Renaissance man in his field\,” his focus has been on restoring urban wilds\, specifically prairie and oak savanna ecosystems\, integrating and connecting people to nature and fostering volunteer stewardship. \nA much-published author and speaker\, Grese has documented and become a leading authority on the work of early landscape designers Jens Jensen and O.C. Simonds\, who pioneered the “prairie style” of landscape architecture and advocated the use of native plants. He also is considered a leader in documenting midwestern landscapes and has helped develop national landmark nominations for both the Edsel & Eleanor Ford House and the Henry Ford estate\, Fair Lane. \n  \nCo-sponsored by the University of Michigan Bicentennial \n  \nSocolofsky and Grese Announcement
URL:https://ummsp.rackham.umich.edu/tribe-event/learning-by-leading-a-new-model-for-expanding-museum-impact/
LOCATION:U-M Museum of Art\, Helmut Stern Auditorium\, 525 S. State St.\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Lectures
GEO:42.276802;-83.738289
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20171117T120000
DTEND;TZID=America/Detroit:20171117T130000
DTSTAMP:20170919T201758Z
CREATED:20170908T132147Z
LAST-MODIFIED:20170919T201758Z
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SUMMARY:Narrative and Nationalism: Islamic Science in American Museum Practice
DESCRIPTION:Presentation by Amanda Respess\, PhD candidate\, Anthropology and History \nFriday\,  November 17 from 12:00 pm – 1:00 pm\, UM Museum of Art auditorium \n  \nNarrative and Nationalism: Islamic Science in American Museum Practice \nArtifacts important to the history of science in Islamicate societies occupy peculiar ground in American museums\, often having trajectories in collections and exhibits that obscure\, rather than clarify\, their provenance and significance. Islamicate societies from the eighth century to the early modern period authored scientific advancements in an astonishing number of fields\, producing a multitude of objects now housed in museum collections around the world. These objects are\, however\, often conspicuously absent in American science museums; they are instead scattered among the collections of American art museums\, where their scientific importance is often sidelined. \nThis talk\, centered on a discussion of the Smithsonian\, examines the historical context of the acquisition of these objects and their itineraries through American collections and exhibitions\, which have offered a variety of narrative techniques used to assign them meanings while on display. What emerges from this analysis is a history of nation-building in American museums that tells a very particular story about the nature of science\, and about who and what can be considered its legitimate stakeholders\, or claim it as a cultural inheritance. \n  \nMuseums at Noon_Respess
URL:https://ummsp.rackham.umich.edu/tribe-event/museums-at-noon-november-17/
LOCATION:MI
CATEGORIES:Museums at Noon
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20171103T120000
DTEND;TZID=America/Detroit:20171103T130000
DTSTAMP:20170919T201836Z
CREATED:20170908T131841Z
LAST-MODIFIED:20170919T201836Z
UID:10000086-1509710400-1509714000@ummsp.rackham.umich.edu
SUMMARY:What Happens When a Museum Is Something Other than a Museum?
DESCRIPTION:Presentation by Zachary Kopin\, PhD\, History \nFriday\, November 3 from 12:00 pm – 1:00 pm\, UM Museum of Art auditorium \n  \nWhat Happens When a Museum Is Something Other than a Museum? \nConstitution Hill was once a notorious prison in colonial and apartheid South Africa. Churchill\, Ghandi\, Nelson and Winnie Mandela\, and Fatima Meer were imprisoned there. It was not uncommon for 75 prisoners to find themselves confined to a cell the size of a classroom. At the turn of the millennium\, in an effort to reclaim the space\, the newly democratic South Africa decided to place its Constitutional Court on the site\, while the city\, provincial\, and national governments created an entity to manage the site and tell its history. Many know Constitution Hill as a museum. Its formal name\, however\, is the Constitution Hill Development Company. \nWhat happens to a museum when its primary function is not to put its collections on display? This talk will discuss how the mandate to develop a precinct changes how a museum operates — the opportunities and risks that mandate creates. And how\, in a country struggling to recover from the damage of its past\, one balances reclamation against the demands of heritage preservation. \n  \nMuseums at Noon_Kopin
URL:https://ummsp.rackham.umich.edu/tribe-event/museums-at-noon-november-3/
LOCATION:MI
CATEGORIES:Museums at Noon
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20171102T190000
DTEND;TZID=America/Detroit:20171102T203000
DTSTAMP:20171030T171007Z
CREATED:20170920T130002Z
LAST-MODIFIED:20171030T171007Z
UID:10000017-1509649200-1509654600@ummsp.rackham.umich.edu
SUMMARY:Curatorial Dilemmas: Representing Africa at UMMA with Pamela McClusky
DESCRIPTION:A series of talks by leading curators and thinkers in African art will launch a reimagining process for the forthcoming reinstallation of the University of Michigan Museum of Art’s Robert and Lillian Montalto Bohlen Gallery of African Art. Pamela McClusky\, Curator of African and Oceanic Art\, Seattle Art Museum\, will be the second speaker in this series to contribute reflections on her own groundbreaking work in the display of African art. \nMcClusky established a department for the Art of Africa\, Oceania and the Americas at the Seattle Art Museum in the 1980s.  It became the museum’s fastest growing department\, receiving several significant collections\, and hosting a vast range of exhibitions.  Honoring the depth of the African holdings\, she led a collaborative process with African artists\, scholars\, and advisors to create a national tour\, publication and web resource entitled: Long Steps Never Broke a Back in 2002-2004.\nDuring the last decade\, she has collaborated on exhibitions such as Nick Cave: Meet Me at the Center of the Earth\, Gauguin and Polynesia: An Elusive Paradise\, and Colors of the Oasis: Central Asian Ikats. When the Seattle Art Museum expanded in 2007\, she curated multiple galleries of African art\, along with experimental installations that mixed cultural perspectives and cross continental boundaries. In 2012\, she led an effort to place Australian art in the permanent galleries and oversaw an exhibition\, publication and tour called Ancestral Modern: Australian Aboriginal Art.  Recently\, she was the lead curator for Disguise: Masks and Global African Art\, a national touring exhibition that combined masks of the past with masquerading of the present\, and Mood Indigo: Textiles from Around the World.  She is now working on a new design and interpretation of the African collection galleries which will focus on the distinctions between public and private art and the ways they are presented in museums. \nAdditional featured speakers include:\nThursday\, October 19\, 7 p.m.: Mary (Polly) Nooter Roberts\, Professor\, UCLA Department of World Arts and Cultures/Dance and Consulting Curator for African Art\, Los Angeles County Museum of Art (LACMA) \nThursday\, November 30\, 7 p.m.: Christa Clarke\, Senior Curator Arts of Global Africa\, Newark Museum \n  \n\n\nLead support for Power Contained: The Art of Authority in Central and West Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. \nThis lecture series is presented in partnership with the University of Michigan African Studies Center\, Department of Afroamerican and African Studies\, Department of History of Art\, Institute for the Humanities\, and Museum Studies Program. \nThe series is presented in conjunction with the UMMA exhibition Power Contained: The Art of Authority in Central and West Africa (on view from August 19-December 31\, 2017). \n\nCuratorial_Dilemmas_poster
URL:https://ummsp.rackham.umich.edu/tribe-event/curatorial-dilemmas-representing-africa-at-umma-with-pamela-mcclusky/
LOCATION:U-M Museum of Art\, Helmut Stern Auditorium\, 525 S. State St.\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Other
GEO:42.276802;-83.738289
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20171024T183000
DTEND;TZID=America/Detroit:20171024T193000
DTSTAMP:20171020T120429Z
CREATED:20170926T200816Z
LAST-MODIFIED:20171020T120429Z
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SUMMARY:University Natural History Museums: Portals of Discovery in the Anthropocene
DESCRIPTION:A conversation between: \nJames Hanken – Director\, Museum of Comparative Zoology\, Harvard University \nDiarmaid O Foighil – Chair\, Department of Ecology and Evolutionary Biology\, U-M \n  \nMany of the world’s great universities have natural history museums founded in the late 19th and early 20th centuries. Faculty curators are often called upon to justify the considerable expense associated with the maintenance of enormous collections under their care. The research and educational value of these collections resides in their wealth of identified biological specimens\, collected from natural populations at known times and locations. That value compounds with time because they increasingly represent populations\, species\, biological communities and ecosystems that no longer exist. Using museum collections\, modern scientists can in effect time travel by accessing otherwise unavailable genomic and ecological information from collection specimens that allow us to track change through time. \n  \nThis ability has never been more needed: our impact on the planet’s biota\, climate and ecosystems is such that profound ecological change\, AKA the Anthropocene\, is upon us. University natural history museums can play a key role in documenting that change\, determining its scope and\, via online outreach\, communicating results to a global audience. The value and potency of university-based natural history museums may be greater now than ever before. \n  \nJames Hanken is Director of the Harvard Museum of Comparative Zoology and Alexander Agassiz Professor of Zoology at Harvard University. After earning A.B. and Ph.D. degrees in zoology from the University of California\, Berkeley\, he did postdoctoral work in developmental biology at Dalhousie University\, Nova Scotia\, and then assumed a faculty position at the University of Colorado\, Boulder. Professor Hanken moved to Harvard in 1999\, where he is also a professor in the Department of Organismic and Evolutionary Biology and a member of the Biological Sciences in Dental Medicine Program. A member of the Executive Committee of the Encyclopedia of Life and a recognized teacher\, he has authored more than 130 scientific publications and edited four books\, and is also an accomplished nature and scientific photographer. \n  \nDiarmaid O’Foighil is Director of the Museum of Zoology and Professor of Ecology and Evolutionary Biology at the University of Michigan. Professor O’Foighil obtained a B.Sc. in zoology from NUI Galway\, Ireland\, in 1981 and a Ph.D. in Biology from the University of Victoria\, Canada\, in 1987. Prior to joining the faculty at the University of Michigan in 1995\, he was a postdoctoral fellow at the Friday Harbor Laboratories\, University of Washington\, and Simon Fraser University\, Vancouver\, and a research scientist at the University of South Carolina. He has served as the president of the American Malacological Society and on the editorial boards of Evolution and Malacologia. \n  \n*Note\, this event will be held at the Rackham Graduate School building (on the 4th floor\, West Conference Room) \n  \nCo-sponsored by the University of Michigan Bicentennial \n  \nHanken and O’Foighil announcement
URL:https://ummsp.rackham.umich.edu/tribe-event/title-tbd-3/
LOCATION:Rackham Graduate School\, 915 E. Washington Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Lectures
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20171020T120000
DTEND;TZID=America/Detroit:20171020T130000
DTSTAMP:20170919T201908Z
CREATED:20170908T131710Z
LAST-MODIFIED:20170919T201908Z
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SUMMARY:The Museum Further Afield: Conservation\, Art\, and Archaeology
DESCRIPTION:Presentation by Suzanne Davis\, Associate Curator\, Kelsey Museum of Archaeology. \nFriday\, October 20 from 12:00 pm – 1:00 pm\, UM Museum of Art auditorium \n  \nThe Museum Further Afield: Conservation\, Art\, and Archaeology \nWhen we think and talk about museums\, we are often focused on what is happening within the gallery. But certain museums support projects around the world. In this talk\, Kelsey Museum of Archaeology conservator Suzanne Davis will provide a brief introduction to the field of conservation: what conservators do and where they work\, how to become a conservator\, and some of the big-picture issues conservators are concerned about today. As a specialist in archaeological conservation\, she will then describe how her work supports the mission of the Kelsey Museum\, both in Ann Arbor but also further afield\, specifically at the Kelsey Museum/University of Michigan archaeological excavations at El Kurru\, Sudan. Conservators working at archaeological sites like El Kurru conduct the same kinds of activities as conservators in museums — condition surveys and documentation\, conservation treatment\, and collections management — but in a different setting\, with different resources\, and a different kind of collection. \n  \nMuseums at Noon_Davis
URL:https://ummsp.rackham.umich.edu/tribe-event/museums-at-noon-october-20/
LOCATION:U-M Museum of Art\, Helmut Stern Auditorium\, 525 S. State St.\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Museums at Noon
GEO:42.276802;-83.738289
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20171019T190000
DTEND;TZID=America/Detroit:20171019T203000
DTSTAMP:20170920T130220Z
CREATED:20170920T125420Z
LAST-MODIFIED:20170920T130220Z
UID:10000015-1508439600-1508445000@ummsp.rackham.umich.edu
SUMMARY:Curatorial Dilemmas: Representing Africa at UMMA with Mary (Polly) Nooter-Roberts
DESCRIPTION:A series of talks by leading curators and thinkers in African art will launch a reimagining process for the forthcoming reinstallation of the University of Michigan Museum of Art’s Robert and Lillian Montalto Bohlen Gallery of African Art. Mary (Polly) Nooter-Roberts\, Professor of World Arts and Cultures at UCLA\, will be the first speaker in this series to contribute reflections on her own groundbreaking work in the display of African art. \nMary (Polly) Nooter Roberts is a Full Professor in UCLA’s Department of World Arts and Cultures/Dance\, and Consulting Curator for African Art at the Los Angeles County Museum of Art (LACMA). She holds a PhD in Art History from Columbia University\, and has served as Senior Curator at The Museum for African Art in New York\, and as Deputy Director and Chief Curator of the Fowler Museum at UCLA. \nRoberts studies the philosophical underpinnings of particular African visual and performance-based arts; museum and curatorial studies; the body and female representation; arts of divination and healing; and cross-cultural approaches to memory\, writing\, and inscription. With Allen F. Roberts\, she produced the award-winning works Memory: Luba Art and the Making of History (1996) and A Saint in the City: Sufi Arts of Urban Senegal (2003). She is also the author/curator of Secrecy: African Art that Conceals and Reveals (1993); and co-author of Exhibition-ism: Museums and African Art (1994); Inscribing Meaning: Writing and Graphic Systems in African Art (2007); and Luba in the “Visions of Africa” series (2007). Her most recent exhibition at LACMA is entitled The Inner Eye: Vision and Transcendence in African Arts. \nRoberts has been a Getty Postdoctoral Fellow and held other grants and awards; served as President of the Arts Council of the African Studies Association; and is an editor of African Artsjournal. In 2007\, she was decorated by the Republic of France as a Knight of the Order of Arts and Letters for her promotion of African art and artists of francophone countries. \nAdditional featured speakers include: \nThursday\, November 2\, 7 p.m.: Pamela McClusky\, Curator of African and Oceanic Art\, Seattle Art Museum \nThursday\, November 30\, 7 p.m.: Christa Clarke\, Senior Curator Arts of Global Africa\, Newark Museum \n  \n\n\nLead support for Power Contained: The Art of Authority in Central and West Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. \nThis lecture series is presented in partnership with the University of Michigan African Studies Center\, Department of Afroamerican and African Studies\, Department of History of Art\, Institute for the Humanities\, and Museum Studies Program. \nThe series is presented in conjunction with the UMMA exhibition Power Contained: The Art of Authority in Central and West Africa (on view from August 19-December 31\, 2017).
URL:https://ummsp.rackham.umich.edu/tribe-event/curatorial-dilemmas-representing-africa-at-umma-with-mary-polly-nooter-roberts/
LOCATION:U-M Museum of Art\, Helmut Stern Auditorium\, 525 S. State St.\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Other
GEO:42.276802;-83.738289
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=U-M Museum of Art Helmut Stern Auditorium 525 S. State St. Ann Arbor MI 48109 United States;X-APPLE-RADIUS=500;X-TITLE=525 S. State St.:geo:-83.738289,42.276802
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20171018T090000
DTEND;TZID=America/Detroit:20180527T160000
DTSTAMP:20170929T191952Z
CREATED:20170920T135048Z
LAST-MODIFIED:20170929T191952Z
UID:10000020-1508317200-1527436800@ummsp.rackham.umich.edu
SUMMARY:Exhibition - Excavating Archaeology at U-M: 1817‐2017
DESCRIPTION:This exhibition explores the history of archaeology and museums at the University of Michigan for the past 200 years and looks forward to the future of archaeology and museums at Michigan in the coming century. The exhibition relies on carefully chosen objects\, archival documents and images\, and other illustrative materials to examine moments in the history of the University of Michigan’s involvements in archaeology and the location of archaeology in the museum environment. \nOpening lecture on October 18 in the Pendleton Room at the Michigan Union from 6:00 pm – 7:15 pm.  Reception to follow at the Kelsey Museum from 7:30 pm – 8:30 pm. \n\nCurators: Carla M. Sinopoli and Terry G. Wilfong \nKelsey Museum location and hours of operation can be found here. \n \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/exhibition-excavating-archaeology-at-u-m-1817%e2%80%902017/
LOCATION:Kelsey Museum of Archaeology\, 434  South State Street\, Ann Arbor\, MI\, 48109
CATEGORIES:Other
GEO:42.2767334;-83.7413886
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Kelsey Museum of Archaeology 434  South State Street Ann Arbor MI 48109;X-APPLE-RADIUS=500;X-TITLE=434  South State Street:geo:-83.7413886,42.2767334
END:VEVENT
END:VCALENDAR