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SUMMARY:The GEM of Giza: The Grand Egyptian Museum Gala Livestream
DESCRIPTION:On November 1\, 2025\, the Grand Egyptian Museum (GEM) will hold a gala opening attended by queens\, kings\, and presidents from around the world. The long-awaited GEM will showcase the splendors of Egypt’s deep history\, including the complete collection from the tomb of King Tutankhamun\, in a $1 billion state-of-the-art facility. If you can’t be there in person\, please join us for an exclusive livestream of the festivities\, including tours of the museum’s as-yet unseen galleries. Be among the first people in the world to experience the splendors of the GEM at the region’s only official livestream event. \nThis free\, public event takes place in Auditorium C of Angell Hall (435 S. State Street\, Ann Arbor\, MI 48109). Space is limited\, so please register here to reserve your seat: https://myumi.ch/y1j5y. \nThe GEM livestream is sponsored by the Kelsey Museum of Archaeology\, the Department of Middle East Studies\, the U-M Museum of Anthropological Archaeology\, the Museum Studies Program\, and the North African Students Association. \nComplete details can be found here. \nFlyer
URL:https://ummsp.rackham.umich.edu/tribe-event/the-gem-of-giza-the-grand-egyptian-museum-gala-livestream/
LOCATION:Angell Hall\, 435 S. State Street\, Ann Arbor\, 48109\, United States
CATEGORIES:Other
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DTSTART;TZID=America/Detroit:20251121T120000
DTEND;TZID=America/Detroit:20251121T130000
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SUMMARY:Museums@Noon presentation by Gala Patenkovic
DESCRIPTION:Exhibiting fun: Comics museums in France  \nGala Patenkovic (MSP 21; PhD candidate\, Romance Languages & Literatures) \nNovember 21 from 12:00 – 1:00 \nHatcher Gallery Lab\, Room 100H or online via Zoom \nComics\, in France\, are serious business. 1 in 4 books sold today is in the form of a comic book\, and ever since 1974\, the country has hosted one of the world’s largest international comics festivals. Having long recognized the medium as the “9th art”\, France prides itself in being one of the rare countries that has championed the potential of the medium early on\, and it’s not an overstatement to say that some of its comics authors and artists are considered national heroes. \nIn this presentation\, I will share the findings from my time spent in France researching an important cultural recognition of the medium: its museification. This talk will highlight my experience in comics museums in Angoulême and Blois. By paying close attention to the exhibition choices of these institutions\, I will question our understanding of what a museum space “should” be\, what it is\, and what potential it holds for the future. \nFlyer
URL:https://ummsp.rackham.umich.edu/tribe-event/museumsnoon-presentation-by-gala-patenkovic/
LOCATION:Hatcher Graduate Library
CATEGORIES:Museums at Noon
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260127T170000
DTEND;TZID=America/Detroit:20260127T180000
DTSTAMP:20260126T210659Z
CREATED:20260116T222909Z
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SUMMARY:Museums in Time of Polycrisis: The Promise of Cultural Institutions
DESCRIPTION:Presentation by Dr. Porchia Moore \nJanuary 27 at 5:00 pm \nEldersveld Room\, 5670 Haven Hall (505 S. State Street\, Ann Arbor) \nAs a global polycrisis continues to impact modern day life\, perhaps no other institution is experiencing the impact of rapid change more than the American museum. In this talk\, Dr. Moore will identify and name the challenges to museums and the impact on visitors\, communities\, and museum professionals. What is the value of the museum in the 21st century? How can those who love museums fight back to preserve the positive benefits of museums as these institutions work hard to preserve memory\, archive human activity\, and work to tell inclusive\, truthful\, and powerful stories? Dr. Moore will outline the promise of cultural institutions and discuss how we need museums now more than ever to help us make meaning of our lives\, create places of respite and refuge\, and foster welcoming for all communities; especially those with histories of oppression and marginalization. \nDr. Porchia Moore is the Associate Director of the Center for Arts\, Migration\, and Entrepreneurship and Associate Professor and Director of Museum Studies at the University of Florida. She is the Co-Director of the international collaboratory\, The Incluseum\, and the co-founder of the Visitors of Color Project. Her scholarship examines the relationship between digital technologies\, race\, identity\, and communities. \n  \nDr. Porchia Moore’s visit to Ann Arbor has been coordinated by the Matthaei Botanical Gardens and Nichols Arboretum in collaboration with the Museum Studies Program and the Department of Afroamerican and African Studies at the University of Michigan.
URL:https://ummsp.rackham.umich.edu/tribe-event/museums-in-time-of-polycrisis-the-promise-of-cultural-institutions/
LOCATION:Haven Hall\, Eldersveld Room\, 505 S. State Street\, Ann Arbor\, 48109
CATEGORIES:Lectures
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DTSTART;TZID=America/Detroit:20260206T120000
DTEND;TZID=America/Detroit:20260206T130000
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SUMMARY:Virtual Open House for prospective students
DESCRIPTION:The Museum Studies Program invites students enrolled in any graduate program at the University of Michigan to apply for the Fall 2026 cohort. This multidisciplinary graduate certificate program draws on ideas from the arts\, humanities\, natural and social sciences\, and technology and provides countless opportunities to apply theories in a vast array of museums and cultural institutions on campus\, in the region\, nationally and around the world. \nThe MSP curriculum examines the role of museums in society as sites of memory\, learning\, research\, cultural production\, public scholarship\, civic engagement\, and entertainment. The 12-credit certificate program consists of the Museum Studies Seminar (Fall and Winter terms\, 6 credits)\, approved electives (6 credits)\, and a funded internship. It prepares students for academic and professional careers in museums\, heritage sites\, arboretums\, botanical gardens\, zoos and other living collections\, and universities. \nApplication Deadline: February 27\, 2026 \nApplication information can be found here. \nLearn more at our upcoming virtual open house! \nZoom meeting ID 986 4283 3159
URL:https://ummsp.rackham.umich.edu/tribe-event/virtual-open-house-for-prospective-students-3/
LOCATION:Online via Zoom
CATEGORIES:Other
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260217T173000
DTEND;TZID=America/Detroit:20260217T184500
DTSTAMP:20260216T023417Z
CREATED:20260123T225329Z
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SUMMARY:Museo Moderno: A Values-driven Model that Positions Art and Artists as Central to Human\, Economic and Democratic Development
DESCRIPTION:Presentation by Victoria Noorthoorn\, Director\, Museo de Arte Moderno de Buenos Aires and the Museum Studies Program’s 2026 Visiting Scholar \nUM Museum of Art – Helmut Stern Auditorium \nHow does art lead the way in creating our possible futures? How do the human imagination and the agency and actions of art free the potential for wonder\, for hope\, optimism and joy\, to confront times of agony\, trauma and fear? In what ways do artists of all disciplines from around the world dare still to dream of different\, alternative futures for humanity\, to envision previously unimagined paths forward? How does art furnish humanity with the means to mourn\, mitigate\, overcome and bring solace and healing to the world’s deep antagonisms and conflicts? \nIn this lecture\, Museo Moderno´s Director Victoria Noorthoorn will describe the values-driven transformation of this vibrant museum of modern and contemporary art in Buenos Aires throughout her leadership over the past 12 years. Noorthoorn has persistently worked towards creating a new model for a public museum in Argentina – and in doing so\, she has created a new museum model – that positions art and artists as drivers of educational\, social\, economic and civic development. \nCo-sponsored by the UM Museum of Art\, Arts Initiative\, and History of Art \n \nVictoria Noorthoorn is the Director of the Museo de Arte Moderno de Buenos Aires since 2013. She holds a Licentiate in Art History from the University of Buenos Aires (UBA\, 1996) and an MA in Curatorial Studies from the Center for Curatorial Studies\, Bard College\, New York (1998). She has acted as Projects Coordinator for the International Program at MoMA\, New York; Assistant Curator of Contemporary Exhibitions at The Drawing Center\, New York; and Curator at Malba in Buenos Aires. Between 2004 and 2013\, she worked independently and curated the 29th Bienal de Arte de Pontevedra\, in Pontevedra\, Spain (2006); the 41 Salón Nacional de Artistas\, in Cali\, Colombia (2008); the 7a Bienal do Mercosul\, in Porto Alegre\, Brazil (2009); the 11ème Biennale de Lyon: A Terrible Beauty Is Born\, in Lyon\, France (2011); and The Circle Walked Casually\, Deutsche Bank KunstHalle\, in Berlin\, Germany (2013)\, among many other exhibitions. In 2012\, she was honoured with the Chevalier de l’Ordre des Arts et des Lettres by the French Ministry of Culture. In 2014\, she was selected to attend the Global Museum Leaders Colloquium organized by The Metropolitan Museum of Art\, New York. During her tenure leading the Moderno\, the museum has undergone a deep process of development that has involved doubling its exhibition spaces\, presenting +120 exhibitions\, publishing +70 bilingual publications\, escalating its various education programs to involve +20.000 teachers a year and achieving recognition for its mental health and accessibility programs. At the Moderno\, Noorthoorn has curated exhibitions of León Ferrari\, Marta Minujín\, Marina De Caro\, Ana Gallardo\, Tracey Rose\, Zanele Muholi\, Bernardo Ortiz\, Delcy Morelos\, and Sergio De Loof\, among many others\, and group exhibitions such as A Tale of Two Worlds (2017-2018) presented first at the MMK in Frankfurt and later at Museo Moderno. During the last few years\, the Moderno has presented the yearly programs One Day on Earth (2022-2023)\, Art Is Education (2024) and Art Is Theater (2025)\, each of which has articulated a narrative of +10 exhibitions. During 2020-2025\, Noorthoorn was an active Board member of CIMAM (International Committee of Museums and Collections of Modern Art)\, and in this capacity Museo Moderno hosted the 55th CIMAM Annual Conference (2023) which focused on the educational and social dimensions of museums of modern and contemporary art and was attended by +240 museum professionals from +80 countries. Today\, Museo Moderno prepares for its 70th Anniversary Program Our Home\, The Future to be launched on April 26\, 2026.
URL:https://ummsp.rackham.umich.edu/tribe-event/museo-moderno-a-values-driven-model-that-positions-art-and-artists-as-central-to-human-economic-and-democratic-development/
LOCATION:University of Michigan Museum of Art
CATEGORIES:Lectures
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260223T120000
DTEND;TZID=America/Detroit:20260223T130000
DTSTAMP:20260213T213050Z
CREATED:20260207T042006Z
LAST-MODIFIED:20260213T213050Z
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SUMMARY:Museums@Noon - Internship experiences at Museum of Natural History of Bern\, Switzerland and the Museum of West African Art
DESCRIPTION:Internship experiences at Museum of Natural History of Bern\, Switzerland and the Museum of West African Art\nFebruary 23 from 12:00 – 1:00\nOnline via Zoom.\n\n  \nPatricia Torres-Pineda – MSP24; PhD student\, Ecology & Evolutionary Biology\nFrom the Field to the Museum: Experiences at the Museum of Natural History of Bern\nMore than 60 million natural history specimens are housed in Swiss museums\, universities\, botanical gardens\, and other heritage institutions. Nationwide investment in storage\, databasing\, and policy development actively advances museomics\, digitization\, anti-racism initiatives\, and provenance research. As a result\, these collections are increasingly recognized as dynamic archives for phylogenetic and global change research\, rather than as static displays. Join me to reflect on my experiences in one of the most important natural history museums and collections of Switzerland. \n  \nTimilehin Ayelagbe – MS24; PhD student\, Anthropology\nArt\, Labor\, and Landscape at MOWAA: Centering Production\, Environmental Knowledge\, & Community in Museum Interpretation \nThis presentation reflects on my internship at the Museum of West African Art Edo (MOWAA)\, where I contributed to research\, interpretation\, and the curation of an exhibition. Drawing on both my MOWAA experience and my UM Museum Studies training\, I discuss exhibition-making by centering production processes\, environmental knowledge\, and community context rather than focusing only on finished objects. The talk highlights how archaeological and ecological perspectives shaped my curatorial decisions and how this experience deepened my understanding of emerging museum practice in West Africa. \n  \n \n  \nMuseums@Noon flyer \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/museumsnoon-internship-experiences-at-the-museum-of-west-african-art-and-the-museum-of-natural-history-of-bern-switzerland/
LOCATION:Online via Zoom
CATEGORIES:Museums at Noon
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260309T120000
DTEND;TZID=America/Detroit:20260309T123000
DTSTAMP:20260225T183858Z
CREATED:20260207T041257Z
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SUMMARY:Tour of  “Materia Magica: Materiality and Ritual in the Greco-Roman World” exhibit
DESCRIPTION:Monday\, March 9 at 12:00 pm \nHatcher Library North\, First Floor\, Room 100J \nJoin Abigail Staub (MSP22 and PhD Candidate\, Interdepartmental Program in Mediterranean Art & Archaeology) for a tour of an exhibit she curated in the Hatcher Gallery “Materia Magica: Materiality and Ritual in the Greco-Roman World.” \nA half hour tour will be led by Abigail Staub (MSP22\, PhD Candidate in Interdepartmental Program in Mediterranean Art & Archaeology).  The exhibit is a collaboration and displays items from several University of Michigan units: the library’s Special Collections Research Center and Papyrology Collection\, the Museum of Natural History\, and the Kelsey Museum of Archaeology.  Artifacts include a diverse array of items which were created to communicate with and call upon various unseen\, supernatural forces for aid and protection. While the objects on display are disparate at first glance\, ranging from lead tablets and amulets to papyrus and parchment leaves\, they all share a common thread: they have long been labeled as “magical” in traditional Western scholarship.  However\, each of these artifacts is better understood on a broad spectrum of ancient ritual\, from subversive and transgressive acts to highly social and visible ones. The exhibit highlights the objects’ oft-overlooked material dimensions\, asking us to consider how qualities like color\, texture\, and weight shaped an object’s perceived efficacy and meaning. \nThe tour is limited to 10 attendees\, so please sign up as soon as possible!
URL:https://ummsp.rackham.umich.edu/tribe-event/tour-of-materia-magica-materiality-and-ritual-in-the-greco-roman-world/
LOCATION:Hatcher Graduate Library
CATEGORIES:Museums at Noon
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DTSTART;TZID=America/Detroit:20260323T120000
DTEND;TZID=America/Detroit:20260323T130000
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SUMMARY:Museums@Noon presentation by History of Art students
DESCRIPTION:Traversing Mountains and Waters: Visits to the Centennial Exhibition at the National Palace Museum of Taipei \nSpeakers: History of Art PhD students – Qi Zheng\, Meichen Liu\, Yueling Li\, Star Song \nMarch 23 from 12:00 – 1:00 pm \nTappan Room 180 and online via Zoom. \nAt the conclusion of 2025\, the National Palace Museum of Taipei celebrated its centennial with displays highlighting a hundred years of collection\, preservation\, exhibition\, and education. This landmark exhibition series\, “Enduring Legacy\,” is recognized globally as a once-in-a-lifetime opportunity to view more than a hundred masterpieces: exceptional treasures and artworks housed in this prestigious museum’s collection. Many of the objects have never been on public display\, and others have appeared only rarely due to conservation restrictions. \nIn this presentation\, four graduate students from the Department of History of Art will share their experiences visiting the museum. Addressing the artworks and the exhibits\, the presenters will discuss their impressions and the potential trajectories of another century of museology.
URL:https://ummsp.rackham.umich.edu/tribe-event/art-historians-presentation-of-visit-to-their-visits-to-the-100th-anniversary-grand-exhibition-of-the-national-palace-museums-in-taipei-and-the-palace-museum-in-beijing/
LOCATION:Tappan Hall\, 913 S. University\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Museums at Noon
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260331T180000
DTEND;TZID=America/Detroit:20260331T190000
DTSTAMP:20260303T024840Z
CREATED:20260116T225029Z
LAST-MODIFIED:20260303T024840Z
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SUMMARY:America at 250: a Conversation with Lonnie G. Bunch III\, Secretary of the Smithsonian Institution
DESCRIPTION:America at 250: History\, Memory\, and Truth \nA Conversation with Lonnie G. Bunch III\, Secretary of the Smithsonian Institution\nTuesday\, March 31\, 6pm (doors open at 5:15pm)\nRackham Auditorium\, 915 E. Washington St.\nFree & open to the public \nMuseums are the classrooms of our country. They play a crucial role in helping us understand the nation’s complex past. Join us for a dynamic conversation with Lonnie G. Bunch III\, Secretary of the Smithsonian Institution\, and Lynette Clemetson\, director of Wallace House Center for Journalists\, as they reflect on the significance of the 250th anniversary of the United States. At a moment in which discussions about our shared past and collective future feel especially urgent\, this event offers an opportunity to learn from a leader who has devoted his career to informing and inspiring Americans to strive for the public good. \nQ&A will follow and copies of Secretary Bunch’s book “A Fool’s Errand: Creating the National Museum of African American History and Culture in the Age of Bush\, Obama\, and Trump” will be available for purchase. \nLonnie G. Bunch III is the 14th Secretary of the Smithsonian. He assumed his position June 16\, 2019. As Secretary\, he oversees 21 museums\, 21 libraries\, the National Zoo\, numerous research centers\, and several education units and centers. Two new museums—the National Museum of the American Latino and the Smithsonian American Women’s History Museum—are in development. Bunch was the founding director of the Smithsonian’s National Museum of African American History and Culture. Bunch chronicled the creation of the museum in his book A Fool’s Errand: Creating the National Museum of African American History and Culture in the Age of Bush\, Obama\, and Trump and is the first historian to be Secretary of the Institution. Since 2024\, Bunch has been Honorary Professor of Practice at Queen’s University Belfast. A member of the American Academy of Arts & Sciences\, Bunch received France’s highest award\, The Legion of Honor\, in 2021. \nLynette Clemetson is Director of Wallace House Center for Journalists\, home of the Knight-Wallace Fellowships for Journalists and the Livingston Awards for Young Journalists at the University of Michigan. She came to the university from NPR where she was Senior Director of Strategy and Content Initiatives. Her career in journalism spans newspapers\, magazines and audio across a range of platforms. As a reporter\, she was a Washington-based correspondent for The New York Times and Newsweek. Prior to her domestic correspondent work\, she was an international correspondent for Newsweek based in Hong Kong\, where she covered the former British colony’s return to Chinese rule in 1997. She moved into digital strategy and leadership in 2008 as the founding managing editor of TheRoot.com\, launched for The Washington Post Company with Henry Louis Gates Jr. She is also the former Director of Content Strategy at Pew Center on the States. \nThis 2026 Marc and Constance Jacobson Lecture is presented by the Institute for the Humanities in partnership with Wallace House Center for Journalists. Additional support provided by the Initiative for Democracy & Civic Empowerment\, Life-Changing Education\, Museum Studies Program\, U-M Library\, and the U-M Museum of Art.
URL:https://ummsp.rackham.umich.edu/tribe-event/america-at-250-a-conversation-with-lonnie-g-bunch-iii-secretary-of-the-smithsonian-institution/
LOCATION:Rackham Graduate School\, 915 E. Washington Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Lectures
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260415T160000
DTEND;TZID=America/Detroit:20260415T200000
DTSTAMP:20260407T033601Z
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SUMMARY:MSP25 Capstone Presentations
DESCRIPTION:Wednesday\, April 15 from 4:00 – 8:00 pm \nEldersveld Room\, 5670 Haven Hall \nPresentations for the evening are as follows: \n4:00 pm – “A Conservation and Collections Management Plan for the Howell Opera House” \nPresented by Lisandri Kola\, Ali Mohsin\, Dana Salama \nHost institution: Howell Opera House (Livingston Arts Council) \n  \n5:00 pm – “Recovering McDougall-Hunt: Memories\, Oral Histories\, and Community-Building in Bailey Park\, Detroit” \nPresented by Jamal Dillman-Hasso\, Ashton Rodgers\, Vivian Vega \nHost institution: Bailey Park Neighborhood Development Corporation (with UM’s Ginsberg Center) \n  \n6:00 pm – “Exhibiting 150 Years of Doctoral Research at Michigan” \nPresented by Deborah Pomeranz\, Naomi Yu \nHost institution: UM’s Rackham Graduate School \n  \n7:00 pm – “Putting the Freer House Back on the Map: Recentering Michigan in Charles Lang Freer’s Global Network” \nPresented by Ying Cui\, Madeline Hennessey\, Volkan Topal \nHost institution: Charles Lang Freer House (Wayne State University) \n  \nThese Capstone Projects are sponsored by the Bailey Park Neighborhood Development Corporation (with UM’s Ginsberg Center)\, the Charles Lang Freer House (Wayne State University)\, the Howell Opera House (Livingston Arts Council)\, and UM’s Rackham Graduate School.  \nThank you for your support of the UM Museum Studies Program. \n  \nMSP25 Capstone Flyer
URL:https://ummsp.rackham.umich.edu/tribe-event/msp25-capstone-presentations-2/
LOCATION:Haven Hall\, Eldersveld Room\, 505 S. State Street\, Ann Arbor\, 48109
CATEGORIES:Student Presentation
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260417T120000
DTEND;TZID=America/Detroit:20260417T130000
DTSTAMP:20260415T180736Z
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SUMMARY:Do We Need to Decolonize Holocaust Museums?
DESCRIPTION:Presentation by Erica Lehrer\, PhD\, MSP04; Professor of History at Concordia University (Montreal\, Canada); Winter 2026 Institute Fellow\, UM Frankel Institute for Advanced Judaic Studies \nHatcher Library Gallery Lab\, Room 100H \nA central issue animating and transforming the museum sector today is the call to decolonize. This appeal began with Indigenous activists\, whose communities have been overwhelmingly hurt by the museum sector’s history and status quo. Museums of mass violence – Holocaust museums\, paradigmatic among them – have been largely exempt from decolonial critiques. As products of 20th and 21st-century social justice mandates and often created at the behest of survivor communities\, they seem at first glance not to be obvious targets for such scrutiny. Yet\, Holocaust museums are not free from entanglements with state power nor from inherited traditions and infrastructures of museum practice with their attendant biases\, exclusions\, and silences. This talk explores the potential value of decolonial museum theories and practices for Holocaust museums to renew and expand their social justice mandates. \n  \n \nEvent flyer
URL:https://ummsp.rackham.umich.edu/tribe-event/do-we-need-to-decolonize-holocaust-museums/
LOCATION:Hatcher Graduate Library
CATEGORIES:Museums at Noon
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20261012T173000
DTEND;TZID=America/Detroit:20261012T193000
DTSTAMP:20260820T213937Z
CREATED:20260820T213822Z
LAST-MODIFIED:20260820T213937Z
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SUMMARY:Penny Stamps Speaker Series - Aanikoobijigan film screening at Michigan Theater
DESCRIPTION:The Museum Studies Program is proud to co-sponsor the Penny Stamps Speaker Series – Aanikoobijigan film screening at Michigan Theater (603 E. Liberty Street\, Ann Arbor). \nTrapped in museum archives\, Ancestors bend time and space to find their way home. History\, spirituality\, and the law collide as tribal repatriation specialists fight to return and rebury Indigenous human remains\, offering a revealing look at the still-pervasive worldviews that justified collecting them in the first place.\nThe film Aanikoobijigan [ancestor/great-grandparent/great-grandchild] documents the emotional and vital work of MACPRA (Michigan Anishinaabek Cultural Preservation and Repatriation Alliance). This alliance\, made up of repatriation specialists representing all Michigan tribes\, fights to bring their Ancestors and funerary objects home from settler colonial institutions like museums\, libraries\, and archives. Adam and Zack Khalil’s monumental and formally daring film follows the pressing struggle to rebury Indigenous human remains that have been held in sterile storage\, laying bare the history of Indigenous collections and the battle to recognize and enforce the laws intended to facilitate their repatriation to the communities they were originally stolen from. Using an essayistic approach alongside vérité portraits\, the film celebrates the courageous individuals who carry out this hard and emotionally draining labor of return.\n—Sundance Film Festival \nAanikoobijigan [ancestor/great-grandparent/great-grandchild] directors Adam and Zack Khalil are members of the Sault Ste. Marie Tribe of Chippewa Indians. They are co-directors and co-editors of the feature documentary INAATE/SE/ [it shines a certain way. to a certain place./ it flies. falls./] (2016) which premiered as the closing night film of the Museum of Modern Art’s Doc Fortnight Film Festival\, and the experimental documentary short The Violence of a Civilization without Secrets (2017) which premiered at Sundance. The Khalils are core contributors to New Red Order\, a public-secret society which calls attraction toward indigeneity into question\, yet promotes this desire\, and enjoins potential non-Indigenous accomplices to participate in the co-examination and expansion of Indigenous agency. \nAdam Khalil is an artist whose practice attempts to subvert traditional forms of image-making through humor\, relation\, and transgression. A co-founder of COUSINS Collective\, Khalil’s work has been exhibited or screened at the Museum of Modern Art\, Sundance Film Festival\, New York Film Festival\, Tate Modern\, HKW\, Walker Arts Center\, Lincoln Center\, Palais de Tokyo\, Kunsthal Charlottenborg\, Creative Time\, Toronto Biennial 2019\, Whitney Biennial 2019\, Sharjah Biennial 15\, Counterpublic Triennial 2023\, among other institutions. Khalil is the recipient of various fellowships and grants\, including a 2021 Creative Capital Award\, a 2020 Herb Alpert Award\, a Jerome Artist Fellowship\, the Gates Millennium Scholarship\, and honors from Sundance Art of Nonfiction and Cinereach. \nZack Khalil is a filmmaker and artist whose work centers Indigenous narratives in the present—and looks towards the future—through the use of innovative nonfiction forms. Khalil also works professionally as a video editor\, most recently co-editing Alison O’Daniels feature film The Tuba Thieves (2023)\, which premiered at Sundance. Khalil’s own work has been shown at the Museum of Modern Art\, Sundance Film Festival\, New York Film Festival\, CPH: DOX\, HKW\, Walker Arts Center\, Kunsthal Charlottenborg\, Creative Time\, Toronto Biennial 2019\, Whitney Biennial 2019\, 59th Venice Biennale\, Sharjah Biennial 15\, and Counterpublic Triennial 2023\, among other institutions and festivals. Khalil is the recipient of various fellowships and grants\, including a Jerome Hill Artist Fellowship\, a Sundance Art of Nonfiction grant\, and the Gates Millennium Scholarship. \nFollowing the Penny Stamps Speaker Series screening of Aanikoobijigan at the Michigan Theater on October 12\, a reception and Q&A will take place from 6:30-8:30 p.m. at Stamps Gallery (201 S. Division St.). Filmmakers Zack and Adam Khalil\, with special guests\, will speak in reflection on their film and process. \nIn partnership with the U-M Native American Graves Protection and Repatriation Act Office\, U-M Museum of Anthropological Archeology\, U-M Matthaei Botanical Gardens & Nichols Arboretum\, U-M Department of Film\, Television\, and Media\, the U-M Inclusive History Project\, the U-M Department of Anthropology\, UM Museum Studies Program\, and the U-M Stamps Gallery. \nSeries presenting partners: Detroit PBS\, ALL ARTS\, and PBS Books. Media partner: Michigan Public.
URL:https://ummsp.rackham.umich.edu/tribe-event/penny-stamps-speaker-series-aanikoobijigan-film-screening-at-michigan-theater/
LOCATION:Michigan Theater\, 603 E. Liberty St.\, Ann Arbor\, MI\, 48104\, United States
CATEGORIES:Other
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SUMMARY:In the Shadow of the Empire: Calcutta’s Victoria Memorial and its Cast of Moving Statuary
DESCRIPTION:Presentation by Tapati Guha-Thakurta \nOctober 23 at 4:00 pm \nEldersveld Room\, 5670 Haven Hall (505 S. State Street\, Ann Arbor) \nWith a focus on Calcutta’s landmark monument – the most grandiose of the memorials to the Queen of all the ones built across the British imperial territories – this lecture addresses the theme of the end of empire through the persistence and proliferation of the genre of civic public statuary\, its shifting cast of characters\, and its movements across time and space. It is on the grounds of the Victoria Memorial – in the lingering shadows of a bygone empire – that a brood of imperial statues have found a safe haven\, quietly living out their post-imperial lives of oblivion in a time and place where the empire is long gone but its hauntings remain.  In the recent past\, we have seen how such hauntings of the past can suddenly return to a body of long-standing statues of American Confederate leaders\, slave owners and imperialists\, bringing on them the wrath of anti-white supremacist protests that began to rage across Western cities and universities during 2020. What the Black Lives Matter movement did was to return attention in India to the long-forgotten specimens of colonial statuary\, mostly hidden away in remote locations of our cities – raising the issue again\, after over 75 years of Independence\, of their rights to remain in the spaces where they still stand. The afterlives of these relics of empire is a central theme of this lecture\, as it explores various moments in the travels\, dislocations and relocations of Calcutta’s imperial statues\, while charting a small parallel history of Indian statue-making over these transitional decades of the last years of British rule and the coming of Independence. \n  \nTapati Guha-Thakurta was educated at Presidency College\, Calcutta University\, and the University of Oxford. She is currently an Honorary Professor of History at the Centre for Studies in Social Sciences\, Calcutta (CSSSC) and was its former Director from 2012 to 2017. She has written widely on the art and cultural history of modern India\, and has held several visiting fellowships abroad. Her three main books are The Making of a New ‘Indian’ Art: Artists\, Aesthetics and Nationalism in Bengal (Cambridge University Press\, 1992) and Monuments\, Objects\, Histories: Institutions of Art in Colonial and Postcolonial India (Columbia University Press\, and Permanent Black\, 2004)\, and In the Name of the Goddess: The Durga Pujas of Contemporary Kolkata (Delhi: Primus Books\, 2015). She has also had a parallel career as exhibition curator and archivist\, and has helped build a large digital image archive on the visual cultures of modern and contemporary Bengal at the CSSSC. She has co-edited three anthologies of essays – Theorising the Present: Essays for Partha Chatterjee (Delhi: Oxford University Press\, 2011); New Cultural Histories of India: Materiality and Practices (Delhi: Oxford University Press\, 2013); and How Secular is Art? On the Politics of Art\, History and Religion in South Asia (Cambridge University Press\, 2023). Among her other professional work is the preparation of a dossier on the Durga Pujas of Kolkata for the Ministry of Culture\, Government of India\, which has brought to the festival the coveted UNESCO inscription under its List of the Intangible Cultural Heritage of Humanity in December 2021.
URL:https://ummsp.rackham.umich.edu/tribe-event/in-the-shadow-of-the-empire-calcuttas-victoria-memorial-and-its-cast-of-moving-statuary/
LOCATION:Haven Hall\, Eldersveld Room\, 505 S. State Street\, Ann Arbor\, 48109
CATEGORIES:Lectures
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