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DTSTART;TZID=America/Detroit:20241025T120000
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CREATED:20240913T205948Z
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SUMMARY:A Museum Fit for a President
DESCRIPTION:A Museum Fit for a President \nAlbert Cavallaro\, PhD Candidate\, History \nOctober 25 from 12:00 – 1:00 pm \n1014 Tisch Hall \nThis talk reflects on the State Museum of the History of Uzbekistan’s response to a planned presidential visit by Shavkat Mirziyoyev\, the current president of Uzbekistan. Had it not been cancelled just two days before it was scheduled to occur on June 25th\, 2024\, it would have been the first visit to the museum by Mirziyoyev since he assumed the presidency in 2016. Rushed preparations initiated a host of changes inside the museum pertaining to its exhibitions. Most critically\, one month prior to the anticipated visit\, the museum closed to the public and all of its displays from the Stone Age to the 16th century were changed. \n\nI will touch on issues ranging from leaking ceilings to breaking objects\, as well as to the broader discussions and arguments that occurred in the museum over what a “modern” museum is supposed to be and what elements of the old exhibitions still fit the demands of current national narratives. In doing so\, I will show the museum’s close relationship to the state\, not only as the provider of financial funds\, but also\, in many ways\, as the museum’s main anticipated audience. With my dissertation focusing on the history of this museum from 1876 until the collapse of the Russian empire in 1917\, in this talk I will present a brief historical overview that will allow me to chart the museum’s navigation from the Tsarist period to the Soviet period\, and to the current moment. \nAlbert Cavallaro is a historian of the Russian empire and Central Asia with a focus on the nineteenth century. His dissertation\, “Things Disappear: The Turkestan Public Museum and Imperial Love\, 1876-1917\,” examines the rapid growth of museums across Central Asia in the tsarist period. Via an intensive focus on the Turkestan Public Museum\, located in modern-day Tashkent\, Uzbekistan\, he shows a variety of actors embracing museums\, libraries\, and collections of old materials as sites of intensive emotional identification\, or “love\,” for a variety of purposes. Accordingly\, his work investigates entanglements of museums\, colonialism\, religion\, science\, and love in nineteenth-century Tashkent. \nPresentation flyer
URL:https://ummsp.rackham.umich.edu/tribe-event/museumsnoon-presentation-by-albert-cavallaro/
LOCATION:Tisch Hall\, 435 State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Museums at Noon
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20240927T120000
DTEND;TZID=America/Detroit:20240927T130000
DTSTAMP:20240913T201242Z
CREATED:20240905T234456Z
LAST-MODIFIED:20240913T201242Z
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SUMMARY:This is Rome\, Too: Decolonial Practices in the Eternal City
DESCRIPTION:This is Rome\, Too: Decolonial Practices in the Eternal City \nGala Patenkovic\, PhD Candidate\, Romance Languages and Literatures \nSeptember 27 from 12:00 – 1:00 pm \nEldersveld Room\, 5670 Haven Hall \nHow can we reimagine the future of museums? How do we make museums decolonial? How does this decolonial practice change our perception of what a museum can be\, and how do we present it to the public? In this talk I will share my experience interning at the Organization QuestaèRoma in Rome\, Italy\, and present their approach in engaging the public with decolonial practices through varied events\, and specifically through their decolonial tours of the capital. These tours highlight what is “hidden in plain sight” : the distant and not-so-distant architectural remnants of colonial history that is often unobserved\, taken for granted and/or unquestioned by the locals and tourists alike. \nGala Patenkovic is a PhD Candidate in the French Program of Romance Languages and Literatures. Her dissertation addresses representations of immigration and belonging in contemporary French comic books. She holds an active interest in visual and museum studies. \nPresentation flyer
URL:https://ummsp.rackham.umich.edu/tribe-event/this-is-rome-too-decolonial-practices-in-the-eternal-city/
LOCATION:Haven Hall\, Eldersveld Room\, 505 S. State Street\, Ann Arbor\, 48109
CATEGORIES:Museums at Noon
GEO:42.2746165;-83.7406863
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20240412T120000
DTEND;TZID=America/Detroit:20240412T130000
DTSTAMP:20240401T194535Z
CREATED:20240328T201110Z
LAST-MODIFIED:20240401T194535Z
UID:10000205-1712923200-1712926800@ummsp.rackham.umich.edu
SUMMARY:We Need to HEAR Them Out: Addressing the Issue of Nazi Expropriated Art Through the Lens of Recent Policies and Practices
DESCRIPTION:We Need to HEAR Them Out: Addressing the Issue of Nazi Expropriated Art Through the Lens of Recent Policies and Practices \nEmily Finch (MSP18) \nApril 12 from 12:00 pm – 1:00 pm \nWhile the Washington Principles\, which turned twenty-five in 2023\, are admired for chaperoning the revitalized effort towards just and fair solutions for those dispossessed of their cultural property (for example\, the art\, books\, and Judaica plundered by the Nazis during World War II)\, they are also admonished for their inconsistent and weak enforcement. Addressing this issue more recently and aimed at filling in the gaps that stemmed from both inconsistent adherence to the Washington Principles and the limited scope of the 2016 HEAR (Holocaust Expropriated Art Recovery) Act\, in 2022 the New York State Legislature passed a legislative package related to Holocaust education which included a provision requiring museums to acknowledge Nazi expropriated art. Anna Kaplan\, the former New York State Senator who introduced the law\, acknowledged scholars’ concerns with the legislation and the law’s limitations. Kaplan concedes it is largely up to museums to implement and police the law themselves. “We are hoping that museums will do the right thing.” Will they?  \nConsidering the recent revisions to the Native American Graves Repatriation Act (NAGPRA) and\, in the case of Nazi expropriated art\, the wave of museums seeking declaratory judgments to quiet title on World War II era cultural heritage property\, perhaps the answer is not on their own. As the restitution debate continues\, policy goals are articulated in pursuit of more ethical heritage practices and loopholes in law and policy continue to be exploited. Related decisions and enactments should be analyzed in the broader context of cultural heritage practices in order to encourage better intersectional methods in museums\, and the art and antiquities market by extension\, to create more effective legislation moving forward. \n  \nEmily G. Finch is an honors JD/ Entertainment\, Arts\, and Sports Law LLM Candidate on the art law track at the University of Miami School of Law. She graduated with her Master of Science in Information (Libraries\, Archives\, and Digital Curation) from the University of Michigan in 2019\, and was a member of the Museum Studies Program’s 2018-19 cohort. Emily received her BA from Kalamazoo College in 2017 (majors in English: Literature and Cultural Studies and History\, Minor: Political Science\, and Concentration: American Studies).  Prior to law school she served as Assistant Professor and Scholarly Communication and Copyright Librarian at Kansas State University and as Library Futures’ Community Fellow. Emily is building an interdisciplinary career at the intersection of law\, ethics\, and policy in cultural heritage spaces with a focus on ethical stewardship practices and access to information. Emily is a lifelong learner and in her free time enjoys community service\, reading\, baking\, and traveling (scheduling as many museum and UNESCO World Heritage Site visits as her companions allow her).  \n  \nClick here to attend via Zoom. \nPresentation flyer
URL:https://ummsp.rackham.umich.edu/tribe-event/we-need-to-hear-them-out-addressing-the-issue-of-nazi-expropriated-art-through-the-lens-of-recent-policies-and-practices/
LOCATION:Online via Zoom
CATEGORIES:Museums at Noon
ATTACH;FMTTYPE=image/png:https://ummsp.rackham.umich.edu/wp-content/uploads/2024/04/MUSEUMS@noon-Emily-Finch-2024.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20240322T120000
DTEND;TZID=America/Detroit:20240322T130000
DTSTAMP:20240314T200613Z
CREATED:20240202T134159Z
LAST-MODIFIED:20240314T200613Z
UID:10000199-1711108800-1711112400@ummsp.rackham.umich.edu
SUMMARY:Exhibit tour at UMMA - "A Gathering"
DESCRIPTION:Join MSP for a guided tour of “A Gathering\,” currently on display at UMMA. The works on view in this exhibition\, all brought into the Museum between 2019 and the present\, shows how institutions like UMMA are becoming more permeable to societal challenges\, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations\, race\, gender\, and ecological change shape the way we engage with the world and inform our visions for the future. \nThe tour will be led by the curator of the exhibit\, our own Félix Zamora Gómez (MSP16)\, Irving Stenn\, Jr. Fellow in Public Humanities & Museum Pedagogy. \nRegister in advance for the tour (space is limited). \nTour flyer
URL:https://ummsp.rackham.umich.edu/tribe-event/exhibit-tour-at-umma-a-gathering/
LOCATION:MI
CATEGORIES:Museums at Noon
ATTACH;FMTTYPE=image/png:https://ummsp.rackham.umich.edu/wp-content/uploads/2024/03/Exhibit-pic.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20240216T120000
DTEND;TZID=America/Detroit:20240216T130000
DTSTAMP:20240207T204440Z
CREATED:20240205T212227Z
LAST-MODIFIED:20240207T204440Z
UID:10000200-1708084800-1708088400@ummsp.rackham.umich.edu
SUMMARY:Hopi R2-D2 and the Return of the Force: Star Wars and indigenous art
DESCRIPTION:Hopi R2-D2 and the Return of the Force: Star Wars & indigenous art \nSpeakers: Duane Koyawena (Artist\, Curator) & Samantha Honanie (Visitor Experience Manager\, Museum of Northern Arizona) \nFriday\, February 16 at 12:00 pm \nEldersveld Room\, 5670 Haven Hall \nJoin the Museum Studies Program in welcoming Samantha Honanie and Duane Koyawena as they discuss the Museum of Northern Arizona’s award-winning exhibition\, “The Force Is With Our People” (2019-2020). Learn about the creation of Hopi-R2\, the resonance of Star Wars themes with the Southwest’s indigenous art communities\, and the ongoing cultural influence of the project. \nClick here for event flyer.
URL:https://ummsp.rackham.umich.edu/tribe-event/hopi-r2d2-and-the-return-of-the-force-star-wars-indigenous-art/
LOCATION:Haven Hall\, Eldersveld Room\, 505 S. State Street\, Ann Arbor\, 48109
CATEGORIES:Museums at Noon
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20231130T120000
DTEND;TZID=America/Detroit:20231130T130000
DTSTAMP:20231013T030444Z
CREATED:20231013T030348Z
LAST-MODIFIED:20231013T030444Z
UID:10000193-1701345600-1701349200@ummsp.rackham.umich.edu
SUMMARY:Competing Interests: Examining Identity Politics in the Display of Ancient Egypt
DESCRIPTION:Competing Interests: Examining Identity Politics in the Display of Ancient Egypt \nHeidi Hilliker\, PhD student in Middle Eastern Studies \nNovember 30 from 12:00 – 1:00 pm \nEldersveld Room\, 5670 Haven Hall \nIn recent years\, there has been a movement to decolonize Western museums\, calling for a practice of self-reflection and transparency paired with a recognition of their Western-centric and criminal foundations. This has led institutions with collections of ancient Egyptian art and artifacts to revisit the ways in which they classify\, interpret\, and display their collections. These shifts in museum practice have revealed many competing interests\, exposing the complex ways in which inclusion\, identity\, and ownership are deeply intertwined. I witnessed these competing interests first-hand this summer during my MSP internship when a new exhibition highlighting the influence of ancient Egypt and Nubia in contemporary black music debuted at the Dutch National Museum of Antiquity in Leiden\, the Netherlands. \nIn this talk\, I will discuss this and other curatorial and institutional case studies that reflect current trends and the complicated discourses developing from them. Additionally\, I will consider the future of these movements and how they may affect museum practices. \nFlyer
URL:https://ummsp.rackham.umich.edu/tribe-event/competing-interests-examining-identity-politics-in-the-display-of-ancient-egypt/
LOCATION:Haven Hall\, Eldersveld Room\, 505 S. State Street\, Ann Arbor\, 48109
CATEGORIES:Museums at Noon
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230929T120000
DTEND;TZID=America/Detroit:20230929T130000
DTSTAMP:20230918T153917Z
CREATED:20230906T232713Z
LAST-MODIFIED:20230918T153917Z
UID:10000188-1695988800-1695992400@ummsp.rackham.umich.edu
SUMMARY:Global Interns: museum practice in Israel & Uganda
DESCRIPTION:Global Interns: museum practice in Israel & Uganda \nSeptember 29 from 12:00 – 1:00 pm \nEldersveld Room\, 5670 Haven Hall \n  \nAlexandra Norwood\,  PhD candidate\, Anthropology \nThe Apes of Uganda: An Exhibit and Outreach Program at the Uganda Museum \nUganda is often called the Pearl of Africa\, a phrase invoked by Winston Churchill describing the country: “for magnificence\, for variety of form and color\, for profusion of brilliant life – bird\, insect\, reptile\, beast” (W. S. Churchill\, 1909). Uganda’s remarkable biodiversity includes the presence of two species of living apes and a rich hominoid fossil record. Uganda’s importance to the evolution and conservation of great apes makes it essential to promote awareness and generate interest in protecting both fossil sites and the living apes. \nThe “Apes of Uganda” Exhibition and Outreach Project is the result of a collaboration between staff at the Uganda National Museum and biological anthropologists at the University of Michigan. The goal of this project was to share information about ape evolution in Uganda\, the lives of chimpanzees and gorillas in Uganda’s National Park\, and the importance of conserving both fossil sites and the National Parks where living apes are found. The exhibition at the Uganda National Museum opened in February 2023 and has been visited by ~ 100\,000 visitors. A complementary schools outreach program carried out in July reached 18 Ugandan public primary and secondary schools in western Uganda\, near National Parks where great apes live. The measured impact of these efforts teaches us valuable lessons about how to make this type of educational programming as effective as possible and demonstrates the importance of meaningful\, outward-facing partnerships between researchers and museums. \nDenisa Glacova\,  PhD student\, Middle East Studies \nIs ANU – Museum of the Jewish People Telling the Whole Story? \nWhen asked about the ten-year-long renovation of ANU – Museum of the Jewish People in Tel Aviv\, Dan Tadmor\, the museum’s CEO explained that the conceptual\, technological\, artistic\, and architectural overhaul was necessary to turn the institution into “the most comprehensive Jewish museum in the world.” Even its name was changed then – the former Beit Hatfutsot\, or the Diaspora Museum\, became ANU\, i.e. we in Hebrew\, reflecting its ambitious attempt to represent “all parts of the Jewish people.” Or\, as Tadmor puts it\, to “tell the whole story.” \nIn my short talk\, I will reflect on my three-month internship at The Koret International School for Jewish Peoplehood in ANU. I will focus on ANU’s “vision of radical [Jewish] togetherness” and address its methodology and tools used to create an overarching exhibition narrative connecting Jewish histories and cultures throughout more than 4\,000 years. Additionally\, I will present a few possibilities to include stories pushed to the margins in the new three-store exhibition and to diversify the narrative of the current exhibition through educational programming in order to get closer to the – in my opinion – unattainable ideal of “telling the whole story.” \nMuseums@Noon flyer
URL:https://ummsp.rackham.umich.edu/tribe-event/museumsnoon-presentations/
LOCATION:Haven Hall\, Eldersveld Room\, 505 S. State Street\, Ann Arbor\, 48109
CATEGORIES:Museums at Noon
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20230407T120000
DTEND;TZID=America/Detroit:20230407T130000
DTSTAMP:20230329T230312Z
CREATED:20230329T205952Z
LAST-MODIFIED:20230329T230312Z
UID:10000182-1680868800-1680872400@ummsp.rackham.umich.edu
SUMMARY:Exploring the past and shaping the future in archives and collections (Museums@Noon)
DESCRIPTION:Kimberly Ransom\, PhD\, MSP18\, Illinois Distinguished Postdoctoral Research Fellow University of Illinois Urbana-Champaign College of Education \nChicago’s Rebuild Foundation’s Stony Island Arts Bank \nWhile interning at Rebuild Foundation’s Stony Island Arts Bank (SAB) in Chicago\, Kimberly Ransom has reviewed the objects and documents in the Ed Williams Black Memorabilia Collection to help Rebuild Artist-Fellows learn how to engage and use the archive as data to inspire and create new art. As an interdisciplinary historian\, Kimberly has also leveraged the collection to further her research and public-facing scholarship. Specifically\, she has examined a collection of early 20 th century postcards with malicious depictions of Black children. Kimberly aims to use the collection to create a counter-narrative of historical photographs that benevolently depict Black children in and around schools on Chicago’s Southside\, visually positioning them as possessors of childhood in the public imagination. In her presentation\, Kimberly will discuss her experience and how community museums and archives can expand historical scholarship toward community art and action. \n  \nPelle Tracey\, MSP21\, PhD candidate at the UM School of Information \nThe Philadelphia Institute of Contemporary Art \nIn the summer of 2022\, Pelle Tracey interned at the Philadelphia Institute of Contemporary Art under the supervision of Assistant Curator Alex Klein. In this presentation\, Pelle will describe two of the main projects he pursued: archiving a recent long-term collaboration between the ICA and the Dakar\, Senegal-based art institution RAW Material Company\, and conducting oral history interviews with Los Angeles artist Carl Cheng. Through these projects Pelle learned a great deal about how a contemporary art museum functions\, and how a museum focused on the future of art engages with the past. \n  \nJoin Zoom Meeting: \nhttps://umich.zoom.us/j/99128919196 \nMeeting ID: 991 2891 9196 \n  \nApril 7 Museums@Noon flyer
URL:https://ummsp.rackham.umich.edu/tribe-event/exploring-the-past-and-shaping-the-future-in-archives-and-collections/
LOCATION:Online via Zoom
CATEGORIES:Museums at Noon
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20221202T120000
DTEND;TZID=America/Detroit:20221202T130000
DTSTAMP:20221024T205859Z
CREATED:20221024T205740Z
LAST-MODIFIED:20221024T205859Z
UID:10000169-1669982400-1669986000@ummsp.rackham.umich.edu
SUMMARY:Digitizing the Dodo: Three-Dimensional Digitization for Research and Public Outreach at the Oxford University Museum of Natural History
DESCRIPTION:Please join us for a Museums at Noon conversation! \nDigitizing the Dodo: Three-Dimensional Digitization for Research and Public Outreach at the Oxford University Museum of Natural History  \nPresenter:  Taylor West (PhD candidate\, Ecology & Evolutionary Biology) \nDate:  Friday\, December 2 \nTime:  12:00 pm \nLocation:  Online via Zoom (Meeting ID: 967 1734 9337 / Passcode 598980) \nThe Oxford University Museum of Natural History began a large redisplay project in April of this year\, with the goal of developing and installing 20 new permanent exhibits in the main court of the Museum. I traveled to Oxford University for my UM Museum Studies practicum to digitize these new displays using structured light scanning technology to create interactive\, 3-D models of the objects located within the new exhibits. This project aims to improve both public access to the OUMNH museum space and also begin a digital collection for researchers at Oxford University and beyond. \nMuseums@Noon_West
URL:https://ummsp.rackham.umich.edu/tribe-event/digitizing-the-dodo-three-dimensional-digitization-for-research-and-public-outreach-at-the-oxford-university-museum-of-natural-history/
LOCATION:Online via Zoom
CATEGORIES:Museums at Noon
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20221024T130000
DTEND;TZID=America/Detroit:20221024T140000
DTSTAMP:20221003T123109Z
CREATED:20220916T214259Z
LAST-MODIFIED:20221003T123109Z
UID:10000165-1666616400-1666620000@ummsp.rackham.umich.edu
SUMMARY:Exhibition tour - “I have a crisis for you”: Women Artists of Ukraine Respond to War
DESCRIPTION:Monday\, Oct 3\, 2022 @ 1 pm \nLane Hall Gallery (204 S. State Street\, Ann Arbor\, MI) \n  \nJoin your MSP colleagues for a tour of the “I have a crisis for you”: Women Artists of Ukraine Respond to War exhibit currently on display in the Lane Hall Gallery.  We are restricted to 15 attendees so please sign up here as soon as possible. \n  \nThe tour will be led by curator and MSP16 alumna\, Grace Mahoney.  Thank you\, Grace!
URL:https://ummsp.rackham.umich.edu/tribe-event/exhibition-tour-i-have-a-crisis-for-you-women-artists-of-ukraine-respond-to-war/
LOCATION:Land Hall Gallery
CATEGORIES:Museums at Noon
ATTACH;FMTTYPE=image/png:https://ummsp.rackham.umich.edu/wp-content/uploads/2022/09/Pic-for-email.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20220415T120000
DTEND;TZID=America/Detroit:20220415T130000
DTSTAMP:20220413T162310Z
CREATED:20220404T201752Z
LAST-MODIFIED:20220413T162310Z
UID:10000160-1650024000-1650027600@ummsp.rackham.umich.edu
SUMMARY:Engaging with Campus Collections - Digital Interpretation and Curation at UMMA & the Stearns Collection
DESCRIPTION:Museums@Noon – Friday\, April 15 at 12:00 pm \nEngaging with Campus Collections – Digital Interpretation and Curation at UMMA & the Stearns Collection \n  \nIsabelle Gillet\, PhD candidate in the History of Art \nMuting the Museum’s Omniscient Narrator\n\nWhy do we trust museum labels even when they sound like they were written by a disengaged but knowledgeable AI? Instead\, can we rely on an “I” to guide our eye through the galleries? This talk will reflect on an eighteen-month fellowship at the University of Michigan Museum of Art and focus on its main accomplishment: Insight. Insight is an online collection of essays\, curated to share insightful\, individual\, and informative responses to works from the museum’s collection. This research outreach project elevates museum interpretation with personal narratives and experiences. \n  \nChuyi Zhu\, PhD candidate in Ethnomusicology \nMuseums in the Pandemic: Virtual Exhibits\, Experience Design\, and Innovative Collaborations \nIn the presentation\, I will talk about two virtual exhibitions I worked on as an intern of the Stearns Collection of Musical Instruments at the University of Michigan. The first virtual exhibition\, which I planned\, designed\, and produced in 2021\, focuses exclusively on the UM Javanese Gamelan. The second exhibition\, which I helped curate in 2022\, focuses more generally on representing the entire Stearns Collection. In the talk\, I will also highlight our collaborations with CultureVerse\, a non-profit organization based in Ann Arbor\, and our use of Saganworks\, a digital tool and cyberspace that creates virtual reality rooms for multidimensional knowledge and visual storytelling. \n  \nRegister for this Zoom webinar. \n  \nGillet and Zhu_BrownBag
URL:https://ummsp.rackham.umich.edu/tribe-event/engaging-with-campus-collections-digital-interpretation-and-curation-at-umma-the-stearns-collection/
LOCATION:MI
CATEGORIES:Museums at Noon
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20220222T120000
DTEND;TZID=America/Detroit:20220222T133000
DTSTAMP:20220209T234553Z
CREATED:20220131T224954Z
LAST-MODIFIED:20220209T234553Z
UID:10000076-1645531200-1645536600@ummsp.rackham.umich.edu
SUMMARY:L’Internationale and the Democracy Pavilion for Europe
DESCRIPTION:L’Internationale’s Democracy Pavilion for Europe aims to reenergize democracy as a desire and practice. It takes the arts’ potential as a starting point for imagining new epistemologies and ethics of living together within the limits of the planet. The pavilion responds to the current political moment and the fact that the idea of democracy that undergirded the post-1945 European order is in peril. Fostering open\, creative debate\, the pavilion serves as a source of inspiration to reframe art and museums as spaces for experimentation and analysis that critically engage current developments in Europe. The Democracy Pavilion is the response of L’Internationale to the European Cultural Foundation’s call to promote critical thinking and radical imagination. The panelists represent institutions affiliated with L’Internationale\, a confederation of seven European art museums from Belgium\, Spain\, the Netherlands\, Turkey\, Sweden\, Slovenia\, and Ireland. Taking the Democracy Pavilion as their core idea\, the presentations together explore new relations between arts\, heritage\, and emancipatory politics. \nPanelists: \n\nZdenka Badovinac – Director\, Museum of Contemporary Art\, Zagreb\, Croatia\nFerran Barenblit – Visiting Professor\, University of Michigan and Board Member\, L’Internationale Association\nCharles Esche – Director\, Van Abbemuseum\, Eindhoven\, Netherlands\n\nCo-sponsored by the Center for European Studies \nRegister for webinar here. \nFlyer_Internationale Pavilion
URL:https://ummsp.rackham.umich.edu/tribe-event/linternationale-and-the-democracy-pavilion-for-europe/
LOCATION:Online via Zoom
CATEGORIES:Museums at Noon
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20220124T120000
DTEND;TZID=America/Detroit:20220124T133000
DTSTAMP:20220114T155702Z
CREATED:20220103T212819Z
LAST-MODIFIED:20220114T155702Z
UID:10000072-1643025600-1643031000@ummsp.rackham.umich.edu
SUMMARY:Museums and their Communities: Curatorial Practices in Germany and the US
DESCRIPTION:Museums and their Communities: Curatorial Practices in Germany and the US \nPanelists: \nAngela Jannelli\, Historical Museum of Frankfurt \nAdam Levine\, Toledo Museum of Art \nSamir Meghelli\, Smithsonian Institution\, Anacostia Community Museum \nHow do museums engage with local communities? This panel offers first-hand experience with different models of museum-based community practice. With its exhibit “Frankfurt Jetzt” (Frankfurt Now) & Stadtlabor (City Laboratory)\, Frankfurt’s historical museum has turned to the city’s residents as experts and invited them to participate in curatorial teams. The Anacostia Community Museum in Washington\, D.C. takes community to heart and works to amplify “collective power for a more equitable future.” The Toledo Art Museum probes a form of community engagement that aims to foster “a sense of belonging for all its audience.” This international panel of distinguished museum curators and directors illuminates how specific forms of engagement work to strengthen museum-community bonds across racial\, economic\, and other social boundaries. What kind of challenges and opportunities are implied in these museum practices and how can municipalities help to sustain them?  Join us for an exploration of museum opportunities and challenges. \nPlease register in advance for this webinar via Zoom. \n \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/museums-and-communities-virtual-panel/
LOCATION:Online via Zoom
CATEGORIES:Museums at Noon
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20211203T120000
DTEND;TZID=America/Detroit:20211203T130000
DTSTAMP:20211123T190620Z
CREATED:20210928T215432Z
LAST-MODIFIED:20211123T190620Z
UID:10000149-1638532800-1638536400@ummsp.rackham.umich.edu
SUMMARY:Natural History Collections and Pandemic Preparedness
DESCRIPTION:Please join us for a Museums at Noon presentation! \nNatural History Collections and Pandemic Preparedness \nPresenters: \n\nCody Thompson\, Mammal Collections Manager and Assistant Research Scientist (University of Michigan Museum of Zoology)\nKendra Phelps\, Senior Scientist (EcoHealth Alliance)\n\nDate:  Friday\, December 3 \nTime:  12:00 pm \nFormat:  Online via Zoom (registration required) \nIn this session\, Cody Thompson and Kendra Phelps will discuss their article\, “Preserve a Voucher Specimen! The Critical Need for Integrating Natural History Collections in Infectious Disease Studies\,” published in January 2021. With COVID-19 as an example of the failed merger of host-pathogen research with collections-based biodiversity science\, the paper reviews past cases of successful integration of museum collections with emerging infectious disease research (e.g.\, hantaviruses\, yellow fever\, parasites).  The research concludes with recommendations for how public health agencies and the microbiology community can integrate their research efforts with museums using a One Health framework. \nCo-sponsored by the Museum of Natural History \nMuseumsNoon_Thompson and Phelps
URL:https://ummsp.rackham.umich.edu/tribe-event/natural-history-collections-and-pandemic-preparedness/
LOCATION:MI
CATEGORIES:Museums at Noon
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20211112T120000
DTEND;TZID=America/Detroit:20211112T130000
DTSTAMP:20211013T153129Z
CREATED:20210915T155802Z
LAST-MODIFIED:20211013T153129Z
UID:10000146-1636718400-1636722000@ummsp.rackham.umich.edu
SUMMARY:Public History Without Borders: A Case Study of Working with Johannesburg’s Constitution Hill
DESCRIPTION:Please join us for a Museums at Noon presentation! \n  \nPublic History Without Borders: A Case Study of Working with Johannesburg’s Constitution Hill \nPresenter: Zachary Kopin (PhD candidate\, History) \nDate:  Friday\, November 12 \nTime:  12:00 pm \nFormat:  This event is presented in hybrid format\, taking place in 2435 North Quad and online via Zoom (registration required). Online participants will be able to ask questions via Q&A. \n  \nHow do public history\, government-funded economic development\, and social justice intersect? What opportunities and conflicts present themselves when scholars work with communities and partner institutions distant from their own? And what happens when scholars encounter prejudices within their partner institutions that are antithetical to the work they are doing together? \n  \nBrownBag_Kopin \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/public-history-without-borders-a-case-study-of-working-with-johannesburgs-constitution-hill/
LOCATION:MI
CATEGORIES:Museums at Noon
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20211029T120000
DTEND;TZID=America/Detroit:20211029T130000
DTSTAMP:20210928T221517Z
CREATED:20210915T155440Z
LAST-MODIFIED:20210928T221517Z
UID:10000145-1635508800-1635512400@ummsp.rackham.umich.edu
SUMMARY:At the Intersection of Time and Culture: Reflections on Researching Ancient Sculpture in the Present-day Louvre
DESCRIPTION:Please join us for a Museums at Noon presentation! \nAt the Intersection of Time and Culture: Reflections on Researching Ancient Sculpture in the Present-day Louvre \nPresenter:  Zoe Ortiz (PhD candidate\, Classical Art & Archaeology) \nDate:  Friday\, October 29 \nTime:  12:00 pm \nFormat:  Online via Zoom (registration required) \n  \nThe Louvre Museum is perhaps the most well-known museum in the entire world. To walk its halls and view its art is more than visiting a museum\, it’s experiencing history itself. The museum came into existence as a fortress in the 12th century but was transformed into a private gallery for the royal collection in the 17th century\, and then finally a public museum during the French Revolution. The collection was greatly expanded under Napoleon\, and it was at this time that the Gabii sculptural assemblage entered the Louvre and became the cornerstone of the Roman sculpture collection. \nIn this talk\, I discuss the ancient site of Gabii\, the sculptures that once stood there\, and their journey at the Louvre. I explore the relationship between present perceptions and ancient praxis\, as well as the transformation of our knowledge and approach to ancient art that is still occurring today. By sharing my reflections during my time at the Louvre\, I hope to invite others to consider how we all play a part in this transformation by viewing ancient art in the present\, setting the stage for future change. \nBrownBag_Ortiz
URL:https://ummsp.rackham.umich.edu/tribe-event/at-the-intersection-of-time-and-culture-reflections-on-researching-ancient-sculpture-in-the-present-day-louvre/
LOCATION:Online via Zoom
CATEGORIES:Museums at Noon
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20210326T120000
DTEND;TZID=America/Detroit:20210326T130000
DTSTAMP:20210317T185805Z
CREATED:20210129T182456Z
LAST-MODIFIED:20210317T185805Z
UID:10000139-1616760000-1616763600@ummsp.rackham.umich.edu
SUMMARY:Interdisciplinary Partnerships and Community Collaborations in Museum Practice - Two Perspectives
DESCRIPTION:Please join us for a Museums at Noon conversation! \nTitle:  Interdisciplinary Partnerships and Community Collaborations in Museum Practice – Two Perspectives \nDate:  Friday\, March 26 \nTime:  12:00 pm \nLocation:  Online via Zoom (Meeting ID: 910 0130 8478 / Passcode: 617448) (direct link) \nPresenters: \n\nChristina DiFabio (PhD candidate\, Interdepartmental Program in Classical Art & Archaeology)\nShannon Ness (PhD candidate\, Interdepartmental Program in Classical Art & Archaeology)\n\n  \nInterdisciplinary College and Professional Learning at the Art Institute of Chicago (Christina DiFabio)   \nThis presentation will discuss how a major art museum in the U.S. engages college and professional groups within various disciplines. During the winter of 2019\, I worked in the Adult Learning Division in the Department of Learning and Public Engagement at the Art Institute of Chicago. In my practicum\, I saw how the division initiates and maintains partnerships with art students at the School of the Art Institute and medical students at University of Illinois Chicago and Rush University. I will discuss how the division approaches art education with these different audiences as well as my own research which proposed how to broaden the medical school partnership to other professions\, such as social work. My work was an initial step in a larger project that is being undertaken by the division to create a wellness program for interdisciplinary students and professionals. \n  \nCommunity Participation and Consultation: Developing a Heritage Center at El Kurru\, Sudan (Shannon Ness) \nThe modern village of El Kurru is one locale within the larger UNESCO World Heritage Site of “Gebel Barkal and the Sites of the Napatan Region” and gives its name to the ancient royal cemetery located there. Although the well-preserved and painted burial chambers attract domestic and international tourists\, there is no site presentation — a detriment to both visitors and residents. As part of a new site management plan\, El Kurru will soon be home to the El Kurru Community Heritage Center\, which strives to be a resource for both visitors and residents alike. The International Kurru Archaeological Project (IKAP) in partnership with Sudanese archaeologists and local stakeholders are preparing programming and the exhibitions on the site’s archaeology and the local culture of El Kurru. \nThis talk will discuss the development of an educational outreach program and the curation of the local heritage exhibit\, which will feature photographs\, objects\, and stories sourced from the local community. While there is general interest in what the Center could be and IKAP has been successful in encouraging participation in the development process\, the talk will also address some of the challenges in moving beyond mere participation and consultation in the effort to foster true collaboration between various stakeholders. \nDiFabio and Ness_BrownBag
URL:https://ummsp.rackham.umich.edu/tribe-event/interdisciplinary-partnerships-and-community-collaborations-in-museum-practice-two-perspectives/
LOCATION:Online via Zoom
CATEGORIES:Museums at Noon
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20210129T120000
DTEND;TZID=America/Detroit:20210129T130000
DTSTAMP:20210120T173127Z
CREATED:20210119T202541Z
LAST-MODIFIED:20210120T173127Z
UID:10000135-1611921600-1611925200@ummsp.rackham.umich.edu
SUMMARY:Our National Marine Sanctuaries\, Protecting America’s Underwater Treasures: A Survey of Michigan’s Thunder Bay National Marine Sanctuary and Underwater Preserve
DESCRIPTION:Please join us for a Museums at Noon conversation! \nTitle: Our National Marine Sanctuaries\, Protecting America’s Underwater Treasures: A Survey of Michigan’s Thunder Bay National Marine Sanctuary and Underwater Preserve \nDate:  Friday\, January 29 \nTime:  12:00 pm \nLocation:  Online via Zoom (register here) \nPresenter: Stephanie Gandulla\, Maritime Archaeologist and Research Coordinator for the Thunder Bay National Marine Sanctuary \nOverview: \nPreserved by the cold freshwater on which they once served\, more than 200 shipwrecks are believed to rest in Lake Huron’s Thunder Bay National Marine Sanctuary. The sheer number of shipwrecks is impressive. However\, it is their excellent state of preservation and what they represent—a century and a half of maritime commerce and travel on the Great Lakes—that make them truly special. \nStephanie Gandulla will take us on  a freshwater journey to a time when schooner and steamer ruled the Great Lakes. We will explore some of the nation’s best-preserved shipwrecks and how the first marine sanctuary in the Great Lakes was designated and became part of the Michigan History Center’s statewide system of museums and historic sites. \nBrownBag_Thunder Bay
URL:https://ummsp.rackham.umich.edu/tribe-event/our-national-marine-sanctuaries-protecting-americas-underwater-treasures-a-survey-of-michigans-thunder-bay-national-marine-sanctuary-and-underwater-preserve-2/
LOCATION:Online via Zoom
CATEGORIES:Museums at Noon
ATTACH;FMTTYPE=image/jpeg:https://ummsp.rackham.umich.edu/wp-content/uploads/2021/01/Thunder-Bay-pic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20201113T120000
DTEND;TZID=America/Detroit:20201113T130000
DTSTAMP:20201028T200704Z
CREATED:20201019T202050Z
LAST-MODIFIED:20201028T200704Z
UID:10000133-1605268800-1605272400@ummsp.rackham.umich.edu
SUMMARY:Museum Narratives and Transnational Reputations: History\, State Legitimacy\, and Contested Heritage in Ukraine and Spain
DESCRIPTION:Please join us for a Museums at Noon conversation! \nTitle:  Museum Narratives and Transnational Reputations: History\, State Legitimacy\, and Contested Heritage in Ukraine and Spain \nDate:  Friday\, November 13 \nTime:  12:00 pm \nLocation:  Online via Zoom (Meeting ID: 963 1071 4395 / Passcode: 685197) \nPresenters: \n\nGrace Mahoney (PhD candidate\, Slavic Languages and Literatures)\nFélix Zamora-Gómez (PhD candidate\, Romance Languages and Literatures)\n\nOverview: \nHow do curatorial works and memorial sites simultaneously serve as tools for constructing national identities and as materials in a state’s claim for transnational reputation? How can we frame these questions in the context of post-dictatorial nations and their contested heritage? Looking at the two different cases of Ukraine and Spain\, this presentation will unravel the multiplicity of ways in which cultural artifacts and narratives become the very sites for these discussions and crystalize the impact of these often violent legacies. \nGrace Mahoney: \nMikhail Bulgakov (1891-1940) is a highly celebrated author and playwright who was censored under the Soviet regime\, but has enjoyed significant memorialization in post-Soviet space. Highly associated with Moscow\, the memorial apparatus dedicated to Bulgakov in the Russian capital is well established. Bulgakov’s lesser-known connection with Kyiv\, which was part of Russian Empire\, Soviet Union\, and is now the capital of independent Ukraine\, is lesser known and further obscured by the author’s seemingly “undesirable” connection with the city. Nevertheless\, a house museum in Kyiv founded in 1990 celebrates biography of the Bulgakov family who resided there and the author’s 1924 novel The White Guard\, which portrays the calamity of the Civil War in the city in the wake of the 1917 Bolshevik revolution that brought an end to the Russian Empire. The novel focuses on the seizure of Kyiv by Ukrainian forces and admonishes Ukrainian national aspirations. This narrative doesn’t play well in Ukraine today and is perceived by some cultural activists and political figures as part of a colonial legacy that must be rooted out if the nation is to thrive. The museum then becomes the locus of this debate and is perceived by many as the institutional legacy of Russian chauvinism that has no place in the Ukrainian national landscape today. In my presentation\, I trace the dynamics of the Bulgakov-White Guard narrative in an attempt to demonstrate the complexity of this heritage and how\, in fact\, its contested nature keeps the narrative vital\, demanding a nuanced approach to the past. \nFélix Zamora-Gómez: \nAfter receiving financial and political support from the US government in the fifties\, Spain went from fascist ally of Germany and Italy to be regarded as a legitimate nation full of liberties\, prosperity\, and culture. During the following decade\, Spain became the tourist spot it is today and underwent a radical economic\, infrastructural\, and political transformation that today is known as the desarrollismo (developmentalism) period. As a new ally and member of the “Free World”\, the Spanish Civil War (1936-1939) that gave origin to the Francoist regime became a thorny heritage to defend in the eyes of the international community. For that purpose\, in 1964 the dictatorship celebrated the 25th anniversary of the end of the war under the name “XXV years of Spanish Peace” and organized several exhibitions around that theme with the purpose of laundering its international reputation. This presentation will dive into two of them: “España 64” and the Spanish pavilion at the New York’s World Fair of 1964. This presentation explores how these two exhibitions used curatorial narratives and cultural artifacts to deal with the haunting impact of the Civil War\, promote an image of Spain as a country of growth and freedom\, and even defend the democratic nature of the dictatorial regime. \nZamora-Gomez&Mahoney_BrownBag_FINAL \n  \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/museum-narratives-and-transnational-reputations-history-state-legitimacy-and-contested-heritage-in-ukraine-and-spain/
LOCATION:MI
CATEGORIES:Museums at Noon
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20201009T120000
DTEND;TZID=America/Detroit:20201009T130000
DTSTAMP:20200928T174724Z
CREATED:20200923T155223Z
LAST-MODIFIED:20200928T174724Z
UID:10000065-1602244800-1602248400@ummsp.rackham.umich.edu
SUMMARY:Learning from History at The Henry Ford – Two Perspectives
DESCRIPTION:Please join us for a Museums at Noon conversation! \nTitle:  Learning from History at The Henry Ford – Two Perspectives \nDate:  Friday\, October 9 \nTime:  12:00 pm \nLocation:  Online via Zoom (Meeting ID: 930 4573 8463 / Passcode 103356) \nPresenters: \n\nBradley L. Taylor (Associate Director Emeritus\, Museum Studies Program)\nCalder Fong (PhD\, Germanic Languages and Literatures)\n\nReconstructing History/Reimagining Originality: The Case of Henry Ford’s English Preservations (Bradley Taylor) \nAs the Stock Market Crash of 1929 was about to plunge the world into the Great Depression\, Henry Ford was putting finishing touches on an outdoor museum of historic structures known today as Greenfield Village.  Ford’s interest in preserving old buildings on site had existed for years but this assemblage of structures moved from other parts of the country was something few had seen before.  Ford and his team thus led an effort to preserve in a way that offered little precedent upon which to draw. \nThe presentation showcases Ford’s efforts to rescue three English structures—a retail store\, a home\, and a forge—and finds that the stories of these three preservations lead us to new ways of considering deeply held assumptions about the nature of “originality” and “authenticity.” \n  \nThe Deluxe Engine: Lessons from the Life of an Industrial Heritage Object at The Henry Ford (Calder Fong) \nCan a single object tell the story of an entire museum? Join Calder on a journey through time and space\, as he accompanies an 1887 Crossley Bros. internal combustion engine through the departments of The Henry Ford Museum of American Innovation. Encounter Henry Ford as an early pioneer of urbexing\, and discover a transnational network of engineers and their museums. Survey the wide range of disciplines that assemble to make The Henry Ford work! And of course\, learn the secret to taking care of your very own Deluxe Engine. \nTaylor&Fong_BrownBag_FINAL
URL:https://ummsp.rackham.umich.edu/tribe-event/learning-from-history-at-the-henry-ford-two-perspectives/
LOCATION:Online via Zoom
CATEGORIES:Museums at Noon
ATTACH;FMTTYPE=image/png:https://ummsp.rackham.umich.edu/wp-content/uploads/2020/09/Pic_comboH.png
ORGANIZER;CN="UMMSP":MAILTO:ummsp@umich.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20200417T120000
DTEND;TZID=America/Detroit:20200417T130000
DTSTAMP:20200505T192107Z
CREATED:20200225T204539Z
LAST-MODIFIED:20200505T192107Z
UID:10000060-1587124800-1587128400@ummsp.rackham.umich.edu
SUMMARY:Our National Marine Sanctuaries\, Protecting America's Underwater Treasures:  A Survey of Michigan's Thunder Bay National Marine Sanctuary and Underwater Preserve
DESCRIPTION:This event needed to be cancelled to to COVID-19 precautions. \n \nTitle:  Our National Marine Sanctuaries\, Protecting America’s Underwater Treasures: A Survey of Michigan’s Thunder Bay National Marine Sanctuary and Underwater Preserve \nDate:  Friday\, April 17 \nTime:  12:00 pm \nLocation:  UM Museum of Art\, Multi-Purpose Room (125) \nPresenter:  Sarah Waters (Education and Outreach Coordinator\, National Oceanic and Atmospheric Administration\, Thunder Bay National Marine Sanctuary) \nPreserved by the cold freshwater on which they once served\, more than 200 shipwrecks are believed to rest in Lake Huron’s Thunder Bay National Marine Sanctuary (TBNMS). The sheer number of shipwrecks is impressive. However\, it is their excellent state of preservation and what they represent—a century and a half of maritime commerce and travel on the Great Lakes—that make them truly special. \nSarah Waters\, the Education Coordinator of TBNMS\, will take us on a freshwater journey to a time when schooner and steamer ruled the Great Lakes. We will explore some of the nation’s best-preserved shipwrecks\, how the first marine sanctuary in the Great Lakes was designated and became part of the Michigan History Center’s statewide system of museums and historic sites.  2020 is the twentieth anniversary of the sanctuary’s designation to protect the Great Lakes and their rich history for future generations. \nBrownBag_Waters \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/our-national-marine-sanctuaries-protecting-americas-underwater-treasures-a-survey-of-michigans-thunder-bay-national-marine-sanctuary-and-underwater-preserve/
LOCATION:MI
CATEGORIES:Museums at Noon
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20200410T120000
DTEND;TZID=America/Detroit:20200410T130000
DTSTAMP:20200505T192812Z
CREATED:20200224T234146Z
LAST-MODIFIED:20200505T192812Z
UID:10000057-1586520000-1586523600@ummsp.rackham.umich.edu
SUMMARY:Community Participation and Consultation: Developing a Heritage Center at El Kurru\, Sudan
DESCRIPTION:This event needed to be cancelled to to COVID-19 precautions. \n \nTitle:  Community Participation and Consultation: Developing a Heritage Center at El Kurru\, Sudan \nDate:  Friday\, April 10 \nTime:  12:00 pm \nLocation:  UM Museum of Art\, Multi-Purpose Room (125) \nPresenter:  Shannon Ness (PhD candidate\, Interdepartmental Program in Classical Art & Archaeology) \nThe presenter will discuss the development of an educational outreach program and curation of a local heritage exhibit at the El Kurru Community Heritage Center in Sudan.  The International Kurru Archaeological Project\, Sudanese archaeologists\, and local stakeholders are preparing programming and exhibitions about the site’s archaeology and the local culture. \nNote:  Drone photograph of El-Kurru. The royal cemetery centered on pyramid Ku. 1 is in the foreground\, the modern village is behind that\, and the Nile River is just visible at the top. Photograph by Kate Rose.
URL:https://ummsp.rackham.umich.edu/tribe-event/community-participation-and-consultation-developing-a-heritage-center-at-el-kurru-sudan/
LOCATION:University of Michigan Museum of Art\, First Floor\, Multi-Purpose Room\, 525 South State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Museums at Noon
GEO:42.276802;-83.738289
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=University of Michigan Museum of Art First Floor Multi-Purpose Room 525 South State Street Ann Arbor MI 48109 United States;X-APPLE-RADIUS=500;X-TITLE=525 South State Street:geo:-83.738289,42.276802
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20200409T120000
DTEND;TZID=America/Detroit:20200409T130000
DTSTAMP:20200505T192241Z
CREATED:20200127T205628Z
LAST-MODIFIED:20200505T192241Z
UID:10000129-1586433600-1586437200@ummsp.rackham.umich.edu
SUMMARY:Museums and Movies: Reflecting and Shaping Cultural Perspectives
DESCRIPTION:This event needed to be cancelled to to COVID-19 precautions. \n \nTitle:  Museums and Movies: Reflecting and Shaping Cultural Perspectives \nDate:  Thursday\, April 9 \nTime:  12:00 pm \nLocation:  UM Museum of Art\, Multi-Purpose Room (125) \nPresenter:  Susan Dine (PhD candidate\, History of Art) \nTo date\, the history and function of a museum in society as well as the museum-visitor perspective\, through visitor studies\, have been studied in-depth. In contrast\, the museum in popular visual culture—especially among a public that includes non-museum visitors—has not yet been deeply explored. A close look at two popular movie examples\, the Indiana Jones franchise of the 1980s and the 2018 Black Panther\, illustrates significant shifts in public perceptions of museums as an institution over the last four decades. This talk will present analyses of the two case studies\, looking at both in relation to contemporaneous museum study and practice and addressing how popular visual culture can both reflect and shape cultural perspectives. \nBrownBag_Dine \n*Note\, this presentation was re-scheduled from a previous date \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/museums-and-movies-reflecting-and-shaping-cultural-perspectives/
LOCATION:University of Michigan Museum of Art\, First Floor\, Multi-Purpose Room\, 525 South State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Museums at Noon
ATTACH;FMTTYPE=image/jpeg:https://ummsp.rackham.umich.edu/wp-content/uploads/2020/01/Dine_msp-brown-bag-image.jpg
GEO:42.276802;-83.738289
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20200403T120000
DTEND;TZID=America/Detroit:20200403T130000
DTSTAMP:20200505T192325Z
CREATED:20200225T002804Z
LAST-MODIFIED:20200505T192325Z
UID:10000059-1585915200-1585918800@ummsp.rackham.umich.edu
SUMMARY:The Deluxe Engine: Lessons from the Life of an Industrial Heritage Object at The Henry Ford
DESCRIPTION:This event needed to be cancelled to to COVID-19 precautions. \n \nTitle:  The Deluxe Engine: Lessons from the Life of an Industrial Heritage Object at The Henry Ford \nDate:  Friday\, April 3 \nTime:  12:00 pm \nLocation:  UM Museum of Art\, Multi-Purpose Room (125) \nPresenter:  Calder Fong (PhD\, German Languages and Literatures) \nCan a single object tell the story of an entire museum? Join Calder on a journey through time and space\, as he accompanies an 1887 Crossley Bros. internal combustion engine through the departments of The Henry Ford Museum of American Innovation. Encounter Henry Ford as an early pioneer of urbexing\, discover a transnational network of engineers and their museums\, and tremble before the auctioneer’s gavel as we trace the history of this artifact! Survey the wide range of disciplines that assemble to make The Henry Ford work! And of course\, learn the secret to taking care of your very own Deluxe Engine. \nBrownBag_Fong
URL:https://ummsp.rackham.umich.edu/tribe-event/6317/
LOCATION:University of Michigan Museum of Art\, First Floor\, Multi-Purpose Room\, 525 South State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Museums at Noon
GEO:42.276802;-83.738289
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=University of Michigan Museum of Art First Floor Multi-Purpose Room 525 South State Street Ann Arbor MI 48109 United States;X-APPLE-RADIUS=500;X-TITLE=525 South State Street:geo:-83.738289,42.276802
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20200326T120000
DTEND;TZID=America/Detroit:20200326T130000
DTSTAMP:20200505T192406Z
CREATED:20200224T230832Z
LAST-MODIFIED:20200505T192406Z
UID:10000055-1585224000-1585227600@ummsp.rackham.umich.edu
SUMMARY:Interdisciplinary College and Professional Learning at the Art Institute of Chicago
DESCRIPTION:This event needed to be cancelled to to COVID-19 precautions. \nExterior of Art Institute of Chicago. \nTitle:  Interdisciplinary College and Professional Learning at the Art Institute of Chicago \nDate:  Thursday\, March 26 \nTime:  12:00 pm \nLocation:  UM Museum of Art\, Multi-Purpose Room (125) \nPresenter:  Christina DiFabio (PhD candidate\, Interdepartmental Program in Classical Art & Archaeology) \nThis presentation will discuss how a major art museum in the U.S. engages college and professional groups within various disciplines. During the winter of 2019\, I worked in the Adult Learning Division in the Department of Learning and Public Engagement at the Art Institute of Chicago. In my practicum\, I saw how the division initiates and maintains partnerships with art students at the School of the Art Institute and medical students at University of Illinois Chicago and Rush University. I will discuss how the division approaches art education with these different audiences as well as my own research which proposed how to broaden the medical school partnership to other professions\, such as social work. My work was an initial step in a larger project that is being undertaken by the division to create a wellness program for interdisciplinary students and professionals. \nBrownBag_DiFabio
URL:https://ummsp.rackham.umich.edu/tribe-event/interdisciplinary-college-and-professional-learning-at-the-art-institute-of-chicago/
LOCATION:University of Michigan Museum of Art\, First Floor\, Multi-Purpose Room\, 525 South State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Museums at Noon
GEO:42.276802;-83.738289
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=University of Michigan Museum of Art First Floor Multi-Purpose Room 525 South State Street Ann Arbor MI 48109 United States;X-APPLE-RADIUS=500;X-TITLE=525 South State Street:geo:-83.738289,42.276802
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20200320T120000
DTEND;TZID=America/Detroit:20200320T130000
DTSTAMP:20200505T192458Z
CREATED:20200128T223948Z
LAST-MODIFIED:20200505T192458Z
UID:10000131-1584705600-1584709200@ummsp.rackham.umich.edu
SUMMARY:Reconstructing History/Reimagining Originality: The Case of Henry Ford’s English Preservations
DESCRIPTION:This event needed to be cancelled to to COVID-19 precautions. \n \nTitle:  Reconstructing History/Reimagining Originality: The Case of Henry Ford’s English Preservations \nDate:  Friday\, March 20 \nTime:  12:00 pm \nLocation:  UM Museum of Art\, Multi-Purpose Room (125) \nPresenter:  Bradley L. Taylor (Associate Director\, Museum Studies Program) \nAs the Stock Market Crash of 1929 was about to plunge the world into the Great Depression\, Henry Ford was putting finishing touches on an outdoor museum of historic structures known today as Greenfield Village.  Ford’s interest in preserving old buildings on site had existed for years but this assemblage of structures moved from other parts of the country was something few had seen before.  Ford and his team thus led an effort to preserve in a way that offered little precedent upon which to draw. \nThis talk showcases Ford’s efforts to rescue three English structures—a retail store\, a home\, and a forge—and finds that the stories of these three preservations lead us to new ways of considering deeply held assumptions about the nature of “originality” and “authenticity.” \nBrownBag_Taylor \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/reconstructing-history-reimagining-originality-the-case-of-henry-fords-english-preservations/
LOCATION:University of Michigan Museum of Art\, First Floor\, Multi-Purpose Room\, 525 South State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Museums at Noon
GEO:42.276802;-83.738289
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=University of Michigan Museum of Art First Floor Multi-Purpose Room 525 South State Street Ann Arbor MI 48109 United States;X-APPLE-RADIUS=500;X-TITLE=525 South State Street:geo:-83.738289,42.276802
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20200319T120000
DTEND;TZID=America/Detroit:20200319T130000
DTSTAMP:20200505T192546Z
CREATED:20200210T235807Z
LAST-MODIFIED:20200505T192546Z
UID:10000051-1584619200-1584622800@ummsp.rackham.umich.edu
SUMMARY:Preserving Context for Museum Collections: Implications\, Challenges\, Strategies
DESCRIPTION:This event needed to be cancelled to to COVID-19 precautions. \n \nTitle:  Preserving Context for Museum Collections: Implications\, Challenges\, Strategies \nDate:  Thursday\, March 19 \nTime:  12:00 pm \nLocation:  UM Museum of Art\, Multi-Purpose Room (125) \nPresenter:  Jeremy York (PhD candidate\, Information) \nIn this talk\, Jeremy will discuss the importance of preserving contextual information about museum objects and the challenges he experienced in doing so during his Museum Studies internship in the Research Library and Archives at the Detroit Institute of Arts (DIA). Jeremy’s talk will draw on two projects he worked on: assessing the feasibility of using a more robust system to track works that reference items owned by the DIA\, and making digitized photographs from historical exhibitions at the DIA available on the Web. Jeremy will describe some of the strategies he used to address challenges surrounding the capture\, enhancement\, and migration of metadata in these projects\, and reflect on his experience within the broader context of museum theory and practice. \nBrownBag_York
URL:https://ummsp.rackham.umich.edu/tribe-event/preserving-context-for-museum-collections-implications-challenges-strategies/
LOCATION:University of Michigan Museum of Art\, First Floor\, Multi-Purpose Room\, 525 South State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Museums at Noon
GEO:42.276802;-83.738289
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=University of Michigan Museum of Art First Floor Multi-Purpose Room 525 South State Street Ann Arbor MI 48109 United States;X-APPLE-RADIUS=500;X-TITLE=525 South State Street:geo:-83.738289,42.276802
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20200313T120000
DTEND;TZID=America/Detroit:20200313T130000
DTSTAMP:20200505T192624Z
CREATED:20200128T223524Z
LAST-MODIFIED:20200505T192624Z
UID:10000130-1584100800-1584104400@ummsp.rackham.umich.edu
SUMMARY:Collecting Oceania
DESCRIPTION:This event needed to be cancelled to to COVID-19 precautions. \n \nTitle:  Collecting Oceania \nDate:  Friday\, March 13 \nTime:  12:00 pm \nLocation:  UM Museum of Art\, Multi-Purpose Room (125) \nPresenter:  Emily Cornish (PhD candidate\, History of Art) \nTraveling along numerous intellectual\, social\, political and cultural currents\, objects from the Pacific Islands have been circulating in United States’ museum collections since the nineteenth century\, especially in universal art museums.  Using a mid-Atlantic U.S. institution as a case study\, this talk explores Pacific Islands holdings and collection histories. Close engagement with museum object files\, digital catalogue\, and the objects themselves reveals a complex collecting history that encompasses the twentieth century obsession with the so-called “primitive arts\,” U.S. involvement in WWII\, and contemporary ethical dilemmas regarding the repatriation of human remains and sacred objects. By tracking aspects like objects’ display histories\, language of classification\, and more\, the bounded nature and value of this collection in relation to the museum’s current priorities\, initiative\, and constraints comes to the fore\, ultimately prompting consideration of the museum’s responsibility today to such objects and their source communities. \nBrownBag_Cornish
URL:https://ummsp.rackham.umich.edu/tribe-event/collecting-oceania/
LOCATION:University of Michigan Museum of Art\, First Floor\, Multi-Purpose Room\, 525 South State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Museums at Noon
GEO:42.276802;-83.738289
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=University of Michigan Museum of Art First Floor Multi-Purpose Room 525 South State Street Ann Arbor MI 48109 United States;X-APPLE-RADIUS=500;X-TITLE=525 South State Street:geo:-83.738289,42.276802
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20190419T120000
DTEND;TZID=America/Detroit:20190419T130000
DTSTAMP:20190219T202608Z
CREATED:20181221T160739Z
LAST-MODIFIED:20190219T202608Z
UID:10000117-1555675200-1555678800@ummsp.rackham.umich.edu
SUMMARY:Reinstalling Early Greece at the Museum of Fine Arts\, Boston
DESCRIPTION:Date:  Friday\, April 19 \nTime:  12:00 pm \nLocation:  UM Museum of Art\, Multi-Purpose Room (125) \nPresenter:  Caitlin Clerkin (PhD candidate\, Interdepartmental Program in Classical Art & Archaeology) \nReinstalling Early Greece at the Museum of Fine Arts\, Boston \nIn the course of my practicum at the Museum of Fine Arts\, Boston\, I aided in research and planning for a reinstallation of a permanent gallery. From my position in the Greek and Roman Art section of the Art of the Ancient World department\, my main project focused on planning a new gallery of “early Greek”—post-Bronze Age\, pre-Persian Wars—art. My work consisted largely of object-based research\, and wider research into framing and scholarly trends. In this work\, I (with the curator) thought about balancing familiar—and sometimes outdated—narratives with new scholarship\, how to balance the desire for “full coverage” with idiosyncratic collections\, what stories to tell\, and how to strike a balance between only using ancient objects illustratively and fetishizing them as decontextualized objects. In this presentation\, I’ll especially address issues we faced that are common to decision-making for ancient art galleries\, particularly regarding narratives—both in the sense of the arguments being made in galleries and the narratives with which visitors enter the galleries. \nBrownBag_Clerkin \n \n 
URL:https://ummsp.rackham.umich.edu/tribe-event/museums-at-noon-presentation-6/
LOCATION:MI
CATEGORIES:Museums at Noon
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20190412T120000
DTEND;TZID=America/Detroit:20190412T130000
DTSTAMP:20190219T201001Z
CREATED:20181221T160550Z
LAST-MODIFIED:20190219T201001Z
UID:10000116-1555070400-1555074000@ummsp.rackham.umich.edu
SUMMARY:Online Collections and Teaching Whiteness at the University of Michigan Museum of Art
DESCRIPTION:Date:  Friday\, April 12 \nTime:  12:00 pm \nLocation:  UM Museum of Art\, Multi-Purpose Room (125) \nPresenter:  Christopher Mulvey (PhD\, Anthropology) \nOnline Collections and Teaching Whiteness at the University of Michigan Museum of Art \nOver the summer of 2018\, I worked as an intern with the Education Department at the University of Michigan Museum of Art\, creating teaching resources with themes centered on “whiteness” and “masculinities.” Using the online system “The Exchange\,” I reviewed UMMA’s collection and generated new Teaching Collections and Resources on aspects of the collection that were relatively underexplored\, in addition to leading several tours centered on race\, ethnicity\, and gender. This work opened questions of access\, knowledge production\, and the value of underutilized collections. My Brown Bag talk will highlight how museums can begin to loosen their grip on curating collections through the creation and maintenance of systems like The Exchange\, which offer chances for both University and broader publics to engage with shaping how images can be put into conversation with one another. In addition\, I will discuss curating whiteness and masculinities—subjects that often fall by the wayside in teaching both history and art—in an effort to illustrate how the museum can broadly effect change and work against its colonial history. \nBrownBag_Mulvey
URL:https://ummsp.rackham.umich.edu/tribe-event/museums-at-noon-presentation-5/
LOCATION:University of Michigan Museum of Art\, First Floor\, Multi-Purpose Room\, 525 South State Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Museums at Noon
GEO:42.276802;-83.738289
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=University of Michigan Museum of Art First Floor Multi-Purpose Room 525 South State Street Ann Arbor MI 48109 United States;X-APPLE-RADIUS=500;X-TITLE=525 South State Street:geo:-83.738289,42.276802
END:VEVENT
END:VCALENDAR