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SUMMARY:America at 250: a Conversation with Lonnie G. Bunch III\, Secretary of the Smithsonian Institution
DESCRIPTION:America at 250: History\, Memory\, and Truth \nA Conversation with Lonnie G. Bunch III\, Secretary of the Smithsonian Institution\nTuesday\, March 31\, 6pm (doors open at 5:15pm)\nRackham Auditorium\, 915 E. Washington St.\nFree & open to the public \nMuseums are the classrooms of our country. They play a crucial role in helping us understand the nation’s complex past. Join us for a dynamic conversation with Lonnie G. Bunch III\, Secretary of the Smithsonian Institution\, and Lynette Clemetson\, director of Wallace House Center for Journalists\, as they reflect on the significance of the 250th anniversary of the United States. At a moment in which discussions about our shared past and collective future feel especially urgent\, this event offers an opportunity to learn from a leader who has devoted his career to informing and inspiring Americans to strive for the public good. \nQ&A will follow and copies of Secretary Bunch’s book “A Fool’s Errand: Creating the National Museum of African American History and Culture in the Age of Bush\, Obama\, and Trump” will be available for purchase. \nLonnie G. Bunch III is the 14th Secretary of the Smithsonian. He assumed his position June 16\, 2019. As Secretary\, he oversees 21 museums\, 21 libraries\, the National Zoo\, numerous research centers\, and several education units and centers. Two new museums—the National Museum of the American Latino and the Smithsonian American Women’s History Museum—are in development. Bunch was the founding director of the Smithsonian’s National Museum of African American History and Culture. Bunch chronicled the creation of the museum in his book A Fool’s Errand: Creating the National Museum of African American History and Culture in the Age of Bush\, Obama\, and Trump and is the first historian to be Secretary of the Institution. Since 2024\, Bunch has been Honorary Professor of Practice at Queen’s University Belfast. A member of the American Academy of Arts & Sciences\, Bunch received France’s highest award\, The Legion of Honor\, in 2021. \nLynette Clemetson is Director of Wallace House Center for Journalists\, home of the Knight-Wallace Fellowships for Journalists and the Livingston Awards for Young Journalists at the University of Michigan. She came to the university from NPR where she was Senior Director of Strategy and Content Initiatives. Her career in journalism spans newspapers\, magazines and audio across a range of platforms. As a reporter\, she was a Washington-based correspondent for The New York Times and Newsweek. Prior to her domestic correspondent work\, she was an international correspondent for Newsweek based in Hong Kong\, where she covered the former British colony’s return to Chinese rule in 1997. She moved into digital strategy and leadership in 2008 as the founding managing editor of TheRoot.com\, launched for The Washington Post Company with Henry Louis Gates Jr. She is also the former Director of Content Strategy at Pew Center on the States. \nThis 2026 Marc and Constance Jacobson Lecture is presented by the Institute for the Humanities in partnership with Wallace House Center for Journalists. Additional support provided by the Initiative for Democracy & Civic Empowerment\, Life-Changing Education\, Museum Studies Program\, U-M Library\, and the U-M Museum of Art.
URL:https://ummsp.rackham.umich.edu/tribe-event/america-at-250-a-conversation-with-lonnie-g-bunch-iii-secretary-of-the-smithsonian-institution/
LOCATION:Rackham Graduate School\, 915 E. Washington Street\, Ann Arbor\, MI\, 48109\, United States
CATEGORIES:Lectures
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SUMMARY:In the Shadow of the Empire: Calcutta’s Victoria Memorial and its Cast of Moving Statuary
DESCRIPTION:Presentation by Tapati Guha-Thakurta \nOctober 23 at 4:00 pm \nEldersveld Room\, 5670 Haven Hall (505 S. State Street\, Ann Arbor) \nWith a focus on Calcutta’s landmark monument – the most grandiose of the memorials to the Queen of all the ones built across the British imperial territories – this lecture addresses the theme of the end of empire through the persistence and proliferation of the genre of civic public statuary\, its shifting cast of characters\, and its movements across time and space. It is on the grounds of the Victoria Memorial – in the lingering shadows of a bygone empire – that a brood of imperial statues have found a safe haven\, quietly living out their post-imperial lives of oblivion in a time and place where the empire is long gone but its hauntings remain.  In the recent past\, we have seen how such hauntings of the past can suddenly return to a body of long-standing statues of American Confederate leaders\, slave owners and imperialists\, bringing on them the wrath of anti-white supremacist protests that began to rage across Western cities and universities during 2020. What the Black Lives Matter movement did was to return attention in India to the long-forgotten specimens of colonial statuary\, mostly hidden away in remote locations of our cities – raising the issue again\, after over 75 years of Independence\, of their rights to remain in the spaces where they still stand. The afterlives of these relics of empire is a central theme of this lecture\, as it explores various moments in the travels\, dislocations and relocations of Calcutta’s imperial statues\, while charting a small parallel history of Indian statue-making over these transitional decades of the last years of British rule and the coming of Independence. \n  \nTapati Guha-Thakurta was educated at Presidency College\, Calcutta University\, and the University of Oxford. She is currently an Honorary Professor of History at the Centre for Studies in Social Sciences\, Calcutta (CSSSC) and was its former Director from 2012 to 2017. She has written widely on the art and cultural history of modern India\, and has held several visiting fellowships abroad. Her three main books are The Making of a New ‘Indian’ Art: Artists\, Aesthetics and Nationalism in Bengal (Cambridge University Press\, 1992) and Monuments\, Objects\, Histories: Institutions of Art in Colonial and Postcolonial India (Columbia University Press\, and Permanent Black\, 2004)\, and In the Name of the Goddess: The Durga Pujas of Contemporary Kolkata (Delhi: Primus Books\, 2015). She has also had a parallel career as exhibition curator and archivist\, and has helped build a large digital image archive on the visual cultures of modern and contemporary Bengal at the CSSSC. She has co-edited three anthologies of essays – Theorising the Present: Essays for Partha Chatterjee (Delhi: Oxford University Press\, 2011); New Cultural Histories of India: Materiality and Practices (Delhi: Oxford University Press\, 2013); and How Secular is Art? On the Politics of Art\, History and Religion in South Asia (Cambridge University Press\, 2023). Among her other professional work is the preparation of a dossier on the Durga Pujas of Kolkata for the Ministry of Culture\, Government of India\, which has brought to the festival the coveted UNESCO inscription under its List of the Intangible Cultural Heritage of Humanity in December 2021.
URL:https://ummsp.rackham.umich.edu/tribe-event/in-the-shadow-of-the-empire-calcuttas-victoria-memorial-and-its-cast-of-moving-statuary/
LOCATION:Haven Hall\, Eldersveld Room\, 505 S. State Street\, Ann Arbor\, 48109
CATEGORIES:Lectures
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